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Offenbach: Orchestral Works

Neeme Järvi

Symphonies - Released November 1, 2015 | Chandos

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Offenbach: Les contes d'Hoffmann (Live)

Wiener Philharmonic Orchestra

Opera - Released September 4, 2009 | Orfeo

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Offenbach: Les Contes d'Hoffmann

André Cluytens

Classical - Released January 1, 1965 | Warner Classics

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Cellopera

Ophélie Gaillard

Opera - Released March 5, 2021 | Aparté

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Cellists rarely think of themselves as "prima donnas", and yet this is Ophélie Gaillard's gambit on this album, which is perhaps a questionable choice. The answer may be found on the cover showing the cellist opening the heavy red curtain of an opera stage with an amused look. It's a hint at the fact that it takes a good dose of courage and nerve to tackle the greatest pages of the operatic repertoire, from Don Giovanni to the operetta Toi, c'est moi, via the hits of Bellini, Rossini, Donizetti, Verdi, Puccini (E lucevan le stelle!!!), but also Tchaikovsky (Lenski's great aria in Eugene Onegin) or the famous O! du mein Holder from Wagner's Tannhäuser. During a rehearsal of Don Giovanni at the Festival d'Aix-en-Provence, the solo cello of the Mahler Chamber Orchestra suddenly had to replace an absent singer, under the direction of Daniel Harding. It was at that moment that Ophélie Gaillard developed the idea of this original programme of operatic arias without words. © François Hudry/Qobuz
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Opera Arias by Mado Robin: Lakmé "Air des Clochettes, "Flower Duet" ..

Mado Robin

Classical - Released January 12, 2022 | Alexandre Bak - Classical Music Reference Recording

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Offenbach: Les Contes d'Hoffman

Dame Joan Sutherland

Classical - Released January 1, 1972 | Decca Music Group Ltd.

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Offenbach: Les contes d'Hoffmann

Raoul Jobin

Classical - Released January 1, 1948 | Warner Classics

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Les contes d'Hoffmann: Barcarolle (Arr. for 2 Cellos and Piano)

Raphaela Gromes

Classical - Released May 3, 2019 | Sony Classical - Sony Music

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No(s) Dames

Théophile Alexandre

Opera - Released January 21, 2022 | NoMadMusic

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To women the musical direction, to man the agonies of love... By reversing the roles, the countertenor Théophile Aexandre and the Quatuor Zaïde sign a singular and troubling genderless reinvention of diva's arias: a universal tribute to opera's heroines, celebrating for the first time the beauty of these masterpieces beyond their gender setreotypes. © Nomadmusic
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Offenbach: Les Contes d'Hoffmann - Highlights

Plácido Domingo

Classical - Released January 1, 1972 | Decca Music Group Ltd.

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Offenbach: Les Contes d'Hoffmann

London Symphony Orchestra

Classical - Released January 1, 1972 | Deutsche Grammophon (DG)

Offenbach: Les Contes d'Hoffmann - Highlights

André Cluytens

Classical - Released January 1, 1965 | Warner Classics

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Offenbach: Belle Nuit

Vesselina Kasarova

Classical - Released February 15, 2008 | RCA Red Seal

This selection of pieces from Offenbach operettas (and one opera) raises a question: why hasn't Bulgarian mezzo-soprano Vesselina Kasarova made more of a specialty of comic roles in her recordings? Her operatic discography, with very few exceptions, consists of serious characters, but the flair with which she performs these arias and ensembles demonstrates a real comic gift, and that's something of a rarity in opera stars. (Her stage roles, in fact, are pretty well balanced between serious and comic operas, with a fair number of Rossini, Mozart, and Offenbach comedies in her repertoire.) The current disc at least begins to rectify the gap in her recorded legacy. Kasarova acts splendidly with her voice, and the wit of Offenbach's music, whether sly, wicked, or broad, clearly comes across. The bulk of the disc is devoted to excerpts from his more familiar works, like La Périchole, Les contes d'Hoffmann, La Grande-Duchesse de Gérolstein, La belle Hélène, and Orphée en Enfers, but also includes less known works like Pomme d'api and Barbe-bleue. Kasarova is particularly effective in exploiting the humor in the arias from La Périchole, La Grande-Duchesse, and Orphée. She brings her typical warm, full, creamy tone and broad range of vocal color to the music, so even when she is mugging (quite appropriately), she sounds marvelous. Ulf Schirmer leads Chor des Bayerischen Rundfunks and München Rundfunkorchester in just the kinds of vivacious performances this music requires. The sound is clear, brisk, and well balanced.© TiVo
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Les contes d'Hoffmann

Klodiana Koci

Classical - Released August 20, 2021 | Halidon

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Méditation cithare & piano

Philippe Davenet

Ambient - Released March 3, 2015 | Bayard Musique

Offenbach, J.: Piano Music, Vol. I

Marco Sollini

Classical - Released January 1, 2003 | CPO

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