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This album is one of the cornerstones of French hip-hop music. Its release was a major act for IAM as they finally found a sound to match the quality of their lyrics, as well as for French hip-hop, confirming the fact that rap has a lot of followers in the Hexagon. Like their peers from the suburbs of Paris, NTM, IAM went to New York to instigate the production of this album, seeking for the essence of the sound one can only find in the Big Apple (their previous album was also cut in N.Y.). They teamed with Prince Charles Alexander, the mixer and engineer who worked a lot for Bad Boy Records. They even got close to the Wu-Tang realm through Sunz of Man members on "La Saga." The sound has definitely changed from the previous albums: at first putting themselves in the Egyptian tradition (look at their names), they now have found the musical depth they deserve as ones of the few best lyricists of France. Definitely influenced by the Wu-Tang soundscapes, the opening track is the story of the battle between their school, from the silver mic, against the wooden mic school, in a Bushido style. Too bad that non-French speaking listeners won't get the lyrics; they cannot appreciate the quintessence of IAM's style. However, most of the album sticks to the traditional approach of storytelling, as it covers the city life in its darkness: little brothers that want to grow too fast and be the new caïd ("Petit Frère"), money hungry women who have sex without giving their names, the difficulties to have a similar chance and destiny than a boy growing up in the well-off (about equality of chances) and much more. Not many subjects of relief here, we only breathe thanks to the banging instrumentals and phrasing of the MCs. IAM takes the time to raise questions we don't want to hear, and stories we don't want to remember. This album is just hip-hop as its best: quality of the production with skilled lyricists in top form. This would just be one of you first "must-have" purchase if you plan to approach French rap music.© Vincent Latz /TiVo

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In the wake of his blockbuster album Mon Paradis, which was among the best-selling French albums of 2007, folk-pop singer/songwriter Christophe Maé released the live CD/DVD package Comme à la Maison. The live concert featured on Comme à la Maison was recorded on June 18-19, 2008, on a beach in the south of Corse, a French island in the Mediterranean Sea, and includes Maé and his band accompanied at times by a gospel-style choir, accordionist Régis Gizavo, and singer William Baldé of "Rayon de Soleil" fame. The 14-song performance compiled on Comme à la Maison is comprised primarily of material from Mon Paradis; indeed, ten of the 14 songs come from that album, including the hit singles "On S'Attache," "Parce Qu'on Sait Jamais," and "Belle Demoiselle." Not until the eighth song on Comme à la Maison does Maé turn toward non-Mon Paradis material, performing the three-song cycle "Mon P'tit Gars," "Moi J'ai Pas le Sou" (a duet with William Baldé), and "Sa Danse Donne" (an old song from his more or less impossible to find debut album of the same name). Then before closing the performance with the Mon Paradis highlights "Parce Qu'on Sait Jamais" and "C'est Ma Terre," Maé and his choir perform "Tribute to Bob Marley," essentially a three-minute medley of the refrains from "No Woman, No Cry," "Redemption Song," and "Could You Be Loved" -- that is, nothing special. While it's disappointing that Comme à la Maison doesn't include more surprises than it does, whether in the form of new material or cover songs, the live performance is still impressive and casts the songs of Mon Paradis in a new light, one that highlights Maé's African influence in particular (the finale of "C'est Ma Terre" especially). Still, anyone looking for more than an "unplugged" version of Mon Paradis might be disappointed. In addition to the 14-song live performance, the DVD half of Comme à la Maison includes a making-of segment, plus the promotional videos for "On S'Attache," "Parce Qu'on Sait Jamais," "Ça Fait Mal," "Belle Demoiselle," and "C'est Ma Terre." The deluxe collector's edition of Comme à la Maison adds even more bonus material, including a seven-song "Live à Paris Bercy" performance. Those looking for simply music should opt for the cheaper CD-only version, which spreads the 14-song beach concert across two discs.© Jason Birchmeier /TiVo

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