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La Vida Es Sueño

El Gran Teatro del Mundo

Classical - Released May 26, 2023 | iMD-Seulétoile

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Mozart: Horn Concertos & Bassoon Concerto

Louis-Philippe Marsolais

Classical - Released March 1, 2017 | ATMA Classique

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Beethoven Symphonies

Emmanuel Krivine

Symphonic Music - Released March 21, 2011 | naïve

Booklet Distinctions Gramophone Editor's Choice
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Haydn : L'Impatiente

Julien Chauvin

Classical - Released October 4, 2019 | Aparté

Hi-Res Booklet Distinctions 5 de Diapason
The Haydn series continues with the Paris Symphony No. 87. Julien Chauvin and his orchestra keep shaking us up with historical instruments listening to Haydn’s works and several other forgotten scores from the same period. All of them were commissioned for the Concert de la Loge Olympique - ancestor and model for Julien Chauvin and his musicians – and all of them sank into oblivion during the 19th century, except for Haydn’s symphonies. The record offers an opportunity to experience some rare works of Grétry, Lemoyne and Ragué, and to revive the success that they once knew. © Aparté
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Passions de l'âme et du cœur

Ricercar Consort

Classical - Released January 12, 2015 | Mirare

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Field : Nocturnes

Florent Albrecht

Solo Piano - Released September 17, 2021 | HORTUS

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“Unprecedented” is the right word to sum up this album entirely devoted to John Field's Nocturnes. Unprecedented because it is the first recording by Florent Albrecht, an extra-terrestrial of the pianoforte, who trained late in life after a first career in the luxury goods industry. After graduating from the Conservatoire of Geneva in 2018 and laureate of the Royaumont Foundation the same year, the French pianist has already performed at the Paris Opera and the Juilliard School, among others. An unprecedented album, as it features the world premiere of Nocturne in B flat major, posthumous Op.142, a score exhumed from the shelves of the St Petersburg library by Florent Albrecht. For the occasion, Qobuz presents this original and enchanting album exclusively for five weeks.The nocturne, a form made popular by Chopin, emerged at a time in the history of music when technical improvements in keyboard instruments enabled them to rival the expressiveness of the human voice. We do not know if it is John Field's writing talent or Florent Albrecht's fluid and airy playing—it is probably a subtle mixture of the two—but we come away from listening being convinced that the piano is the sole instrument capable of expressing the emotions of the romantic soul. The musician opts for a phrasing that is both clear and supple, perfectly suited to his instrument (a Carlo Meglio from 1826), whose rounded and slightly trembling timbre, sometimes close to a cimbalom, acts like a soothing balm for the soul. A truly calming interlude. © Pierre Lamy/Qobuz
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Mozart

Anne Queffélec

Classical - Released March 1, 2002 | Mirare

Distinctions Joker de Crescendo
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Joseph Haydn : Messe "Harmoniemesse" - Symphonie n°88 - Sinfonia en ré majeur

Mariss Jansons

Sacred Vocal Music - Released November 17, 2009 | BR-Klassik

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Joseph Martin Kraus : Symphonies

Concerto Köln

Symphonic Music - Released September 29, 2009 | Phoenix Edition

Booklet Distinctions The Qobuz Ideal Discography
Werner Ehrhardt and Concerto Köln's recordings of the symphonies of Joseph Martin Kraus, originally released as two separate discs on the Capriccio label in the early '90s, helped lead the charge for the reintegration of Kraus into the classical canon. By 2009, when these Concerto Köln are being reintroduced on the Phoenix Edition label as a single, two-disc set, Kraus has become one of the most frequently recorded late eighteenth century composers whose name isn't Haydn, Beethoven, or Mozart. While some of these performances are not as snappy and alert as those for Naxos by Petter Sundkvist and the Swedish Chamber Orchestra, they still pack a punch. Ehrhardt's reading of the Sinfonia da chiesa is superb as he grasps its near Brucknerian sense of architectonics and his Symphonie funèbre is appropriately grim, hushed, restrained, and patient. Both of these are on the first disc of the set, and it's still true, as when these were single Capriccio issues, that the second disc (now reordered as first) is a little better than the other one. The early digital recordings are still fine, though a bit warmer than is the standard for Kraus, though that's not a bad thing at all. The final factor on the Phoenix Edition reissue -- and this may well be the determinant one for many consumers -- is that the two discs are being sold for the price of one; while these do not constitute all of Kraus' symphonies, it is a consumer-friendly way to get acquainted with roughly half of Joseph Martin Kraus' symphonic output.© TiVo
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Le concert

Armand Amar

Film Soundtracks - Released January 8, 2018 | Long Distance

Come Bach To Me

Rhoda Scott

Jazz - Released January 1, 1970 | Barclay

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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

Booklet
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Sonates pour clavecin

Colin Tilney

Classical - Released January 1, 1988 | Dorian

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Fauré: Intégrale de l'œuvre pour piano, Vol. 1 (Ballade, Mazurka op.62, Quatre Valses-Caprices, Préludes Op.103

Jean-Claude Pennetier

Classical - Released May 12, 2009 | Mirare

Booklet
Though Fauré was assuredly his own man as a composer, in these performances of his piano music by Jean-Claude Pennetier, he is also surely the rightful heir of Chopin. The formal matter here is clearly Chopin's -- a ballade, a mazurka, four waltzes, and nine preludes -- and the stylistic manner is Chopin's as well -- the filigree and melody in the right hand and the left hand divided between counter-melody, chordal accompaniment and bass. This is meant as no slight to either Fauré or Pennetier. This is luscious music with toothsome melodies, succulent sonorities, and mouthwatering forms, and if these can be faulted for being too beautiful, it's a fault they should bear proudly. The performances are likewise exquisite. Pennetier has a fluent technique, a pearly tone, and an elegant way of phrasing a melody and shaping a form. But more than that, Pennetier has a real sympathy for Fauré's music and his interpretations are honest and heartfelt. Though the classic performances of these works are certainly worthy of admiration and love, Pennetier's are no less admirable and loveable and any listener interested in the composer or the period is urged to try this disc. Mirare's digital sound is clear, deep, and immediate. © TiVo
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Brahms: Concerto pour Violon & Orchestre - Symphonie No. 4

Les Dissonances

Classical - Released March 10, 2014 | Les Dissonances

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Mozart

Gallimard Jeunesse

Miscellaneous - Released November 12, 2020 | Gallimard Jeunesse