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Mozart: Horn Concertos & Bassoon Concerto

Louis-Philippe Marsolais

Classical - Released March 1, 2017 | ATMA Classique

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Fauré: Intégrale de l’oeuvre pour piano, Vol 3

Jean-Claude Pennetier

Solo Piano - Released October 1, 2015 | Mirare

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Chopin: 26 Préludes - Scriabine: Sonate Op. 19 No. 2

Beatrice Rana

Classical - Released September 2, 2012 | ATMA Classique

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J'écoute Bach et Haendel avec ma maman

Anne Queffélec

Classical - Released December 3, 2012 | Mirare

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Chopin, Schubert & Prokofiev

Yulianna Avdeeva

Classical - Released September 8, 2014 | Mirare

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Schobert: Sinfonies au salon

Martin Gester

Classical - Released April 18, 2018 | Ligia

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Festival International de Piano de La Roque d'Anthéron: 36e édition

Zhu Xiao-Mei

Classical - Released July 15, 2016 | Mirare

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Schubert: Messe No. 6 en Mi Bémol Majeur, D. 950

Michel Corboz

Sacred Vocal Music - Released January 31, 2008 | Mirare

Here's a recording that, to use the terminology of African-American vernacular music, is old school in every way. It begins with a decidedly odd sound, which has a hollow, boxy quality, with distortion at the frequency extremes, that could almost have been heard on a 1950s LP. The booklet indicates that the disc was recorded by Swiss Radio, but it's not clear whether the performance was actually taken from a radio broadcast; even if it was, it's subpar. The list of vintage qualities continues with veteran conductor Michel Corboz and the Ensemble Vocal de Lausanne accompanied by the Chamber Orchestra of Lausanne. Despite the suggestion of modest dimensions in these names, the combined forces are large, maybe not Mormon Tabernacle Choir plus Philadelphia Orchestra large, but bigger than the current fashion for music of the early nineteenth century. And of course the old school hangs on for a good reason: Corboz and his Swiss choristers have a warmth, clarity of articulation, and vigorous response to the text that are hard to find these days. Corboz catches the almost operatic quality of Schubert's final mass, which asks us to believe not in a holy catholic and apostolic church (the composer leaves those words out of the Credo) but that Christ came into the world to the strains of a transcedently beautiful Ländler, sung by a Viennese vocal trio of the streets. Corboz's Schubert deliberately traces outlines of light and shade, lands firmly but not over-heavily on dramatic strokes, and shows the kind of control over large-scale architecture that makes for really good Schubert. The bottom line is that this is a Schubert disc that, though brand new, will feel familiar. Corboz has been doing this kind of performance, and doing it well, for almost 50 years now, and it's still worthwhile even if there are various fresher recordings to choose from. © TiVo
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Johann Christian Bach: Sonates pour clavier Op. 5 & Op. 17

Johann Christian Bach

Classical - Released May 17, 2010 | Saphir Productions

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Arkana

Arvo Pärt

Pop - Released May 24, 2019 | Studio Lahore

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La Folle Journée 2016 - La Nature

Orchestre d'Auvergne

Classical - Released January 22, 2016 | Mirare

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Joseph Haydn: Intégrale des Sonates pour Piano et violon

Marie-Claudine Papadopoulos

Classical - Released April 20, 2019 | Les Belles Ecouteuses

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Schubert: Messe No. 6 en Mi Bémol Majeur, D. 950

Michel Corboz

Classical - Released January 31, 2008 | Mirare

Here's a recording that, to use the terminology of African-American vernacular music, is old school in every way. It begins with a decidedly odd sound, which has a hollow, boxy quality, with distortion at the frequency extremes, that could almost have been heard on a 1950s LP. The booklet indicates that the disc was recorded by Swiss Radio, but it's not clear whether the performance was actually taken from a radio broadcast; even if it was, it's subpar. The list of vintage qualities continues with veteran conductor Michel Corboz and the Ensemble Vocal de Lausanne accompanied by the Chamber Orchestra of Lausanne. Despite the suggestion of modest dimensions in these names, the combined forces are large, maybe not Mormon Tabernacle Choir plus Philadelphia Orchestra large, but bigger than the current fashion for music of the early nineteenth century. And of course the old school hangs on for a good reason: Corboz and his Swiss choristers have a warmth, clarity of articulation, and vigorous response to the text that are hard to find these days. Corboz catches the almost operatic quality of Schubert's final mass, which asks us to believe not in a holy catholic and apostolic church (the composer leaves those words out of the Credo) but that Christ came into the world to the strains of a transcedently beautiful Ländler, sung by a Viennese vocal trio of the streets. Corboz's Schubert deliberately traces outlines of light and shade, lands firmly but not over-heavily on dramatic strokes, and shows the kind of control over large-scale architecture that makes for really good Schubert. The bottom line is that this is a Schubert disc that, though brand new, will feel familiar. Corboz has been doing this kind of performance, and doing it well, for almost 50 years now, and it's still worthwhile even if there are various fresher recordings to choose from. © TiVo
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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

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Récital de Besançon, 7 septembre 1956

Clara Haskil

Classical - Released June 27, 2001 | INA Mémoire vive

Distinctions Diapason d'or de l'année - Diapason d'or - Choc du Monde de la Musique - Recommandé par Répertoire
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Mozart: Sonates pour pianoforte avec l'accompagnement d'un violon

Stéphanie Paulet

Classical - Released November 6, 2015 | HORTUS

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Mozart: Complete Piano Sonatas

Yeol Eum Son

Classical - Released March 17, 2023 | naïve

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Scarlatti: Ombre et lumière

Anne Queffélec

Classical - Released January 12, 2015 | Mirare

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Bacchanale: Saint-Saëns et la Méditerranée

Orchestre Divertimento

Classical - Released March 24, 2023 | harmonia mundi

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The Orchestre Divertimento and its conductor, Zahia Ziouani, often juxtapose European repertory with music from other parts of the world. Ziouani, who is of Algerian background, has a particular interest in the music of that country. She could not have found a composer whose works were more congenial to such a project than Camille Saint-Saëns, who visited Algeria no fewer than 18 times and composed a Suite algérienne, Op. 60, that is heard here, broken up and interspersed with Arabic music. What makes Ziouani's project unique is that there are not two types of music here but three. Many of the Saint-Saëns works are preceded by improvisations in the classical Arabic idiom, on oud, qanun, a traditional viol, derbouka, and the riqq drum. These are quite a musical distance from Saint-Saëns, but Ziouani introduces contemporary Arabic songs, of a semi-popular nature, as an intermediate step. The sets are mostly in related tonalities. This is an ingenious idea that sheds light on both Saint-Saëns, on what he heard when he heard Algerian music, and on the nature of contemporary popular traditions that are rooted in the classical music of the world. The Saint-Saëns performances themselves are entirely creditable, and the album is well recorded at a couple of different locations. A unique release that makes one want to hear more from this distinctive ensemble. © James Manheim /TiVo
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Domenico Scarlatti : 50 Sonates pour clavecin

Pierre Hantaï

Chamber Music - Released November 17, 2014 | Mirare

Booklet Distinctions Diapason d'or