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Mozart: Horn Concertos & Bassoon Concerto

Louis-Philippe Marsolais

Classical - Released March 1, 2017 | ATMA Classique

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Jean-Marie Leclair: A Portrait, Sonatas and Dances

Jean-Marie Leclair

Classical - Released January 15, 2021 | Claves Records

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Mozart: Sonates pour pianoforte avec l'accompagnement d'un violon

Stéphanie Paulet

Classical - Released November 6, 2015 | HORTUS

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released October 28, 2022 | Ut Re Mi

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released May 2, 2022 | Ut Re Mi

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La Folle Journée 2016 - La Nature

Orchestre d'Auvergne

Classical - Released January 22, 2016 | Mirare

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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

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Mozart

Gallimard Jeunesse

Miscellaneous - Released November 12, 2020 | Gallimard Jeunesse

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Mozart: Violin Concerto No.3 In G, K.216; Violin Concerto No.5 In A, K.219

Anne-Sophie Mutter

Classical - Released August 1, 1978 | Deutsche Grammophon (DG)

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Mozart: Complete Piano Sonatas

Yeol Eum Son

Classical - Released March 17, 2023 | naïve

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Mozart: Piano Concertos, Vol. 5

Gabor Takacs-Nagy

Classical - Released March 1, 2020 | Chandos

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Jean-Efflam Bavouzet’s acclaimed series of piano concertos by Mozart reaches its fifth instalment. Concertos Nos. 5, 6, 8, and 9 are complemented by the overtures to Il sogno di Scipione, Lucio Silla, La finta giardiniera, Il re pastore, and Zaide. That all of these works were composed by Mozart between the ages of fifteen and twenty-five serves as a vivid reminder of his unique talents as a child prodigy: these are not childhood efforts but mature works. The Fifth Concerto was actually Mozart’s first, as Nos 1 – 4 are arrangements of works by other composers. As in the previous volumes, Bavouzet is partnered by Manchester Camerata and Gábor Takács-Nagy, all recorded in The Stoller Hall in Manchester. © Chandos
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W.A. Mozart : Violin Concertos 1-5 - Sinfonia Concertante, K.364

Thomas Zehetmair

Classical - Released January 1, 2008 | Glossa

Distinctions 9 de Classica-Répertoire
Because Wolfgang Amadeus Mozart composed his five violin concertos in his youth, between 1773 and 1775, it is appropriate to regard them as works in the stile galant of the Rococo serenade, and to interpret them with a light, delicate feeling, rather than with a more robust, late-Classical approach. To the extent that they can render the music in this hyper-refined, mannered style, violinist Thomas Zehetmair and conductor Frans Brüggen give the concertos a sometimes fragile but generally warm treatment, and the Orchestra of the Eighteenth Century plays them with radiantly idiomatic timbres on original instruments. The Sinfonia concertante of 1779 is more advanced in style, closer to Mozart's mature symphonic expression, especially in the brooding Andante, and it receives richer orchestral textures and a more fluid approach in the exchanges between Zehetmair and violist Ruth Killius. The recording is immaculate, and the subtle distinctions between orchestral tutti and accompanimental playing are made clear, so it isn't entirely a showcase for the two elegant soloists. This 2008 double-disc set from Glossa allocates the Violin Concertos No. 1, No. 4, and No. 5 to the first disc, and the Sinfonia concertante and Violin Concertos No. 3 and No. 2 -- in that order -- to the second disc, so listeners should be attentive to the tracklist.© TiVo
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Mozart: Violin Concertos Nos. 1-5; 2 Rondos

Isabelle Faust

Concertos - Released October 28, 2016 | harmonia mundi

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"Not another complete recording of Mozart's violin concertos!", some might complain, and in absolute terms they wouldn’t necessarily be wrong. Except that this complete edition is signed by star violinist Isabelle Faust, accompanied by Il Giardino Armonico (who plays on instruments from Mozart’s time, including natural horns, nine-key bassoons, six-key flutes, two-key oboes), and – last but not least – the cadenzas are signed by Andreas Staier, since Mozart has left us no cadenzas for his violin concertos (unlike several piano concertos, as well as his Sinfonia concertante for violin and viola). Far from playing the star, Isabelle Faust prefers to blend in with the whole orchestra, a kind of primus inter pares attitude quite refreshing in this repertoire which, in fact, does not require so much emphasis of the part of soloist – the sound engineering and balance itself favours an overall sound rather than an opposition between solo violin and orchestra. This is a new and very original interpretation, whatever the abundant discography of these works may already be. In addition to the five concertos, Faust plays the three single movements for violin and orchestra – two Rondos and one Adagio – which are actually "spare" movements for one or the other of the concertos written on request for soloists of that time. One wonders what Mozart would have written had he had Isabelle Faust by his side! © SM/Qobuz
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Mozart: The Complete Piano Sonatas & Variations

Daniel Barenboim

Classical - Released August 26, 2022 | Warner Classics

Booklet