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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

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Arkana

Arvo Pärt

Pop - Released May 24, 2019 | Studio Lahore

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Joseph Haydn: Intégrale des Sonates pour Piano et violon

Marie-Claudine Papadopoulos

Classical - Released April 20, 2019 | Les Belles Ecouteuses

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Mozart: Piano Four hands (Édition 5.1)

Guillaume Bellom

Classical - Released April 7, 2014 | Aparté

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La Folle Journée 2016 - La Nature

Orchestre d'Auvergne

Classical - Released January 22, 2016 | Mirare

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Mozart: Violin Concerto No.3 In G, K.216; Violin Concerto No.5 In A, K.219

Anne-Sophie Mutter

Classical - Released August 1, 1978 | Deutsche Grammophon (DG)

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Mozart: Complete Piano Sonatas

Yeol Eum Son

Classical - Released March 17, 2023 | naïve

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Debussy & Ravel: String Quartets

Jerusalem Quartet

Classical - Released April 20, 2018 | harmonia mundi

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The French label harmonia mundi has pulled out all the stops for the 2018 commemoration of the centenary of the death of Claude Debussy, by asking their "house" artists to record the works of the great French composer. Cultural ambassadors for Israel (not always an easy job), the Jerusalem Quartet was created in 1996 and quickly became known as one of the foremost ensembles of the genre, thanks to the power of their playing, the warmth of their performances, and a particularly dense and sensual instrumental colour. Their recordings – thirteen albums for the harmonia mundi label – regularly win awards and critical acclaim in the press. This new recording of the quartets by Debussy and Ravel (a now-classic pairing which seems to have decreed that the two bodies of work will be joined at the hip, even though their authors neither wanted nor observed such a kinship) clearly towers above an already-ample discography. Velvety sounds, dreamy poetry (a marvellous Andantino from Debussy's Quartet), unbridled wildness and youthful energy are all brought into this subtly-treated party, where flowery sentiments mingle as in a novel by Marcel Proust. © François Hudry/Qobuz
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W.A. Mozart : Violin Concertos 1-5 - Sinfonia Concertante, K.364

Thomas Zehetmair

Classical - Released January 1, 2008 | Glossa

Distinctions 9 de Classica-Répertoire
Because Wolfgang Amadeus Mozart composed his five violin concertos in his youth, between 1773 and 1775, it is appropriate to regard them as works in the stile galant of the Rococo serenade, and to interpret them with a light, delicate feeling, rather than with a more robust, late-Classical approach. To the extent that they can render the music in this hyper-refined, mannered style, violinist Thomas Zehetmair and conductor Frans Brüggen give the concertos a sometimes fragile but generally warm treatment, and the Orchestra of the Eighteenth Century plays them with radiantly idiomatic timbres on original instruments. The Sinfonia concertante of 1779 is more advanced in style, closer to Mozart's mature symphonic expression, especially in the brooding Andante, and it receives richer orchestral textures and a more fluid approach in the exchanges between Zehetmair and violist Ruth Killius. The recording is immaculate, and the subtle distinctions between orchestral tutti and accompanimental playing are made clear, so it isn't entirely a showcase for the two elegant soloists. This 2008 double-disc set from Glossa allocates the Violin Concertos No. 1, No. 4, and No. 5 to the first disc, and the Sinfonia concertante and Violin Concertos No. 3 and No. 2 -- in that order -- to the second disc, so listeners should be attentive to the tracklist.© TiVo
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Mozart: Violin Concertos Nos. 1-5; 2 Rondos

Isabelle Faust

Concertos - Released October 28, 2016 | harmonia mundi

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"Not another complete recording of Mozart's violin concertos!", some might complain, and in absolute terms they wouldn’t necessarily be wrong. Except that this complete edition is signed by star violinist Isabelle Faust, accompanied by Il Giardino Armonico (who plays on instruments from Mozart’s time, including natural horns, nine-key bassoons, six-key flutes, two-key oboes), and – last but not least – the cadenzas are signed by Andreas Staier, since Mozart has left us no cadenzas for his violin concertos (unlike several piano concertos, as well as his Sinfonia concertante for violin and viola). Far from playing the star, Isabelle Faust prefers to blend in with the whole orchestra, a kind of primus inter pares attitude quite refreshing in this repertoire which, in fact, does not require so much emphasis of the part of soloist – the sound engineering and balance itself favours an overall sound rather than an opposition between solo violin and orchestra. This is a new and very original interpretation, whatever the abundant discography of these works may already be. In addition to the five concertos, Faust plays the three single movements for violin and orchestra – two Rondos and one Adagio – which are actually "spare" movements for one or the other of the concertos written on request for soloists of that time. One wonders what Mozart would have written had he had Isabelle Faust by his side! © SM/Qobuz
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Mozart: The Complete Piano Sonatas & Variations

Daniel Barenboim

Classical - Released August 26, 2022 | Warner Classics

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Fauré: Intégrale de l’oeuvre pour piano, Vol 3

Jean-Claude Pennetier

Solo Piano - Released October 1, 2015 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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Mozart: Complete Works for Solo Piano (The VoxBox Edition)

Walter Klien

Classical - Released April 21, 2014 | Vox

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Reynaldo Hahn

Quatuor Tchalik

Chamber Music - Released November 13, 2020 | Alkonost Classic

Hi-Res Booklet Distinctions 4F de Télérama
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Mozart: Horn Concertos & Bassoon Concerto

Louis-Philippe Marsolais

Classical - Released March 1, 2017 | ATMA Classique

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Haydn: Quatuors à cordes

Quatuor Ébène

Chamber Music - Released October 2, 2005 | Mirare

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37ème Festival International de Piano de La Roque d'Anthéron

Iddo Bar-Shaï

Classical - Released July 14, 2017 | Mirare

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Chopin chez Pleyel

Alain Planès

Classical - Released October 22, 2009 | harmonia mundi