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Mozart: Horn Concertos & Bassoon Concerto

Louis-Philippe Marsolais

Classical - Released March 1, 2017 | ATMA Classique

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Mozart

Anne Queffélec

Classical - Released March 1, 2002 | Mirare

Distinctions Joker de Crescendo
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Joseph Haydn : Messe "Harmoniemesse" - Symphonie n°88 - Sinfonia en ré majeur

Mariss Jansons

Sacred Vocal Music - Released November 17, 2009 | BR-Klassik

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Wolfgang Amedeus Mozart: Missa brevis in Re maggiore Kv 194

I Cantori di Assisi

Classical - Released September 28, 1992 | Multimedia San Paolo

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Jubilation vénitienne

Ensemble Amarillis

Classical - Released May 27, 2022 | Mirare

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"Jubilation vénitienne" is an invitation to celebrate joy with two outstanding composers: Antonio Caldara and Antonio Vivaldi. By establishing a dialogue between their two musical worlds, this program aims to recreate, in all it's diversity of colors, a concert in Baroque Venice where children's voices combine with the singing of the flautino, the oboe, the trumpet and the strings, in an explosion of joy and jubilation. © Mirare
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Mozart: Sämtliche Messen / Complete Masses

Peter Neumann

Classical - Released August 29, 2011 | Warner Classics

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Orgues de Provence

Lucienne Antonini, Francis Chapelet, Michel Chapuis, René Saorgin

Classical - Released November 6, 2007 | harmonia mundi

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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

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Messe en ré majeur, op. 86 - Te Deum, op. 103

Russian State Symphonic Cappella

Classical - Released November 1, 1996 | Chandos

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Mozart

Gallimard Jeunesse

Miscellaneous - Released November 12, 2020 | Gallimard Jeunesse

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Mozart : L'art de Nicolas Economou, volume 5

Nicolas Economou

Classical - Released March 11, 2008 | Suoni e Colori

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released October 28, 2022 | Ut Re Mi

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released May 2, 2022 | Ut Re Mi

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Le parfaict danser. Dance Music 1300-1500

Into the Winds

Classical - Released May 12, 2023 | Ricercar

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It may seem surprising to find an album devoted to dance music from 1300 to 1500 on classical best-seller lists in the spring of 2023. This is a niche slice of the market at best, but after one hears the music of the new ensemble Into the Winds, it will be understandable. Part of the innovation here is just the breadth of repertory represented. Instrumental dances are generally interspersed among vocal pieces, and few performers in performances or on recordings have addressed them as a genre of their own. Into the Winds offers music ranging from simple medieval pieces to transcriptions of vocal polyphony, including a mass by Heinrich Isaac. Beyond this is the crack playing and the intelligent sequencing. All of the players except for percussionist Laurent Sauron trade off among instruments, and there are unusual sonorities at every turn here from such instruments as medieval bassoons with well-thought-out arrangements of several pieces. Many of the composers are anonymous, but others have names and are known, and a recording like this begins to make possible an evaluation of their music. This is a pioneering recording and one that is entertaining for anybody.© James Manheim /TiVo

Palestrina, Vol. 9

The Sixteen

Classical - Released June 2, 2023 | Coro

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The large Palestrina series undertaken by The Sixteen and its director, Harry Christophers, is useful; few of the pieces are receiving world premieres, but a systematic exploration of a substantial body of Palestrina's music is not so common. He tends to be known for a relatively small number of hits. Moreover, it is heartening somehow; The Sixteen have undertaken increasingly adventurous programming, but here, they return to their roots in 16th century sacred polyphony. Here, The Sixteen are actually "The Twenty" for much of the program. The performances are all to a high standard, and the sonic environment of St. Augustine's Church, Kilburn, London, is ideal, which leaves the music itself. It is a bit atypical for Palestrina, which might not commend the album to series newcomers, but which may well fascinate those deeply engaged with Palestrina. The opening work, and really the centerpiece, is the Missa ut re mi fa sol la, otherwise known as the Hexachord Mass. This is a cantus firmus mass, an old-fashioned form by Palestrina's time, and the cantus firmus, a six-note rising scale, was one cultivated by many other composers as an exercise or a kind of tradition. It is music in which the "bones" are unusually exposed for Palestrina. Sample the Benedictus for an idea. There are also motets, many of them on the subjects of St. John the Baptist and St. John the Evangelist, and there is a lovely trio of settings from the Song of Songs. Beautifully executed as usual, this is a release that exposes new sides of Palestrina's music.© James Manheim /TiVo
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Bach : Contemplation

Anne Queffélec

Classical - Released January 8, 2009 | Mirare

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