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Mozart: Horn Concertos & Bassoon Concerto

Louis-Philippe Marsolais

Classical - Released March 1, 2017 | ATMA Classique

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Mozart

Anne Queffélec

Classical - Released March 1, 2002 | Mirare

Distinctions Joker de Crescendo
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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

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Mozart

Gallimard Jeunesse

Miscellaneous - Released November 12, 2020 | Gallimard Jeunesse

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Divertissement en mi bémol majeur

Henning Kraggerud

Chamber Music - Released May 26, 2011 | Naxos

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Mozart : L'art de Nicolas Economou, volume 5

Nicolas Economou

Classical - Released March 11, 2008 | Suoni e Colori

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released October 28, 2022 | Ut Re Mi

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released May 2, 2022 | Ut Re Mi

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Bach : Contemplation

Anne Queffélec

Classical - Released January 8, 2009 | Mirare

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Scarlatti: Ombre et lumière

Anne Queffélec

Classical - Released January 12, 2015 | Mirare

Hi-Res Booklet Distinctions Diapason d'or
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La Mascarade - Music For Solo Baroque Guitar & Theorbo

Rolf Lislevand

Classical - Released May 20, 2016 | ECM New Series

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - 5 Sterne Fono Forum Klassik
The Norwegian early music lutenist and guitarist Rolf Lislevand has pooh-poohed the idea of historical authenticity, but it may be that the lovely program here would have appealed to listeners in the court of Louis XIV, for which the music was intended. Lislevand examines pieces by a pair of late 17th century composers, Robert de Visée (a rondeau by whom, plus some rather murky booklet ruminations by Lislevand, give the album its title) and the sparsely heard Francesco Corbetta, choosing slow, quasi-improvisatory pieces and dances -- preludes, chaconnes, sarabandes, passacaglias -- from each, and adding some improvised introductions. The music alternates between a very deep-voiced, many-stringed theorbo and a small, crystalline Baroque guitar. The result is an extremely reflective concert, dividing up a common stock of musical ideas in several subtle ways, that, as Lislevand points out, would have been played for a small group of connoisseurs in its own time. ECM producer Manfred Eicher is nonpareil as a recorder of music like this, but here, working in the Auditorio Stelio Molo in Lugano, he outdoes himself, evoking the "musica callada," the music that has fallen silent, of Mompou. He draws the listener into a rich communion with a remarkable player.© TiVo
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Rhétorique du Silence

David Bergmüller

Classical - Released August 18, 2023 | Berlin Classics

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Poulenc : Pièces pour Piano

Alexandre Tharaud

Classical - Released October 15, 1996 | Arion

Distinctions Diapason d'or de l'année - Diapason d'or - Grand Prix de l'Académie Charles Cros
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Entrez dans la danse... (Hahn, Ravel, Poulenc, Schmitt...)

Anne Queffélec

Solo Piano - Released January 13, 2017 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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Joseph Haydn : Cello Concertos

Freiburger Barockorchester

Cello Concertos - Released March 27, 2003 | harmonia mundi

Booklet Distinctions Choc de Classica
This admirable Harmonia Mundi release presents Franz Josef Haydn's two cello concertos and the Cello Concerto in G minor by Georg Matthias Monn with the luster of period instruments; refined, idiomatic playing; and exceptional sound quality, with full resonance; and cellist Jean-Guihan Queyras and the Freiburg Baroque Orchestra, directed by Petra Müllejans, render these works with exquisite details and emotional depth. In a real sense, their performances are acts of rediscovery, for Haydn's cello concertos have become routine fare from too many modern renditions, and Monn's piece is unfamiliar from too few performances. Indeed, all three concertos have suffered the vagaries of preservation and interpretation. Haydn's Cello Concerto No. 1 in C major was once considered lost until its discovery in 1961; the Cello Concerto No. 2 in D major suffered false attribution and its authorship was debated until the appearance of the manuscript in 1954; and Monn's concerto survived only in an arrangement for harpsichord and strings until Arnold Schoenberg edited it in 1912. To set the record straight, this disc presents the concertos intelligently refurbished, with appropriate eighteenth century style and color. Through their insightful scholarship and sensitive performances, Queyras and Müllejans have produced a fine alternative to the less authentic mainstream recordings.© TiVo
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Domenico Scarlatti : 50 Sonates pour clavecin

Pierre Hantaï

Chamber Music - Released November 17, 2014 | Mirare

Booklet Distinctions Diapason d'or