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The Steven Wilson Remixes

Yes

Pop/Rock - Released June 29, 2018 | Rhino Atlantic

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In 2013, in addition to his many recording and remixing projects, Steven Wilson remixed a sizable chunk of the Yes catalog. Interestingly, he didn't proceed chronologically, but by using an inner aesthetic that has become his trademark through previous projects with King Crimson and Jethro Tull. In 2013, he completed 1972's Close to the Edge; in 2014, he did a stellar job on 1974's Relayer (arguably never properly heard until this mix) and 1971's The Yes Album. The following year it was 1972's Fragile, and in 2016, 1973's double-length Tales from Topographic Oceans. These high-resolution remixes were previously available only on Blu-ray and DVD (while the conventional CDs contained 16/44.1 resolution mixes). In commemoration of Yes' 50th anniversary, Rhino has boxed and re-released all of these titles on vinyl. According to Wilson, they have used the 24/96 hi-res, DVD-A/Blu-ray mixes for each LP. The outer housing of the package features artwork created specifically for this set by original album artist Roger Dean -- whose work has been synonymous with the band's identity for more than 40 years. Additionally, two of these albums – Close to the Edge and Tales from Topographic Oceans -- feature brand-new cover art, while the remaining three covers were reworked by Dean.© Thom Jurek /TiVo
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Before We Drown (Remixes)

Depeche Mode

Alternative & Indie - Released February 9, 2024 | Columbia

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My Favourite Stranger (Remixes)

Depeche Mode

Electronic - Released October 20, 2023 | Columbia

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People Are Good (Remixes)

Depeche Mode

Alternative & Indie - Released April 5, 2024 | Columbia

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Wagging Tongue (Remixes)

Depeche Mode

Alternative & Indie - Released July 7, 2023 | Columbia

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Ghosts Again (Remixes)

Depeche Mode

Alternative & Indie - Released May 5, 2023 | Columbia

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Wagging Tongue (Remixes)

Depeche Mode

Alternative & Indie - Released July 10, 2023 | Columbia

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Lucky Star (Remixes)

Madonna

Pop - Released July 27, 2023 | Warner Records

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The Remixes

London Grammar

Alternative & Indie - Released July 21, 2023 | Ministry of Sound Recordings

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The Fat Of The Land 25th Anniversary - Remixes

The Prodigy

Electronic - Released July 28, 2023 | XL Recordings

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Nougayork Remixes

Claude Nougaro

French Music - Released March 1, 2024 | Parlophone (France)

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Feeling Good: Her Greatest Hits And Remixes

Nina Simone

Jazz - Released February 11, 2022 | Verve

Thanks to a steady stream of reissues and her central role in Questlove's 2021 Summer of Soul documentary, Nina Simone has lately been accumulating some of the overdue praise she was denied in life. This fiercely gifted and intelligent pianist, who out of necessity eventually discovered her distinctive singing voice, was especially productive from 1964 until 1967 when she recorded most of what's on this compilation. That mid-'60s period is also when Simone moved from innocuous pop standards to protest songs, many of which she wrote or rearranged herself. Many of her best-known mid-period tunes are here: "I Put A Spell On You," “Sinnerman," "Don't Let Me Be Misunderstood," and the triumphant and justly famous 1964 live version of "Mississippi Goddam" from Carnegie Hall. This brief best-of is completed by the addition of her first hit, "My Baby Just Cares for Me" from 1957. What's new here are remixes of seven tunes whose original versions also appear on this reissue. Opener "Feeling Good," gets a ready-for-the-club makeover from DJ Joel Corry while dance duo Sofi Tukker, who've worked with Lady Gaga and Rodrigo y Gabriela, emphasize Simone's piano part on "Sinnerman" before settling into a standard dance beat. UK duo HONNE evade the dance beat sameness with a downbeat mix of "My Baby Just Cares For Me" that changes the melody entirely while leaving the words intact—an imaginative if not entirely successful reimagining—while the remix of "Take Care of Business" by drum and bass duo Rudimental adds a rumbling undercurrent to the original. The single comes from UK electro-pop band Hot Chip who slow "Be My Husband" and add a fat bass part on keyboards, synth flourishes, and looped reverb to Simone's voice, finishing with a shaking of tambourine. Though not quite the hoped-for hit, the efforts required for a remix adds to the body of respect and awe Simone's work righteously inspires. © Robert Baird/Qobuz
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Avichrom Remixes

Dominik Eulberg

Electronic - Released June 2, 2023 | !K7 Records

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Faithless 2.0 - The Greatest Hits & Biggest New Remixes

Faithless

Electronic - Released October 2, 2015 | Cheeky Records

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TRUSTFALL (The Remixes)

P!nk

Dance - Released March 31, 2023 | RCA Records Label

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Drowned World / Substitute for Love (Remixes)

Madonna

Pop - Released August 25, 1998 | Warner Records

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minisode 3: TOMORROW with Remixes

TOMORROW X TOGETHER

K-Pop - Released April 5, 2024 | Republic Records - TXT

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You'll See (The Remixes)

Madonna

Dance - Released October 23, 2023 | Warner Records

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Hollywood (Remixes)

Madonna

Pop - Released July 8, 2003 | Warner Records

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The Power of Good-Bye (Remixes)

Madonna

Dance - Released July 6, 1999 | Warner Records

The third single from Madonna's electronic Ray of Light album was the melancholy ballad "The Power of Good-Bye," which was only released as a two-track single in the U.S., but as a maxi-single with three remixes overseas. The mixes on the maxi-single take awhile to sink in, but once they do, they take a life of their own. "Dallas' Low End Mix," remixed by R&B maestro Dallas Austin, recalls the hip-hop beeps and blips utilized in TLC's futuristic Fan Mail album. "Luke Slater's Super Luper" turns the ballad into a thumping deep house anthem, making it sound like a completely different song (which could have been titled "Come Freedom"). Madonna's recorded vocal sample is looped continuously over the relentless dance beat, and none of the original lyrics or chorus, which would identify the song as "The Power of Good-Bye," are present in this version (which is not a bad thing). The final mix, "Fabien's Good God Mix," is an electronic, tripped-out, drum'n'bass-heavy mix which keeps the integrity of the original song. This is a fun single that, unfortunately, never saw the light of day in the New World, and that's what probably kept the song from making the Top Ten (it petered out at 11).© Jose Promis /TiVo