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just want u to feel something

Artemas

Pop - Released December 1, 2023 | 10k Projects

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Hi, Karate

Aye Karou

Rock - Released March 19, 2024 | 6725360 Records DK2

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Vind och Vatten

Moln

Folk/Americana - Released March 17, 2023 | Paalsund

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Every Rose Has It's Thorn (Acoustic)

Frank Palangi

Rock - Released May 23, 2019 | Frank Palangi

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Heit gib i ma wieder die Kantn

Emi Weinhaus

Folk/Americana - Released June 20, 2020 | Emi Weinhaus

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Sweepers

reelar

Hip-Hop/Rap - Released April 7, 2024 | reelar

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Bass Worship Session (April 7th, 2024)

Bass Reefer

Metal - Released April 7, 2024 | 5718155 Records DK

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Kagome

T.Will The Soldier

Soul - Released August 20, 2022 | 0ffc0l0r Records

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Maybe

Mowgly3 M3

Techno - Released November 23, 2019 | NAIF BEAT Records

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Africa's Roots

Lady Lakia

Humour - Released August 9, 2022 | 3692248 Records DK

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Legalize Me, Vol. 10: My Weebilizations

Hemplant Shawty

Hip-Hop/Rap - Released April 20, 2023 | Hemplantshawty

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New Hope

Pounce Da Lion

Reggae - Released September 23, 2010 | Golden Retriever Media

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cydia

Isai

Hip-Hop/Rap - Released November 15, 2023 | 4955506 Records DK

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Xmas 4 Tha Dead

Yung Save

Hip-Hop/Rap - Released December 9, 2022 | Yung Save

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Aux étoiles - French Symphonic Poems

Orchestre National De Lyon

Classical - Released October 20, 2023 | Bru Zane

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This double-album release from the specialist Palazzetto Bru Zane label, better known for opera but doing fine here with orchestral music, landed on classical best-seller charts in the autumn of 2023, and this is really no wonder. The album puts together many attractive features, beginning with fine work from the beefy (34 violins) Orchestre National de Lyon under conductor Nikolaj Szeps-Znaider. The album comprises a little history of the French tone poem from the third quarter of the 19th century to the second decade of the 20th, and it includes many works that will be unfamiliar to all but specialists, along with a few hits (Saint-Saëns' Danse macabre, Op. 40, Paul Dukas' L'apprenti sorcier ["The Sorcerer's Apprentice"] in a brisk, colorful performance, Emmanuel Chabrier's España, and perhaps Franck's Le chasseur maudit). As for the rest, there are no fewer than four works by women composers: Lili Boulanger, Augusta Holmès, Mel Bonis, and Charlotte Sohy; the Danse mystique of the latter is perhaps both the most obscure and the most compelling. Several works by better-known male composers also seem well worth removal from the historical scrap heap; sample Ernest Chausson's hushed Viviane, Op. 5, or Vincent d'Indy's Istar, Op. 42, the tone poem Wagner never wrote. Or the title work by Henri Duparc, much more familiar as a song composer. More generally, one is impressed by the cohesion of the program as a whole, even as French styles underwent fundamental change. Most of the composers try to show a mastery of the large orchestra and of the big tune as second subject. This is a highly listenable group of pieces that hearers will be glad to know better.© James Manheim /TiVo
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Les Eaux célestes

Orchestre National De Lyon

Classical - Released April 14, 2023 | NoMadMusic

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À l'auditorium

Benjamin Biolay

French Music - Released September 29, 2023 | Universal Music Division Romance Musique

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…And They Have Escaped the Weight of Darkness

Ólafur Arnalds

Ambient - Released May 7, 2010 | Erased Tapes

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blómi

Susanne Sundfør

Alternative & Indie - Released April 28, 2023 | Bella Union

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After three consecutive chart-topping albums of Nordic synth pop grandeur, Susanne Sundfør scaled back down to her core elements on 2017's Music for People in Trouble. The Norwegian's intimate piano and voice meditations came as a reaction not only to the pressures of her own success, but to the increasingly anxious social climate that enveloped her. In the interim between that release and her seventh album, Blómi, Sundfør gave birth to a daughter, and her personal axis shifted once again. Blómi is a gorgeous album, one with a multitude of interesting layers and complex themes that give it the feel of a spiritual quest. The celestial "Ashera's Song" sings like a prayer, wishing "love and light to all beings" as shimmering electronic tones dance around Sundfør's delicate piano clusters. The mood shifts to jazzy elegance on the title track, which concerns itself with renewal and rebirth; "Blómi" is an Old Norse term meaning "to be in bloom." There is strong adherence to history and mythology throughout the record, and Sundfør's frequent use of this ancient Scandinavian language is another of Blómi's wonderful quirks. An entire track, the snaky and percussive "Ṣānnu Yārru Lī," is based around an erotic Minoan-Creten text translated to Old Norse by her linguist grandfather, Kjell Aartun, featured on the album's cover alongside the artist as a young girl. The surprises continue with "Leikara Ijo​́​ð," an uplifting, gospel-inspired rave-up that incorporates nature sounds, a multi-tracked Sundfør choir, and a soothing Hardanger fiddle coda. The sweeping "Alyosha" serves as a poignant centerpiece, comparing her husband's innate optimism to that of Dostoevsky's central character in The Brothers Karamazov. Bookending the album are a pair of whimsical sound collages featuring dialog from a spiritual healer friend of Sundfør's, further emphasizing the record's cinematic structure. Despite its arcane references and philosophical nature, Blómi remains approachable and is often quite moving. That Sundfør continues to make such consistently challenging music and be justly rewarded for it is its own small miracle, and with Blómi she reaches yet another career high. © Timothy Monger /TiVo