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Anniversary: 1978 - 2018 Live In Hyde Park London

The Cure

Rock - Released October 18, 2019 | Mercury Studios

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In celebration of their 40 th anniversary, The Cure didn’t just hire out a little pub in their hometown of Crawley, Sussex – they hired out the whole of Hyde Park instead! What an epic location for an epic group. The recording of this concert on July 7, 2018 in London in front of a crowd of 65,000 people is a reminder that the style, sound, creativity, song- writing and atmosphere that Robert Smith and his gang bring to the table is like no other. With his mascara, lipstick and static hair-do, the lead singer of The Cure has never sung so well despite being only a few months off his 60 th birthday here. The concert journeys through four decades of hits (which are sometimes cold wave but are mostly pop) and you can really appreciate the breadth of their work, along with all those melodies that you recognise subconsciously and Robert Smith’s ability to just get on with it. Joined onstage by his long-time partner in crime Simon Gallup (bass), as well as Reeves Gabrels (guitar), Roger O’Donnell (keyboards) and Jason Cooper (drums), he sings some beautiful versions of Pictures of You, In Between Days, Just Like Heaven, A Forest, Disintegration, Lullaby, The Caterpillar, Friday I’m in Love, Close to Me, Boys Don’t Cry, 10:15 Saturday Night and Killing an Arab. © Max Dembo/Qobuz
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50th Anniversary Live - First Night

Blue Öyster Cult

Rock - Released December 8, 2023 | Frontiers Records s.r.l.

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Live (Collector's Edition)

AC/DC

Metal - Released October 27, 1992 | Columbia

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Live at Montreux Jazz Festival '07

Motörhead

Rock - Released June 16, 2023 | BMG Rights Management (UK) Ltd

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Serious Hits...Live!

Phil Collins

Rock - Released July 15, 1990 | Rhino

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One year after ...But Seriously, England's best-selling album in the year of its release, Phil Collins followed up with a live worldwide tour. The former Genesis drummer was at the height of his fame, and this Berlin concert on July 15th, 1990, perfectly documents his impressive performances from that time. Surrounded by four virtuosos (Leland Sklar on bass, Daryl Stuermer on guitar, Chester Thompson on drums and Brad Cole on keyboards), here Phil Collins reveals a kind of ‘best of’ album with the hits Against All Odds (Take A Look At Me Now), One More Night, In the Air Tonight as well as a rather muscular cover of You Can't Hurry Love by The Supremes. Everything here is XL! Brass, rhythm and melodies! And the remastered edition of this live album in 24-Bit Hi-Res quality makes the experience even more powerful. © Clotilde Maréchal/Qobuz
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Euphoric

Georgia

Pop - Released July 28, 2023 | Domino Recording Co

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Waiting for Columbus (Live)

Little Feat

Rock - Released July 29, 2022 | Rhino - Warner Records

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When Rhino gave an official vinyl release to the legendary Little Feat bootleg Electrif Lycanthrope for a 2021 Record Store Day, fans of the band were—at least as much as fans of any band ever can be—actually satisfied. That album was culled from a 1974 radio broadcast performance and had long been the stuff of legends among collectors, as it presented the band at the beginning of their long creative peak, performing in a relaxed and up-close atmosphere. Couple that with 2002's excellent expanded edition of Waiting for Columbus (which tacked on about a dozen previously unreleased live tracks from the original album's shows), and you've got some amazing and in-depth evidence for this band's live legacy. But that was two decades ago. Waiting for Columbus has long been considered one of the best live albums of all time, so why not stretch that thing out to a 73-track 20th anniversary super deluxe edition?  Little Feat was running hot during this '77 tour and operating at a more quasi-rockstar level than they were three year prior, but they never lost the sense of loose-limbed adventurousness that made them so appealing. While Waiting For Columbus was, like most other live albums of the era, culled from recordings of multiple shows on the same tour, the thing is, all of those shows were pretty great. And this edition proves it, as each of those shows—Manchester City Hall (7/29/77), The Rainbow, London (8/4/77), Lisner Auditorium, Washington, D.C. (8/10/77)—is included in full here, each in incredible fidelity. In addition to multiple previously unreleased versions of the songs that made their way onto the original album, this set also includes many that weirdly didn't make the double LP's cut. "Rock and Roll Doctor" and "Skin It Back" aren't nearly as iconic Little Feat tracks as "A Apolitical Blues" or "Mercenary Territory," but they certainly were barnstorming features in the band's sets, making their belated inclusion more than welcome. This latest iteration of Waiting For Columbus utterly dwarfs Electrif Lycanthrope in size and scale; but for sure, Little Feat fans have got to be satisfied now.  © Jason Ferguson/Qobuz
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Live at River Plate

AC/DC

Rock - Released November 19, 2012 | Columbia

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Battle Scars

Walter Trout

Blues - Released October 30, 2015 | Provogue

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One Night Only - Live At The Royal Albert Hall

Gregory Porter

Jazz - Released November 30, 2018 | Blue Note Records

Hi-Res Distinctions 5 Sterne Fono Forum Jazz
In 2017, Gregory Porter released a tribute album - or rather a love letter, to the man he considers his ultimate hero: Nat King Cole. A remarkable musician who weaved his way between pure jazz and easy listening, an innovative and highly skilled pianist-virtuoso, and of course, a captivating singer/crooner with his deep, romantic and velvety voice that set him apart from everyone - this genius had never before been commemorated in so much style. In this live performance recorded on the prestigious stage of the Royal Albert Hall in London, Gregory Porter is supported by his trusty quartet (pianist Chip Crawford, bassist Jahmal Nichols, drummer Emanuel Harrold and saxophonist Tivon Pennicott) as well as by the 70 musicians of the London Studio Orchestra, conducted by Vince Mendoza. He features pieces that are closely associated with Nat King Cole (Mona Lisa, Nature Boy…) but also some of his own compositions ( Hey Laura, When Love Was King, Don’t Lose Your Steam…). Throughout One Night Only it is fascinating to see how Gregory Porter is just as comfortable when singing alongside the sophistication of the string section as he is in the rougher and groovier sequences. A vocal range that makes this show truly magical. © Clotilde Maréchal/Qobuz
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Live At The Royal Albert Hall

Beth Hart

Blues - Released November 30, 2018 | Provogue

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Beth Hart commands the stage with just one click of her fingers! The Californian tigress is still as feisty as ever without getting caught up in the clichés. In this live performance recorded on May 4th 2018 in London’s most prestigious setting, the Royal Albert Hall, she sets up her very own cabaret mixing blues, jazz and vintage soul. A woman who honours Nina Simone, Howlin’ Wolf, Dinah Washington, Buddy Guy and so many other key personalities of rhythm’n’blues, she shows us the full extent of her talent during this two-hour show. With a microphone to hand or sat behind her piano, what impresses us most is Beth Hart’s ability to mix all her musical influences and produce one very personal cocktail. Her secret? Her voice, of course. A kind of unstoppable magnet that pulls every word, every sentence, every chorus and which is made even more powerful by her contact with the audience. © Clotilde Maréchal/Qobuz
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Drive

The Defiants

Hard Rock - Released June 9, 2023 | Frontiers Records s.r.l.

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Live At The El Mocambo

The Rolling Stones

Rock - Released May 13, 2022 | Polydor Records

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Early in March 1977, the Rolling Stones played a pair of surprise shows at the El Mocambo, a 300-seat club in Toronto. The purpose of the gigs, the only concerts they played in 1977, was to generate source material for a live album that turned out to be Love You Live. Only four tracks from the El Mocambo performances showed up on Love You Live, amounting to a side of blues covers on that double-LP. A full album's worth of El Mocambo recordings circulated as a bootleg for years, but the overdue 2022 official release contains the entirety of the second night's show along with three bonus tracks from the first night, amounting to a whopping 23 tracks. Such an exhaustive portrait is welcome as Live at the El Mocambo does represent a bit of an odd moment for the Stones: it captures them caught between the over-sized jam session Black and Blue and the audacious revitalization of Some Girls, a period where Ron Wood was just getting his sea legs. Wood encouraged the group to play a bunch of blues standards and they agreed, balancing these chestnuts with some of their own oldies ("Let's Spend the Night Together," "Brown Sugar," "Jumpin' Jack Flash," "Honky Tonk Women"), a good chunk of Black and Blue and It's Only Rock N Roll, plus "Worried About You," a ballad that sat on the shelf until Tattoo You. This means Live at the El Mocambo presents the Stones as something between a hard-working club band and conquering heroes hawking their latest ware; the set list is very much of its time, lacking such warhorses as "Satisfaction" and "Street Fighting Man," and it's better for it. The Stones often sound as if they're enjoying hunkering down on a smaller stage, giving enthusiastic performances that avoid sloppiness. It adds up to a gas, a record that belongs alongside Get Yer Ya-Ya's Out! and Brussels Affair as among the best official live Stones albums.© Stephen Thomas Erlewine /TiVo
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Bruce Springsteen & The E Street Band Live 1975-85

Bruce Springsteen

Rock - Released November 10, 1986 | Columbia - Legacy

Long before he sold substantial numbers of records, Bruce Springsteen began to earn a reputation as the best live act in rock & roll. Fans had been clamoring for a live album for a long time, and with Live 1975-85 they got what they wanted, at least in terms of bulk. His concerts were marathons, and this box set, including 40 tracks and running over three and a half hours, was about the average length of a show. In his brief liner notes, Springsteen spoke of the emergence of the album's "story" as he reviewed live tapes, and that story seems nothing less than a history of his life, his concerns, and his career. The first cuts present the Springsteen of the early to mid-'70s; these performances, most of them drawn from a July 1978 show at the Roxy in Los Angeles, give us the romantic, hopeful, earnest Springsteen of "4th of July, Asbury Park (Sandy)" and "Thunder Road." The second section begins with his first Top Ten hit, "Hungry Heart" -- this is the Springsteen of the late '70s and early '80s, an arena rock star with working-class concerns. After an acoustic mini-set given largely to material from Nebraska -- songs of economic desperation and crime -- comes a reshuffling of Born in the U.S.A., songs in which Springsteen and his characters start to fight back and rock out. Finally, he brings it all back home to New Jersey, starting with the unofficial state anthem, "Born to Run," and including "Tenth Avenue Freeze-Out" and "Jersey Girl." Fans could rejoice that it found room for seven previously unreleased songs, including "Because the Night," but it wasn't as funny, as moving, or as exhilarating as a Springsteen show could be. Maybe no single album, however long, could have been, but where Springsteen impressed in concert because he tried so hard, here he seemed to have tried a little too hard to make a live album carry the freight of everything he had to say.© William Ruhlmann /TiVo
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Permission To Land... Again

The Darkness

Rock - Released October 6, 2023 | Rhino

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My Fair Lady

Shelly Manne

Jazz - Released August 17, 1957 | Craft Recordings

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Extras: The Infinite B-Sides and Bonus Songs (Live)

Deep Purple

Metal - Released September 21, 2022 | earMUSIC

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Rastaman Vibration

Bob Marley & The Wailers

Reggae - Released April 30, 1976 | Island Records (The Island Def Jam Music Group / Universal Music)

For Bob Marley, 1975 was a triumphant year. The singer's Natty Dread album featured one of his strongest batches of original material (the first compiled after the departure of Peter Tosh and Bunny Wailer) and delivered Top 40 hit "No Woman No Cry." The follow-up Live set, a document of Marley's appearance at London's Lyceum, found the singer conquering England as well. Upon completing the tour, Marley and his band returned to Jamaica, laying down the tracks for Rastaman Vibration (1976) at legendary studios run by Harry Johnson and Joe Gibbs. At the mixing board for the sessions were Sylvan Morris and Errol Thompson, Jamaican engineers of the highest caliber. Though none of these cuts would show up on Legend, Marley's massively popular, posthumous best-of, some of the finest reality numbers would surface on the compilation's more militant equivalent, 1986's Rebel Music set. "War," for one, remains one of the most stunning statements of the singer's career. Though it is essentially a straight reading of one of Haile Selassie's speeches, Marley phrases the text exquisitely to fit a musical setting, a quiet intensity lying just below the surface. Equally strong are the likes of "Rat Race," "Crazy Baldhead," and "Want More." These songs are tempered by buoyant, lighthearted material like "Cry to Me," "Night Shift," and "Positive Vibration." Not quite as strong as some of the love songs Marley would score hits with on subsequent albums, "Cry to Me" still seems like an obvious choice for a single and remains underrated. Though record buyers may not have found any single song to be as strong on those terms as "No Woman No Cry," Rastaman Vibration still reached the Top Ten in the United States.© Nathan Bush /TiVo
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Live - American Outlaws

The Highwaymen

Country - Released May 20, 2016 | Columbia Nashville Legacy

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Live

Chick Corea Akoustic Band

Jazz - Released January 1, 2018 | Concord Jazz

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In 1989, pianist Chick Corea released the first album of his Akoustic Band with bassist John Patitucci and drummer Dave Weckl. In fact, this was an unplugged version of his well-named Elektric Band. Twenty years after their last concerts with this line-up, the three men reactivated their stunning partnership on stage once again for a tour which gave rise to this live recording at the SPC Music Hall in St. Petersburg, Florida in 2018. This is the first release since the pianist's death on 9 February 2021, and the album is a pure marvel. It's worth paying attention to the three men's stunning virtuosity and savouring their exchanges. The communication between them is almost telepathic, as on the opener, Morning Sprite. And over 135 minutes of melodic mind-melding, they do not let up once. Spontaneity is at the heart of this music. As Corea puts it, "I grew up in a tradition of play-now-first-takes. The idea of playing a piece over and over until it’s ‘just right’ was never part of my makeup. I always experienced the first take as the magic one. It may have a few missed notes, but it always had that tingle that makes performance exciting…" And his reworkings of standards from the old Akoustic Band repertoire are just as exciting. For the first few minutes of Ellington's In a Sentimental Mood in which he plays solo before the rhythm section comes in, Chick Corea confirms—in case anyone doubted it—that he was one of the greatest pianists of his generation... © Marc Zisman/Qobuz