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Liszt: Harmonies poétiques et religieuses

Saskia Giorgini

Solo Piano - Released December 11, 2021 | PentaTone

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Introspective music of ravishing beauty. After two song albums together with Ian Bostridge, pianist Saskia Giorgini presents Franz Liszt’s Harmonies poétiques et religieuses. Liszt is often seen as a showman, but much of his music reveals his introspective, searching nature. This is demonstrated above all in Harmonies poétiques et religieuses, one of his most ambitious, contemplative and enigmatic compositions, inspired by Lamartine’s eponymous poetry, Liszt’s Roman Catholic faith as well as the 1848-1849 revolutions. To Giorgini, “this music is deeply humane and sincere, tender, but also full of the most sorrowful, violent, painful moments that Liszt ever put into music”. Its ten movements constitute a quest for the deeper meaning of human existence, clothed in music of ravishing beauty. Saskia Giorgini is one of the most promising pianists of her generation, who has won several competitions and is hailed for her technical command and the beauty and poetry of her sound. © Pentatone
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Liszt : Harmonies poétiques et religieuses

Brigitte Engerer

Chamber Music - Released November 9, 2010 | Mirare

Booklet
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Liszt: Joies de l'âme

Claire-Marie Le Guay

Classical - Released September 10, 2021 | Mirare

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Horowitz plays Liszt

Vladimir Horowitz

Chamber Music - Released March 25, 2011 | Sony Classical

Distinctions Choc de Classica
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Liszt : Harmonies poétiques et religieuses, Sonate en si mineur

François-Frédéric Guy

Classical - Released March 17, 2011 | Zig-Zag Territoires

For the 200th anniversary of the birth of Franz Liszt, pianist François-Frédéric Guy has recorded an impressive album of the Harmonies poétiques et religieuses and the Sonata in B minor, a presentation that covers two CDs and demonstrates both the composer's inexhaustible imagination and the performer's commitment to the music. Because Harmonies poétiques et religieuses is predominantly defined by its meditative quality and serene moods, it contains some of Liszt's most sustained and shimmering music, and the expressive control required to play at a soft level for most of the work is fully evident in Guy's rapt and gentle performance. The sonata, on the other hand, is a dramatic counterweight to the soothing lyricism of Harmonies, and it's dynamic energy is compressed in its half-hour duration, in contrast to the nearly 100 minutes it takes to play the first work. After hearing Guy's quiet interpretation of Harmonies, his performance of the sonata is almost startling in its power and passion. Guy unleashes the kinetic energy that had been held in reserve and rises to the demands of this tempestuous work. The reproduction is clear and quite resonant, which is fine in the sonata, but tends toward blurred textures in Harmonies without some careful volume adjustment.© TiVo
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Liszt: Harmonies poétiques et religieuses III, S. 173

Adam Tendler

Classical - Released October 1, 2021 | Steinway and Sons

Hi-Res Booklet
Performed here by pianists Jenny Lin and Adam Tendler, Liszt’s rarely heard Harmonies poétiques et religieuses is a sublime example of Liszt’s early compositions. Lin and Tendler alternate movements of this monumental piano cycle. “Few performers are willing to take on not only its daunting scale but also its grueling restraint - a cohesion held together in a delicate tension of wild Romanticism and controlled transparency. Mr. Tendler and Ms. Lin aren’t typically associated with Liszt, or 19th century music at all. But, to them, that’s part of the fun. It didn’t take long for them to see just how modern Harmonies poetiques et religieuses can be” (The New York Times) © Steinway and Sons
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Liszt: Funérailles, Consolations, Méphisto-valse No. 1 & Ballade No. 2

Aldo Ciccolini

Classical - Released January 15, 2021 | Warner Classics

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Liszt, Pärt: Vanessa Wagner

Vanessa Wagner

Classical - Released August 31, 2018 | La Dolce Volta

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Liszt Piano Works

François-René Duchable

Classical - Released July 3, 2006 | Warner Classics

If you want to make a splash as a virtuoso pianist, play Liszt. That's what young French pianist François-René Duchable did in this 1996 recital: he programmed the most intensely virtuosic, overtly emotional, and deliberately effusive works of Liszt and played end to end. From the opening Funérailles through the Méphisto Waltz and the Liebestraum No. 3 to the closing Un sospiro and La campanella, Duchable leaves none of the Hungarian Romantic greatest hits unplayed. And, boy, Duchable sure can play! His technique is incredibly athletic, his tone is amazingly luxurious, his control of phrasing, dynamics, and tempo is absolutely complete. What's more, Duchable has heart. The endless longing of Liebestraum, the ineffable beauty of Jeux d'eau a la Villa d'Este, the palpable sensuality of Un sospiro: all the emotional power of Liszt's Romantic music is manifest in Duchable's performance. If one could fault these performances, it might be for being too French and not enough Hungarian, that is, Duchable's lithe and luminous Liszt could seem too much the pianistic godfather of Debussy and Ravel rather than the compositional father Bartók. But for listeners who prefer their Liszt with a French accent and are looking for a single-disc collection of his best-known piano works in clean, direct digital sound, Duchable's recital will be just the thing.© TiVo
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Harmonies poétiques et religieuses, S. 173: No. 7, Funérailles

Emmanuel Despax

Classical - Released April 23, 2024 | Signum Records

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