Your basket is empty

Categories:
Results 1 to 20 out of a total of 177
From
CD$13.49

The Sleeping Beauty (Tchaikovsky Prokofiev Ballet Transcriptions)

Claire Huangci

Classical - Released August 9, 2013 | Berlin Classics

From
CD$21.89

1963-1965 : Les années CBS

Colette Magny

French Music - Released May 18, 2018 | Legacy Recordings

Anthologie 1958-1997

Colette Magny

French Music - Released May 18, 2018 | Legacy Recordings

Distinctions 4F de Télérama
Download not available
From
HI-RES$1.09
CD$0.89

Le loup de Wall Street

Genjutsu Beats

Hip-Hop/Rap - Released September 28, 2022 | Genjutsu Records

Hi-Res

Capo Dei Capi Vol. II & III

Alonzo

Hip-Hop/Rap - Released March 25, 2021 | Universal Music Distribution Deal

Download not available
From
CD$0.89

Le Clan des Loup

Loup Noir

Hip-Hop/Rap - Released May 6, 2022 | Empire Street Production

From
CD$0.89

EMPIRE

Loup Noir

Hip-Hop/Rap - Released April 13, 2024 | Empire Street Production

From
CD$0.89

Allez Tfc

Loup Noir

Hip-Hop/Rap - Released May 12, 2023 | Empire Street Production

From
CD$8.79

Chef 2 Meute

Loup Noir

Hip-Hop/Rap - Released February 16, 2024 | Empire Street Production

From
CD$0.89

Ma Loca

Loup Noir

Hip-Hop/Rap - Released July 9, 2022 | Empire Street Production

From
CD$12.59

A Coeur Ouvert

Loup Noir

Hip-Hop/Rap - Released March 8, 2023 | Empire Street Production

From
CD$0.89

Ding Dong

Loup Noir

Hip-Hop/Rap - Released December 20, 2023 | Empire Street Production

From
CD$0.89

Belek aux petits loups de la street

Eye's Berg

Hip-Hop/Rap - Released June 9, 2021 | PARIS CINEMA

From
HI-RES$11.98
CD$9.59

MAR DE LLAMAS

MARVIN SEV

Hip-Hop/Rap - Released March 25, 2024 | LOOP STREET

Hi-Res
From
CD$0.95

Front Streeter

Lamont 865

Hip-Hop/Rap - Released September 9, 2023 | Loud Music

From
CD$0.95

Front Streeter (Instrumental )

Lamont 865

Hip-Hop/Rap - Released September 8, 2023 | Loud Music

From
HI-RES$16.59
CD$14.39

An Evening of New York Songs and Stories

Suzanne Vega

Pop - Released September 11, 2020 | Cooking Vinyl Limited

Hi-Res
Suzanne Vega’s musical world involves stories in which characters hold as much importance as the setting they find themselves in. In this moving and delicate live recording, the singer pays homage to New York, one of her favourite cities. Surrounded by her longtime guitarist Gerry Leonard, bassist Jeff Allen and keyboardist Jamie Edwards, Suzanne Vega replays a section of her repertoire on the famous Café Carlyle stage in New York. “It’s a little club which has welcomed legends from Eartha Kitt to Judy Collins, and is also known for being the place where Jackie Kennedy met Audrey Hepburn.”, explains the singer. The hits Luka and Tom’s Diner have naturally been given a well-deserved place in this rich playlist which looks back on a career spanning 35 years that blossomed in the 1980s and continued throughout the 90s. Vega often gives a nod towards 70s folk music in her fragile and sweetly melancholic songs. The concert’s particularly intimate orchestration reinforces this spirit to the point that the same magic is there from the first piano chords and guitar riffs. The recording reaches its climax in a rendition of Walk on the Wild Side by Lou Reed, one of her idols. Through her tales of the hubbub of the great American city, Suzanne Vega manages to tell a story of her own. © Nicolas Magenham/Qobuz
From
HI-RES$14.49
CD$12.49

Street Hassle

Lou Reed

Rock - Released February 1, 1978 | Arista

Hi-Res
The rise of the punk/new wave movement in the late '70s proved just how pervasive Lou Reed's influence had been through the past decade, but it also gave him some stiff competition, as suddenly Reed was no longer the only poet of the New York streets. 1978's Street Hassle was Reed's first album after punk had gained public currency, and Reed appeared to have taken the minimal approach of punk to heart. With the exception of Metal Machine Music, Street Hassle was Reed's rawest set of the 1970s; partly recorded live, with arrangements stripped to the bone, Street Hassle was dark, deep, and ominous, a 180-degree turn from the polished neo-glam of Transformer. Lyrically, Street Hassle found Reed looking deep into himself, and not liking what he saw. Opening with an uncharitable parody of "Sweet Jane," Street Hassle found Reed acknowledging just how much a self-parody he'd become in the 1970s, and just how much he hated himself for it, on songs like "Dirt" and "Shooting Star." Street Hassle was Reed's most creatively ambitious album since Berlin, and it sounded revelatory on first release in 1978. Sadly, time has magnified its flaws; the Lenny Bruce-inspired "I Wanna Be Black" sounds like a bad idea today, and the murk of the album's binaural mix isn't especially flattering to anyone. But the album's best moments are genuinely exciting, and the title cut, a three-movement poetic tone poem about life on the New York streets, is one of the most audacious and deeply moving moments of Reed's solo career. Raw, wounded, and unapologetically difficult, Street Hassle isn't the masterpiece Reed was shooting for, but it's still among the most powerful and compelling albums he released during the 1970s, and too personal and affecting to ignore.© Mark Deming /TiVo
From
CD$17.19

Animal Serenade

Lou Reed

Rock - Released March 22, 2004 | Reprise

Apparently the notion of Lou Reed reinterpreting the works of Edgar Allan Poe didn't strike a positive chord with many folks, given the chilly commercial and critical reception accorded to Reed's 2003 album The Raven, and it seems plenty of fans were no more enthusiastic about seeing the material performed in person, since the tour staged to support the album found Reed playing smaller venues than was his custom. And in both cases, the folks who took a rain check really missed something; while The Raven was genuinely flawed, it was also one of Reed's most ambitious and compelling albums in quite some time, and the subsequent live shows found Reed and his musicians in truly superb form. Animal Serenade, recorded during the Los Angeles date of the tour, is a striking two-plus hour document of Reed and a fine ensemble in full flight; Reed brought along a small but potent backing band -- bassist and sometimes percussionist Fernando Saunders, guitarist Mike Rathke, cellist Jane Scarpantoni, and backing vocalist Antony -- and the performances presented manage to merge the intimacy of a small-group show with the force and passion of a full-on rock gig. The takes on "All Tomorrow's Parties" and "Dirty Blvd." are both hypnotic and muscular, but the more subtle and measured interpretations of "Venus in Furs," "Sunday Morning," and "The Day John Kennedy Died" easily conjure up the same edgy conviction, and Reed's interplay with his group is marvelous. These folks don't simply back him up; there's a genuine sense of collaboration among the musicians that's one of the real defining points between good and great performances. Animal Serenade isn't the hardest rockin' live album Lou Reed has ever cut, but for the sheer commitment and power of these performances, it's in a dead heat with Live in Italy as Reed's finest concert recording, and makes clear that in his fifth decade in music, Lou can still deliver the goods -- and in some respects is actually getting better. A more than pleasant surprise, and truly fine listening.© Mark Deming /TiVo
From
CD$15.09

Clifford Brown And Max Roach At Basin Street

Clifford Brown

Jazz - Released January 1, 1956 | Verve Reissues

The last official album by the Clifford Brown/Max Roach Quintet is the only one that featured the great Sonny Rollins on tenor. With pianist Richie Powell and bassist George Morrow completing the group, this date is a hard bop classic. Brownie and Rollins fit together perfectly on memorable versions of "What Is This Thing Called Love," "I'll Remember April," and a witty arrangement of "Love Is a Many Splendored Thing." Highly recommended.© Scott Yanow /TiVo