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Charpentier: Messe à quatre chœurs - Carnets de voyage d'Italie

Ensemble Correspondances

Classical - Released October 30, 2020 | harmonia mundi

Hi-Res Booklet Distinctions Diapason d'or - 4F de Télérama
An Italian travel diary. Paris, 1665: a young composer leaves the Saint-Michel district to embark on a journey to Rome. The journey promises to be a long one, its stopovers rich in encounters for Charpentier. On this new recording, Sébastien Daucé invites us on an imaginary recreation of that voyage of initiation, from Cremona (Merula) to Rome (Beretta), by way of Venice (Cavalli) and Bologna (Cazzati). A journey in space, but also in time, through the sources of inspiration of a composer whose future works were to recall the colours of Italy – as the magnificent Mass for four choirs testifies. © harmonia mundi
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Saint-Saëns: Requiem

Le Madrigal de Paris

Sacred Vocal Music - Released October 10, 2010 | Studio SM

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Saint-Saëns - Hahn: À la lumière

Accentus

Classical - Released August 19, 2022 | Alpha Classics

Hi-Res Booklet
Ever since its creation more than twenty-five years ago, the Accentus chamber choir has ardently championed the a cappella repertory: under its conductor and founder Laurence Equilbey, it has produced an impressive discography that sets the benchmark in this music. For this new recording, the first for Alpha, she hands over direction of the ensemble to Christophe Grapperon, its associate conductor since 2013: ‘It can never be said often enough: the a cappella repertory is a Holy Grail of vocal music! It is a sensory experience directly accessible to everyone, but demanding and often atypical for the listener.’ Hahn and Saint-Saëns are on the programme of this album in superb choral works combining simplicity and expressive power, some of which have never been recorded before. © Alpha Classics
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Saint-Saens: Messe de Requiem & Partsongs

Diego Fasolis

Masses, Passions, Requiems - Released June 1, 2004 | Chandos

Booklet
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Widor & Vierne: Messes pour chœurs et orgues

Les Petits Chanteurs du Mont-Royal

Classical - Released October 1, 2015 | ATMA Classique

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Chœurs de Noël

Chœur Eclats

Miscellaneous - Released November 18, 2016 | E-magin

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Le Chant des Partisans

Les Choeurs De L'Armée Rouge

Miscellaneous - Released January 1, 1971 | Melodiyadigital.com

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Les Grands Choeurs d'Opéras, Vol. 2

L'Orchestre National du Bolchoï

Full Operas - Released August 7, 2002 | Via Classic

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Dukas: Cantates, chœurs et musique symphonique

Hervé Niquet

Classical - Released November 13, 2015 | Bru Zane

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Franck: Rédemption

Eve-Maud Hubeaux

Classical - Released October 25, 2019 | Musique en Wallonie

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Ladmirault: Chansons Ecossaises & Chœurs profanes

Colette Diard

Classical - Released January 13, 2009 | Skarbo

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Les Grands Choeurs d'Opéras, Vol. 1

L'Orchestre National du Bolchoï

Opera - Released August 7, 2002 | Via Classic

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Les Chœurs de l'Armée Rouge à Paris

Les Choeurs De L'Armée Rouge

World - Released December 6, 1993 | Le Chant du Monde

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Widor & Vierne: Messes pour chœurs et orgues

Les Petits Chanteurs du Mont-Royal

Classical - Released October 1, 2015 | ATMA Classique

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Les choeurs de l'armée du vin rouge

Hasta Siempre

Rock - Released March 24, 2017 | Hasta Siempre

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Au grand théâtre du bolchoï de moscou

Les Choeurs de l'Armée Rouge Alexandrov

Miscellaneous - Released April 5, 1965 | Melodiyadigital.com

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Les Caves Du Vatican (Les chefs d'œuvre d'André Gide)

André Gide

Comedy/Other - Released September 9, 2022 | Compagnie du Savoir

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Ascenseur pour l'échafaud

Miles Davis

Jazz - Released January 29, 1958 | Fontana

Hi-Res Distinctions The Qobuz Ideal Discography
Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen -- bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen -- and American expatriate drummer Kenny Clarke. This recording evokes the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords. Michelot is as important a figure as the trumpeter because he sets the tone, as on the stalking "Visite du Vigile." While the mood of the soundtrack is generally dour and somber, the group collectively picks up the pace exponentially on "Diner au Motel." At times the distinctive Davis trumpet style is echoed into dire straits or death wish motifs, as on "Generique" or "L'Assassinat de Carala," respectively. Clarke is his usual marvelous self, and listeners should pay close attention to the able Urtreger, by no means a virtuoso but a capable and flexible accompanist. This recording can stand proudly alongside Duke Ellington's music from Anatomy of a Murder and the soundtrack of Play Misty for Me as great achievements of artistic excellence in fusing dramatic scenes with equally compelling modern jazz music.© Michael G. Nastos /TiVo