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Le poussin piou et ses amis

Pulcino Pio

Miscellaneous - Released April 4, 2013 | Do It Yourself

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So Romantique !

Cyrille Dubois

Classical - Released March 10, 2023 | Alpha Classics

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Célèbres chants d'église Carême / Pâques

Ensemble Vocal l'Alliance

Cantatas (sacred) - Released February 1, 2006 | ADF Musique

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Spontini: Olimpie

Flemish Radio Choir

Classical - Released March 22, 2019 | Bru Zane

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Olimpie was described by Hector Berlioz as a “sublime work” and Spontini himself viewed it as his best composition. When it was premiered in Paris, however, it gathered no interest. The work is based on a lesser-known play by Voltaire and was considered out of fashion before it even reached the stage in 1819. In Berlin two years later, in a translated and happier version modified by E.T.A. Hoffmann, Olimpie was more of a success. Back in Parisian venues in 1826, the piece was rarely played, which Berlioz regretted. It occasionally made it to Germany, but was eventually forgotten until its rediscovery in the 1950’s as an Italian version performed by La Tebaldi in Florence. Olimpie is not often included in operas’ repertoires, but nevertheless, with its visuals and refined language, it features many magnificent moments and offers a plethora of staging opportunities.The original 1819 musical score has disappeared. Jérémie Rohrer is presenting instead the 1826 version of the score prepared by Federico Agostinelli with various printed sources as well as an autographed manuscript. The album follows this version with the exception of two cuts during Acts I and III. The recording is meticulous and benefits from the splendid acoustic of the Philharmonie de Paris. Recorded before the concert given at the Théâtre des Champs-Elysées, it features a set of excellent soloists led by Jérémie Rohrer’s imagination and energy. A perfect resurrection and a gift from the indispensable Bru Zane Foundation in Venice. © François Hudry/Qobuz
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Lully: Thésée

Les Talens Lyriques

Opera - Released October 13, 2023 | Aparté

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Christophe Rousset and his Les Talens Lyriques continue their exploration of the operas of Jean-Baptiste Lully for the Aparte label with 1675's Thésée ("Theseus"), the composer's third "tragédie en musique" with librettist by Philippe Quinault. Commissioned by King Louis XIV, the libretto recounts some early-life exploits of the titular character from Ovid's Metamorphoses. It was immensely popular for more than a century before finding itself in less demand than later, more compact versions of Quinault's text, which were set by composers such as Handel (Teseo, 1712). What is there for a king and his court not to like when the Prologue declares the king a god and sings the praises of king and kingdom? Rousset has his Les Talens Lyriques in fine form, and the ensemble plays crisply and concisely throughout. Rousset, conducting from the harpsichord, keeps the action moving in this colossal and dramatic work. The soloists, especially mezzo-soprano Karine Deshayes as Médée ("Medea") and tenor Mathias Vidal as the titular Thésée, display clear expertise in the realm of early French opera. This work is a major vehicle for mezzos in the role of the jealous sorceress Médée, and Deshayes is splendid. The Prologue has some awkward, almost hesitant singing from the chorus, but as the work progresses, the Chœur de chambre de Namur becomes stronger and, in the end, proves to be an asset to the whole (consider their turn as the inhabitants of the underworld with Deshayes on "Sortez, ombres, sortez de la nuit éternelle" from Act Two). This is a worthy addition of a lesser-known opera to the growing Lully collection from Les Talens Lyriques.© Keith Finke /TiVo
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Poulenc: Orchestral Works

The BBC Concert Orchestra

Symphonies - Released November 4, 2022 | Chandos

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When this album was recorded, in March 2022, no-one could have imagined that it would be Bramwell Tovey’s last recording. Chandos Records would like to dedicate this recording to the memory of Bramwell Tovey, with whom the company had collaborated for over a decade; a versatile musician highly accomplished as both a composer and a conductor, immensely personable and humorous, who possessed an innate understanding of the qualities of his fellow orchestral musicians and quickly earned their respect and devotion. He shall be very sorely missed. Tovey and the BBC Concert Orchestra capture the wit and charm of Poulenc’s music perfectly. Each piece sizzles with excitement, and the well-known pieces (the Sinfonietta and ballet Les Animaux modèles) are beautifully complemented by less frequently heard miniatures: La Baigneuse de Trouville and Discours du général from Les Mariés de la Tour Eiffel and Pastourelle from L’Éventail de Jeanne. © Chandos
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Jouissons de nos beaux ans !

Cyrille Dubois

Classical - Released September 15, 2023 | Aparté

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Those searching for singer Cyrille Dubois online will find him called variously a tenor or a countertenor. One can understand the confusion. He is actually what the French Baroque called a haut-contre, a tenor with an extended high range sung in a light falsetto-like voice. It is not a true falsetto, and really, it has to be heard to be appreciated. It is something like the Italian tenore di grazia of the early 19th century. That, in itself, is reason enough to hear this album, but wait, as the old TV pitchmen yelled, "there's more!" Dubois' program includes a good deal of Rameau, including the exuberant title track, composed when Rameau was 80, but there are also pieces by his contemporaries, mostly in a pastoral vein. Rameau was such an imposing figure that he dominated the scene, but the other composers here, like François Lupien Grenet and Bernard de Bury, are all but unknown, and many of the pieces are world premieres. They offer valuable insights into the stock characters and common ideas in the Parisian 18th century operatic scene, and they are full of opportunities for Dubois to display the striking range of colors in his voice. He is backed by the Orfeo Orchestra and Purcell Choir under the direction of György Vashegyi, who also get a group of obscure but highly listenable instrumental pieces. With fine sound from Hungary's Kodály Centre, this is a must for lovers of the French Baroque and of male voice types in general. © James Manheim /TiVo
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Marais: Ariane et Bacchus

Le Concert Spirituel

Classical - Released March 24, 2023 | Alpha Classics

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Coeur Encore

Clara Luciani

French Music - Released November 25, 2022 | Universal Music Division Romance Musique

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Ici & là, en concert au Dôme de Paris (Live, 2022)

Alain Souchon

French Music - Released November 11, 2022 | Parlophone (France)

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Ses plus grandes chansons

Jean Ferrat

French Music - Released February 28, 2020 | Universal Music Division Barclay

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Tubes et pépites

Richard Gotainer

French Music - Released December 6, 2019 | Gatkess

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Debussy: Complete Works for Piano

Jean-Efflam Bavouzet

Classical - Released October 1, 2012 | Chandos

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Praised for his meticulous fidelity to the composer's intentions, as well as for his rich tonal palette and the warmth of his expressions, Jean-Efflam Bavouzet has won many admirers for his five albums of the complete solo piano music of Claude Debussy. These recordings were produced by Chandos between 2007 and 2009, and they have now been gathered into a handsome box set; each disc is presented with its own cardboard sleeve and the original liner notes that accompanied each release. The roster of artists who have recorded Debussy's keyboard music is a long and distinguished one, though Bavouzet is easily ranked in the upper echelons, equal in stature among such luminaries as Jean-Yves Thibaudet, Arturo Benedetti Michelangeli, Krystian Zimerman, Maurizio Pollini, Angela Hewitt, Pierre-Laurent Aimard, and Pascal Rogé. Experienced listeners will already have favorite recordings of the Préludes, Images, Estampes, and Études, as well as the perennially popular Suite bergamasque, Children's Corner, and other picturesque pieces. However, many will be won over by the consistency of Bavouzet's playing, and newcomers will find that his disciplined yet gorgeous readings are a great way to begin appreciating these charming classics. Chandos provides excellent sound that gives the piano a clear presence yet takes nothing away from Bavouzet's atmospheric colors or the radiant acoustics. Highly recommended.© TiVo
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Lully: Acis et Galatée

Les Talens Lyriques

Opera - Released October 14, 2022 | Aparté

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Composed on 1686 as part of the festivities organised by the Duc de Vendôme in honour of the Grand Dauphin, during the latter’s visit to his estate at the Château d’Anet in September of that year, Acis et Galatée is Lully’s last complete opera. His faithful librettist Quinault having retired from writing for the stage, he collaborated this time with the poet Campistron on a work that tells the story of the love between the sea-nymph Galatea and the shepherd Acis – a love threatened by the violence of the jealous cyclops Polyphemus. This opera, an undoubted dramatic success, gives the orchestra an important part, expressively evoking, for example, the giant’s cries of anger, the terror of the chorus, and the lovers’ hasty flight in Act III. It includes some magnificent pieces, including the final Passacaille, as well as inventive treasures, such as duet for hautes-contre (high tenors) “Ah! je succombe au tourment qui m'accable”, or the burlesque march that accompanies the entry of Polyphemus and his fellow cyclopes, conveying their uncouthness. But the loveliest pieces in the score are for Galatea: “Enfin, j’ai dissipé la crainte”, for instance, or “Que ne puis-je expirer après ce coup funeste?”. Lully died in March 1687, a few months after the première, leaving Achille et Polyxène unfinished. © Aparté
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Le Bourgeois Gentilhomme

Vincent Dumestre

Classical - Released January 14, 2022 | Château de Versailles Spectacles

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Entrez dans la danse... (Hahn, Ravel, Poulenc, Schmitt...)

Anne Queffélec

Solo Piano - Released January 13, 2017 | Mirare

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Charles et Léo - Les fleurs du mal

Jean-Louis Murat

French Music - Released January 1, 2007 | [PIAS] Le Label

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Dire je t'aime

BEN plg

Hip-Hop/Rap - Released January 26, 2024 | Pour La Gloire

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Persona (Nouvelle édition)

Bertrand Belin

French Music - Released February 1, 2019 | Wagram Music - Cinq 7

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Palmashow l'album

PALMASHOW

French Music - Released March 24, 2023 | Blagbuster

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