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More Life

Drake

Hip-Hop/Rap - Released March 18, 2017 | Cash Money Records - Young Money Ent. - Universal Rec.

After releasing the hugely popular but artistically underwhelming Views in 2016, Drake went back to the mixtape approach for his next release, 2017's More Life. Over the course of 22 songs and almost an hour and a half of music, Drake shows again why he's one of the most frustrating rappers in the world. The main problem is that he's a better hip-hop-inspired R&B singer than he is an R&B-inspired rapper, but he refuses to acknowledge it. Listening to track after track of molasses-slow trap featuring Drake going on about how once he was on the bottom and now is firmly cemented at the top is tiresome at best, painful at worst. He only really comes to life on the songs where he drops the hard façade and lets some of his emotion show through, like the lovely island-inflected groover "Get It Together," which features Jorja Smith killing it in the role often occupied by Rihanna, or the dark-night-of-the-soul ballad "Nothings into Somethings," which balances his intimate crooning with introspective rapping. The bubbling "Passionfruit" is Drake at his smooth, melancholy best, showing off his skill at creating surprising melodies and entrancing atmosphere. These moments are too few and far between and most of the record sits right in the center of the rut Drake has dug for himself over the years. There are some tracks that break free of the boredom and show some kind of pulse -- usually the tracks where guests drop by and add their skills to the mix. Young Thug, in particular. His dramatic rapping and outsized persona put Drake to shame on "Ice Melts." He's Technicolor, while Drake is various shades of gray. That track and Sampha's feature ("4422"), where the singer gets deeper emotionally than Drake ever has, don't do Drake any favors. They only serve to showcase his flaws and make it clear that More Life is another overly serious, musically uninteresting effort. The few choice tracks, high-profile guests, and occasional stylistic shifts aren't enough to keep More Life from being another disappointing release. That it proved immensely popular upon its release will only serve to reinforce his misguided belief that he's the best rapper around.© Tim Sendra /TiVo
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KMT

Gazo

Hip-Hop/Rap - Released July 1, 2022 | BSB PROD

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More Life

Drake

Hip-Hop/Rap - Released March 18, 2017 | Cash Money Records - Young Money Ent. - Universal Rec.

After releasing the hugely popular but artistically underwhelming Views in 2016, Drake went back to the mixtape approach for his next release, 2017's More Life. Over the course of 22 songs and almost an hour and a half of music, Drake shows again why he's one of the most frustrating rappers in the world. The main problem is that he's a better hip-hop-inspired R&B singer than he is an R&B-inspired rapper, but he refuses to acknowledge it. Listening to track after track of molasses-slow trap featuring Drake going on about how once he was on the bottom and now is firmly cemented at the top is tiresome at best, painful at worst. He only really comes to life on the songs where he drops the hard façade and lets some of his emotion show through, like the lovely island-inflected groover "Get It Together," which features Jorja Smith killing it in the role often occupied by Rihanna, or the dark-night-of-the-soul ballad "Nothings into Somethings," which balances his intimate crooning with introspective rapping. The bubbling "Passionfruit" is Drake at his smooth, melancholy best, showing off his skill at creating surprising melodies and entrancing atmosphere. These moments are too few and far between and most of the record sits right in the center of the rut Drake has dug for himself over the years. There are some tracks that break free of the boredom and show some kind of pulse -- usually the tracks where guests drop by and add their skills to the mix. Young Thug, in particular. His dramatic rapping and outsized persona put Drake to shame on "Ice Melts." He's Technicolor, while Drake is various shades of gray. That track and Sampha's feature ("4422"), where the singer gets deeper emotionally than Drake ever has, don't do Drake any favors. They only serve to showcase his flaws and make it clear that More Life is another overly serious, musically uninteresting effort. The few choice tracks, high-profile guests, and occasional stylistic shifts aren't enough to keep More Life from being another disappointing release. That it proved immensely popular upon its release will only serve to reinforce his misguided belief that he's the best rapper around.© Tim Sendra /TiVo
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Jordy

Hip-Hop/Rap - Released May 25, 2022 | HARLEY - FLAT 10

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Promised Sleep (feat. KMT)

DeathDeathDeath

Pop - Released December 29, 2020 | Numavi Records

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Soul Jazz Records presents Africans With Mainframes (Hieroglyphic Being / Noleian Reusse): K.M.T.

Africans With Mainframes

Dance - Released May 6, 2016 | Soul Jazz Records

Africans with Mainframes is a long-running project of Chicago-based experimental house artist Jamal Moss (best known as Hieroglyphic Being) along with the considerably less prolific Noleian Reusse. The duo have released numerous 12" EPs of bizarre acid house since the early 2000s, but their 2016 full-length debut, K.M.T., is easily their biggest and most bugged-out statement yet. As with everything Moss does, these tracks were captured in real time using analog equipment, and they avoid clinical precision in favor of gut feelings and ruthless experimentation. Most of these tracks are lengthy and relentless, pounding away through thick layers of distortion for eight to 12 minutes at a time. While they pump everything to the max so that it seems like there's no room to breathe, they still manage to find a way to sneak in some subtle variations. Opener "Anachronistic" has an unbelievably caustic distorted kick drum, which frequently cuts out only to slam back in, making everything even more intense. "Negroid Spinx" (the album's shortest cut) also plays with similar pacing, cutting the beats out so the acid synths can shimmer for a moment and then snapping back to the beat. "Qustul Artifacts" is a surprising kosmische ambient track, pairing shimmering arpeggios with static, and then it's back to the jarring kick drums and laser-like synths. The title track is a bit slower, but its somewhat snotty melody and giant, erratic kick drums assure that the track isn't lightweight. Final track "Meroitic Script" was entirely recorded in reverse, so the beats and bubbling acid synths rush at you like a tidal wave for its ten-minute duration. K.M.T. is the most exhilarating acid house album in ages.© Paul Simpson /TiVo
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140 KMT

Aneeda

Pop - Released May 19, 2023 | Hiroshima Records

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Kmt

Great Dark Rift

Rock - Released January 24, 2024 | Planet Rock Music - Urban Dwellers Music

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THE PHARAOHS

KMT SPECIAL

Electronic - Released September 20, 2023 | Universal Music Spain S.L.

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KMT Freestyle

JS x YD

Hip-Hop/Rap - Released September 8, 2022 | JS x YD

Let Me In / Kmt

Junior Simba

House - Released April 29, 2022 | Part 4

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Terra dos Pretos

KMT

Hip-Hop/Rap - Released January 1, 2015 | KMT

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Escape Lights

KMT

Hip-Hop/Rap - Released October 24, 2019 | KMT

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KMT

JayStarrish

Hip-Hop/Rap - Released March 20, 2024 | JayStarrish

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Kissed my teeth (kmt)

Foreverliving Chriis

Hip-Hop/Rap - Released March 13, 2024 | 2582934 Records DK

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KMT-2021-BLG-0912L B

Yahaira Lovely Loves

Alternative & Indie - Released September 14, 2023 | Boomy Corporation

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KMT (feat. TylerThe4th & Mellodamenace)

KillahKey

Hip-Hop/Rap - Released March 6, 2024 | 6532865 Records DK

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Mungu Mkuu

GOSHEN CHOIR KMT UPANGA

Gospel - Released July 31, 2023 | Independent Artist

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G27 - J80

AILH KMT

Hip-Hop/Rap - Released April 22, 2024 | AILH KMT

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KMT

DJ JACKS

Pop - Released March 16, 2024 | Bassboat