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Live At SoFi Stadium

The Weeknd

R&B - Released February 19, 2020 | Universal Republic Records

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A Heaven You May Create

Orphaned Land

Metal - Released December 1, 2023 | Century Media

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Live At SoFi Stadium

The Weeknd

R&B - Released March 3, 2023 | XO - Republic Records

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Good Luck, Seeker (Deluxe)

The Waterboys

Rock - Released August 21, 2020 | Cooking Vinyl Limited

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Kiss Land

The Weeknd

R&B - Released January 1, 2013 | Universal Republic Records

Booklet
Platinum sales, touring life, and radio presence -- the last of which was due more to guest spots on Drake's "Crew Love" and Wiz Khalifa's "Remember You" than his own singles -- granted Abel Tesfaye a fresh set of fraught experiences and anxieties. As he laments/boasts in the eight-minute slow-motion horror suite that is this album's title track, "I got a brand new place/I think I've seen it twice all year," and visits to his doctor have provided access to new ingredients for his indulgences. Indeed, this is a post-fame album. In "The Town," Tesfaye apologizes to a local conquest for his absence and notes that he can supply her with diamond rings. The following "Adaptation," where he grieves about losing a potential long-term relationship to his career, illustrates his transient lifestyle as a new source for madness. Although the circumstances and locations are different, the antics, along with the mix of emotional trauma and arrogance, are often similar to what Tesfaye depicted throughout his 2011 releases. Lyrics like "I can't stand talking to brand new girls/Only bitches down to fuck when you shower them with ones," also from "Kiss Land," carry a deeper sense of realism. Sonically, the tracks -- produced with a new cast that includes DannyBoyStyles and DaHeala -- are a little cleaner, yet they're all leaden, even when the pace picks up for the Fox the Fox-sampling "Wanderlust" and the overloaded "Belong to the World." The latter owes its industrial judder to Portishead's "Machine Gun" and is delivered like an anthem with Tesfaye desperately emoting, "I'm not a fool, I just love that you're dead inside." For all its similarities to Tesfaye's past work, along with his confession that "This ain't nothin' to relate to," Kiss Land is more personal, more human, and will draw his fans closer to him. The slightly wider vocal range and additional expressiveness don't hurt his cause.© Andy Kellman /TiVo
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Kiss Land

The Weeknd

R&B - Released January 1, 2013 | CP Records

Distinctions 4F de Télérama
Platinum sales, touring life, and radio presence -- the last of which was due more to guest spots on Drake's "Crew Love" and Wiz Khalifa's "Remember You" than his own singles -- granted Abel Tesfaye a fresh set of fraught experiences and anxieties. As he laments/boasts in the eight-minute slow-motion horror suite that is this album's title track, "I got a brand new place/I think I've seen it twice all year," and visits to his doctor have provided access to new ingredients for his indulgences. Indeed, this is a post-fame album. In "The Town," Tesfaye apologizes to a local conquest for his absence and notes that he can supply her with diamond rings. The following "Adaptation," where he grieves about losing a potential long-term relationship to his career, illustrates his transient lifestyle as a new source for madness. Although the circumstances and locations are different, the antics, along with the mix of emotional trauma and arrogance, are often similar to what Tesfaye depicted throughout his 2011 releases. Lyrics like "I can't stand talking to brand new girls/Only bitches down to fuck when you shower them with ones," also from "Kiss Land," carry a deeper sense of realism. Sonically, the tracks -- produced with a new cast that includes DannyBoyStyles and DaHeala -- are a little cleaner, yet they're all leaden, even when the pace picks up for the Fox the Fox-sampling "Wanderlust" and the overloaded "Belong to the World." The latter owes its industrial judder to Portishead's "Machine Gun" and is delivered like an anthem with Tesfaye desperately emoting, "I'm not a fool, I just love that you're dead inside." For all its similarities to Tesfaye's past work, along with his confession that "This ain't nothin' to relate to," Kiss Land is more personal, more human, and will draw his fans closer to him. The slightly wider vocal range and additional expressiveness don't hurt his cause.© Andy Kellman /TiVo
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Love Walked In

Steve Kuhn Trio

International Pop - Released April 1, 2015 | Venus Records, Inc.

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Love Letter for Fire

Sam Beam

Alternative & Indie - Released April 15, 2016 | Sub Pop Records

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Sam Beam of Iron and Wine has never been averse to collaborating with like-minded artists, and he seems to have found an especially simpatico musical partner in Jesca Hoop. He and the musically shape-shifting Hoop co-wrote and recorded a batch of songs together. The result, 2016's Love Letter for Fire, is an album that shows both performers to their best advantage. For Beam, Hoop's clever melodic conceits and rich, free-spirited vocal and guitar style bring some fresh flavors to his repertoire. For Hoop, the full-bodied strength of Beam's vocals and guitar work gives her a mooring that keeps her airier ideas from drifting away. And together, they're superb duet partners, harmonizing with a skill that brings out the best in each singer and serves these 13 songs beautifully. If the tunes aren't wildly upbeat, the interaction of Beam and Hoop's voices emphasizes the humanity of his vision, and the best of this music manages to sound warm, gentle, and thoughtful without feeling bland. Drawing from '70s soft rock, more rustic Americana influences, and the sometimes mannered but emotionally honest tone of indie folk, the music is accessible but quietly adventurous. Producer Tucker Martine has given these recordings a clean but well-balanced sound, with the studio band lending valuable color and texture to Beam and Hoop's work. (The players include Wilco drummer Glenn Kotche and former Soul Coughing bassist Sebastian Steinberg.) Collaborative efforts like this usually give musicians a chance to play around a bit with unfamiliar ideas. But Love Letter for Fire sounds like Beam and Hoop were born to work together. The yin and yang of their individual perspectives fit together marvelously, and this rests comfortably with the best of both their recorded works.© Mark Deming /TiVo
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Ancient Land

Celtic Woman

World - Released September 28, 2018 | Celtic Woman

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Mabool - The Story of the Three Sons of Seven

Orphaned Land

Metal - Released July 13, 2004 | Century Media

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A Kiss Before You Go

Katzenjammer

Pop - Released September 8, 2011 | Propeller Recordings

It's quite appropriate that Norwegian four-piece girl group Katzenjammer are named after a comic strip popular in the early- to mid-20th century, as their highly eclectic sound feels both slightly cartoonish and unashamedly stuck in a postwar cabaret time warp. Their second album, A Kiss Before You Go, continues where 2008 debut Le Pop left off, blending their impressive multi-instrumental skills with an array of old-school sounds, from the gentle melancholic waltz of "Lady Marlene," to the sinister vaudeville of "Soviet Trumpeter," to the ukulele-led doo wop of "Cherry Pie." Their kitsch punk tendencies occasionally come to the forefront, as on the theatrical Adam Ant-esque "Loathsome M" and the yelping pirate-like ditty "Gypsy Flee" (featuring a cameo from Dweezil Zappa), but while their sense of fun is infectious, it's the less chaotic moments that prove there's more to them than the "look at us, aren't we wacky" exterior. Recorded live in a church, "God's Great Dust Storm" is a gorgeous a cappella gospel ballad that showcases their wondrous four-part harmonies, although from the powerful soulful vocals on the 1920s-style reworking of Genesis' "Land of Confusion," it appears to be Marianne Sveen who's the star of the show; "I Will Dance (When I Walk Away)" is an early Dixie Chicks-style blend of shuffling percussion, twinkling glockenspiels, and stirring acoustic hooks that provides the album's only real radio-friendly offering; while "Rock Paper Scissors" is an enchanting slice of Baltic-tinged folk-pop, co-written by Nashville singer/songwriter Robert Ellis Orrall. A Kiss Before You Go has its fingers in so many pies that it's unlikely to be appreciated entirely by many, but listened to in small portions, it's difficult not to be enamored by its inventiveness and inherent avant-garde charm.© Jon O'Brien /TiVo
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Good Luck, Seeker

The Waterboys

Rock - Released August 21, 2020 | Cooking Vinyl Limited

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Kiss Land

The Weeknd

R&B - Released January 1, 2013 | CP Records

Platinum sales, touring life, and radio presence -- the last of which was due more to guest spots on Drake's "Crew Love" and Wiz Khalifa's "Remember You" than his own singles -- granted Abel Tesfaye a fresh set of fraught experiences and anxieties. As he laments/boasts in the eight-minute slow-motion horror suite that is this album's title track, "I got a brand new place/I think I've seen it twice all year," and visits to his doctor have provided access to new ingredients for his indulgences. Indeed, this is a post-fame album. In "The Town," Tesfaye apologizes to a local conquest for his absence and notes that he can supply her with diamond rings. The following "Adaptation," where he grieves about losing a potential long-term relationship to his career, illustrates his transient lifestyle as a new source for madness. Although the circumstances and locations are different, the antics, along with the mix of emotional trauma and arrogance, are often similar to what Tesfaye depicted throughout his 2011 releases. Lyrics like "I can't stand talking to brand new girls/Only bitches down to fuck when you shower them with ones," also from "Kiss Land," carry a deeper sense of realism. Sonically, the tracks -- produced with a new cast that includes DannyBoyStyles and DaHeala -- are a little cleaner, yet they're all leaden, even when the pace picks up for the Fox the Fox-sampling "Wanderlust" and the overloaded "Belong to the World." The latter owes its industrial judder to Portishead's "Machine Gun" and is delivered like an anthem with Tesfaye desperately emoting, "I'm not a fool, I just love that you're dead inside." For all its similarities to Tesfaye's past work, along with his confession that "This ain't nothin' to relate to," Kiss Land is more personal, more human, and will draw his fans closer to him. The slightly wider vocal range and additional expressiveness don't hurt his cause.© Andy Kellman /TiVo
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Family Tree

Oh Land

Classical - Released April 26, 2019 | Tusk or Tooth

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Kiss Land

The Weeknd

R&B - Released January 1, 2013 | Universal Republic Records

Booklet
Platinum sales, touring life, and radio presence -- the last of which was due more to guest spots on Drake's "Crew Love" and Wiz Khalifa's "Remember You" than his own singles -- granted Abel Tesfaye a fresh set of fraught experiences and anxieties. As he laments/boasts in the eight-minute slow-motion horror suite that is this album's title track, "I got a brand new place/I think I've seen it twice all year," and visits to his doctor have provided access to new ingredients for his indulgences. Indeed, this is a post-fame album. In "The Town," Tesfaye apologizes to a local conquest for his absence and notes that he can supply her with diamond rings. The following "Adaptation," where he grieves about losing a potential long-term relationship to his career, illustrates his transient lifestyle as a new source for madness. Although the circumstances and locations are different, the antics, along with the mix of emotional trauma and arrogance, are often similar to what Tesfaye depicted throughout his 2011 releases. Lyrics like "I can't stand talking to brand new girls/Only bitches down to fuck when you shower them with ones," also from "Kiss Land," carry a deeper sense of realism. Sonically, the tracks -- produced with a new cast that includes DannyBoyStyles and DaHeala -- are a little cleaner, yet they're all leaden, even when the pace picks up for the Fox the Fox-sampling "Wanderlust" and the overloaded "Belong to the World." The latter owes its industrial judder to Portishead's "Machine Gun" and is delivered like an anthem with Tesfaye desperately emoting, "I'm not a fool, I just love that you're dead inside." For all its similarities to Tesfaye's past work, along with his confession that "This ain't nothin' to relate to," Kiss Land is more personal, more human, and will draw his fans closer to him. The slightly wider vocal range and additional expressiveness don't hurt his cause.© Andy Kellman /TiVo
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Kiss Land

The Weeknd

R&B - Released January 1, 2013 | CP Records

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Kiss Land (feat. Orestes Vilató)

Michael ACE

Hip-Hop/Rap - Released September 19, 2019 | Earth Music & Movies

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There is No Kiss Land 2

moodmixformat

Dance - Released October 25, 2023 | moodmixformat

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Kiss Land

The Lokias

Experimental - Released June 7, 2020 | The Lokias

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Kiss In The Garage

Clara

Pop - Released September 15, 2023 | c-land

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