Your basket is empty

Categories:
Narrow my search:

Results 1 to 20 out of a total of 4732
From
HI-RES$24.70
CD$19.76

Écho & Narcisse

Hervé Niquet

Classical - Released August 25, 2023 | Château de Versailles Spectacles

Hi-Res Booklet
From
HI-RES$28.09
CD$24.09

Bizet: Carmen, WD 31

Adriana Maliponte

Classical - Released April 1, 1973 | Deutsche Grammophon (DG)

Hi-Res Booklet
From
HI-RES$21.99
CD$16.99

Bijoux perdus

Jodie Devos

Classical - Released September 16, 2022 | Alpha Classics

Hi-Res Booklet Distinctions Choc de Classica
After her triumph with the album "Offenbach Colorature", Jodie Devos has chosen to follow in the footsteps of one of her compatriots, the Belgian coloratura soprano Marie Cabel (1827 -1885), who at the age of twenty-six scored a phenomenal success in Adolphe Adam’s opéra-comique Le Bijou perdu, which she premiered in Paris. She then took on a more dramatic role in Halévy’s Jaguarita l’Indienne, whose great Invocation with chorus ("À moi ma cohorte!") again hit the bullseye in a run of 124 performances over just a few months. Cabel enjoyed one hit after another, in Auber’s Manon Lescaut and La Part du diable, Meyerbeer’s L’Étoile du Nord and Le Pardon de Ploërmel, Victor Massé’s Galathée, and Le Songe d’une nuit d’été by Ambroise Thomas, who in 1866 gave her the biggest role of her career: Philine in Mignon, based on Goethe. In partnership with the musicologists of the Palazzetto Bru Zane, who have resurrected and edited all these unjustly forgotten rarities, and Pierre Bleuse conducting the Brussels Philharmonic and the Flemish Radio Choir, Jodie Devos pays tribute to this star of the nineteenth century, whose audacity and sense of mischief she undoubtedly shares! © Alpha Classics
From
CD$12.45

Bizet: Djamileh

Münchner Rundfunkorchester

Opera - Released January 1, 2016 | Orfeo

From
CD$21.89

40 ans de chansons sur scène

Hubert-Félix Thiéfaine

French Music - Released March 15, 2019 | Columbia

From
HI-RES$24.70
CD$19.76

Bizet: Carmen by André Cluytens

André Cluytens

Opera - Released August 25, 2022 | Alexandre Bak - Classical Music Reference Recording

Hi-Res
From
CD$9.19

Bonne nouvelle

Les Yeux D'La Tête

French Music - Released October 1, 2021 | Fais & Ris

From
CD$8.89

Berlioz: La damnation de Faust & Harold en Italie (Les indispensables de Diapason)

Igor Markevitch

Classical - Released May 2, 2023 | Les Indispensables de Diapason

From
CD$26.59

Portrait de scène

Michelle Torr

Pop/Rock - Released March 5, 1999 | La Tribu

From
CD$12.84

Je vous emporte dans mon cœur (35 ans de scène - Titres enregistrés en public)

gilles servat

French Music - Released November 10, 2006 | Coop Breizh

Booklet
From
CD$8.09

Les Pêcheurs de Perles (Intégrale)

Daniel Oren

Full Operas - Released December 10, 2012 | Brilliant Classics

From
HI-RES$16.59
CD$14.39

Berlioz: Les Nuits d'été, Op. 7 - Harold en Italie, Op. 16

Michael Spyres

Classical - Released November 18, 2022 | Warner Classics

Hi-Res Booklet
This release is part of a Berlioz series by conductor John Nelson and the Orchestre philharmonique de Strasbourg, but it is the soloists who shine here. Tenor Michael Spyres, who is really hitting his stride, has a voice pleasantly suited to French music, rounded and subtle, but there is more; Berlioz suggested that several singers perform the orchestral song cycle Les nuits d'été, Op. 7, but Spyres takes all the songs himself. Moreover, he does them in the original keys, which is rarer still. This calls for a singer with exceptional control of dynamic extremes in different parts of his range, and Spyres is exceptionally flexible in this regard. There is a confidence and nonchalance to this performance that grows on the listener as the performance proceeds, even as the sound engineering puts Spyres too far front and center to the detriment of the orchestra's contributions. This isn't so pronounced in the anti-concerto Harold en Italie, Op. 16, and here again, there is a standout soloist; Timothy Ridout offers a rich sound and a real narrative quality that seems to evoke the score's source in Lord Byron's long poem. This exceptionally satisfying Berlioz album hit best-seller charts in late 2022.© James Manheim /TiVo
From
HI-RES$16.49
CD$10.99

Berlioz : Harold en Italie (Live) - Les Nuits d'été

Les Siècles

Classical - Released January 18, 2019 | harmonia mundi

Hi-Res Booklet Distinctions 4F de Télérama - Choc de Classica
A new aesthetic calls for new forms: such is the challenge the composer set for himself in the two works presented here. In Les Nuits d’été, Berlioz pioneered, well before Mahler and Ravel, a song cycle for voice and orchestra. In Harold in Italy, scored for large orchestra and solo viola, he experimented with the symphonic genre. These period-instrument performances by Les Siècles, led by François-Xavier Roth, with violist Tabea Zimmermann, also feature Stéphane Degout in the vocal cycle, heard here in the composer’s own version for baritone. File under: out of the ordinary. © harmonia mundi
From
CD$9.19

Berlioz: Les nuits d'été opus 7 - Harold en Italie opus 16

Marc Minkowski

Classical - Released October 10, 2011 | naïve classique

From
CD$5.99

37ème Festival International de Piano de La Roque d'Anthéron

Iddo Bar-Shaï

Classical - Released July 14, 2017 | Mirare

Booklet
From
HI-RES$12.79
CD$10.19

Cœur parapluie

Hoshi

French Music - Released September 1, 2023 | Jo&Co

Hi-Res
From
HI-RES$29.79
CD$25.59

Debussy – Rameau

Víkingur Ólafsson

Classical - Released March 27, 2020 | Deutsche Grammophon (DG)

Hi-Res Booklet Distinctions Diapason d'or - 5 étoiles de Classica
This program brings together two great French composers, separated by almost two centuries, that we would not think of bringing together spontaneously. But the freedom of mind of the Icelandic pianist looks at it otherwise, who, for his third album with Deutsche Grammophon, wanted to highlight their affinities as their contrasts in the light of their innovative contribution to the musical thought of their time. "I scratch my head wondering why Rameau's music is not played more. Between quality, inventiveness and unpredictability, there is never any element of formula in these pieces”, says Víkingur Ólafsson. By instinctively associating these style characteristics with those specific to Debussy, he decided to make an album of them: "I want to show Rameau as a futurist and underline the deep roots of Debussy in French baroque — and in Rameau's music in particular. The idea is that the listener almost forgets who is who by listening to the album." Debussy, who never stopped defending the French tradition by opposing it to German music, liked the decorative and complex lines of this Baroque composer with a French spirit like his own.An initial idea in the development of this skillfully constructed program, the transcription for piano of Debussy from Prélude to his Cantata La Damoiselle introduces it. Like the album's visual, Víkingur Ólafsson aims to be suggestive even in the accent he gives in Rameau to polyphonic voices supported by a flawless rhythmic impulse, which contrasts with Debussy, whose among other things the beautiful tumultuous Jardins sous la pluie which is played with a large breath in the image of wind load until the light returns. © Qobuz / GG
From
HI-RES$24.70
CD$19.76

Atys

Christophe Rousset

Opera - Released January 5, 2024 | Château de Versailles Spectacles

Hi-Res Booklet
Backed by the Sun King despite a lukewarm audience reception at first, Lully's Atys (1676) went on to become one of the composer's most successful operas, with revivals at French court theaters as late as 1753. In modern times, however, it is a considerably rarer item due to the massive forces and time required. Christophe Rousset was in the pit as harpsichordist when conductor William Christie gave the first modern revival of the work in the late '80s. That experience marks this 2024 release, which made classical best-seller lists at the beginning of that year. That is not common for a hefty five-act Baroque opera, but even a bit of sampling will confirm why it happened: Rousset, from the keyboard, brings tremendous energy to the opera. He pushes the tempo in the numerous dances and entrance numbers, and the musicians of Les Talens Lyriques and the singers of the Choeur du Chambre de Namur, all of whom have worked closely with Rousset in the past, keep right up. The singers in the solo roles are all fine; haut-contre Reinoud Van Mechelen in the title role and Ambroisine Bré as the goddess Cybèle, who sets the tragic plot in motion, are standouts. The sound from the increasingly engineering-expert Château de Versailles label is exceptionally clear in complex textures, and the sensuous cover art (representing, it is true, not the Roman mythological figure of Atys but Hippomène and Atalante) is a bonus. In the end, this is Rousset's Atys, and that is a very good thing.© James Manheim /TiVo
From
HI-RES$31.79
CD$24.59

Spontini: La vestale

Les Talens Lyriques

Classical - Released May 12, 2023 | Bru Zane

Hi-Res Booklet
Gaspare's Spontini's French-language La Vestale is probably the most often heard of his operas, but that is not saying much; the work was sung by Maria Callas in the 1950s, but performances are sparse. Here, it is revived in period style by Les Talens Lyriques and conductor Christophe Rousset, and a very good case is made for further attention. The story is action-packed; Julia, in the absence of her lover, General Licinius, becomes una Vestale, a Vestal Virgin and guards a sacred flame. When Licinius returns to town, the flame goes out, and Julia is sentenced to be buried alive. Licinius rallies his troops, vowing to kidnap Julia, and the flame is reignited later by a lightning strike. Spontini's orchestration of this tale is Beethovenian in its dimensions, and despite the difficulties of natural horns, it is exciting to hear this opera as Napoleon (thought to be the model for Licinius) and Josephine (who backed the opera) heard it. The singers are not Callas-level, but throughout, and especially in the choruses, there is a commitment to the text and its meaning that is rare in any kind of recording. Marina Rebeka, in the role of Julia, is fully involved in the character's plight, and the smoky-voiced Aude Extrémo as La Grande Vestale is worth the price of admission on her own. The singers are aided by clear, spacious studio sound engineering from the early opera specialist label Palazzetto Bru Zane, whose high standards are perhaps even exceeded here. © James Manheim /TiVo