Your basket is empty

Categories:
Narrow my search:

Results 1 to 20 out of a total of 67576
From
HI-RES$10.99
CD$9.49

Stup Forever

Stupeflip

Alternative & Indie - Released August 26, 2022 | Dragon Accel 2

Hi-Res

Dutronc & Dutronc - La tournée générale

Thomas Dutronc

French Music - Released November 24, 2023 | Universal Music Division Label Panthéon

Download not available
From
HI-RES$17.59
CD$15.09

Live Is Love

Thomas Dutronc

Jazz - Released September 7, 2018 | Blue Note Records

Hi-Res Booklet

Mr Sal

Niska

Hip-Hop/Rap - Released September 6, 2019 | Universal Music Division Capitol Music France

Download not available

Mr Sal

Niska

Hip-Hop/Rap - Released September 6, 2019 | Universal Music Division Capitol Music France

Download not available
From
CD$15.09

Live Is Love

Thomas Dutronc

Jazz - Released September 7, 2018 | Universal Music Division Barclay

Booklet

Les Dés Sont Jetés

LauCarré

Hip-Hop/Rap - Released October 2, 2020 | Universal Music Division Polydor

Download not available
From
HI-RES$10.99
CD$9.09

Tout en haut

Elsa Esnoult

French Music - Released November 18, 2016 | JLA Productions

Hi-Res

Live à l'Olympia, février 1981

Philippe Chatel

French Music - Released January 1, 1979 | Universal Music Division Mercury Records

Download not available

J’suis dans l’hood

Anass

Hip-Hop/Rap - Released July 5, 2019 | Universal Music Division Capitol Music France

Download not available
From
CD$0.89

Dans l’truc 4

Doxmv

Hip-Hop/Rap - Released December 19, 2021 | compo corp.

From
HI-RES$29.79
CD$25.59

Ascenseur pour l'échafaud

Miles Davis

Jazz - Released January 29, 1958 | Fontana

Hi-Res Distinctions The Qobuz Ideal Discography
Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen -- bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen -- and American expatriate drummer Kenny Clarke. This recording evokes the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords. Michelot is as important a figure as the trumpeter because he sets the tone, as on the stalking "Visite du Vigile." While the mood of the soundtrack is generally dour and somber, the group collectively picks up the pace exponentially on "Diner au Motel." At times the distinctive Davis trumpet style is echoed into dire straits or death wish motifs, as on "Generique" or "L'Assassinat de Carala," respectively. Clarke is his usual marvelous self, and listeners should pay close attention to the able Urtreger, by no means a virtuoso but a capable and flexible accompanist. This recording can stand proudly alongside Duke Ellington's music from Anatomy of a Murder and the soundtrack of Play Misty for Me as great achievements of artistic excellence in fusing dramatic scenes with equally compelling modern jazz music.© Michael G. Nastos /TiVo
From
HI-RES$18.09
CD$15.69

Eclect!que

Gaëtan Roussel

French Music - Released November 24, 2023 | Play Two

Hi-Res Booklet
From
HI-RES$29.79
CD$25.59

Glass: Cocteau Trilogy

Katia Labèque

Classical - Released February 23, 2024 | Universal Music Division Decca Records France

Hi-Res Booklet Distinctions Qobuz Album of the Week
Philip Glass' three operas based on films by Jean Cocteau, inspired by the composer's youthful experiences in Paris, are among his most variegated works and perhaps among the ones most likely to win over those unpersuaded by the composer. This release took shape as Katia and Marielle Labèque performed concerts devoted to two-piano arrangements of numbers from these operas in 2020 and 2023; the arrangements are by Glass colleague Michael Riesman. Many recordings of Glass have come from his own orbit, but this one, released by the Deutsche Grammophon label and a presence on classical best-seller charts in early 2024, shows the value in opening up the field. The Labèques bring a fluent but lively quality to the music that illuminates the material out of which the operas are woven. Sample the ragtime-like opening, "Le café," from Act I at the beginning. Elsewhere, one hears echoes of Gluck, Bach, and more, all superimposed on Glass' characteristic repeating patterns. The durable popularity of Katia and Marielle Labèque, still at the top of the duo piano heap, is remarkable, and it has occurred in part because the sisters are unafraid to take on new repertory. Here, they have done a spectacular job.© James Manheim /TiVo

À l'auditorium

Benjamin Biolay

French Music - Released September 29, 2023 | Universal Music Division Romance Musique

Download not available
From
HI-RES$31.79
CD$24.59

Spontini: La vestale

Les Talens Lyriques

Classical - Released May 12, 2023 | Bru Zane

Hi-Res Booklet
Gaspare's Spontini's French-language La Vestale is probably the most often heard of his operas, but that is not saying much; the work was sung by Maria Callas in the 1950s, but performances are sparse. Here, it is revived in period style by Les Talens Lyriques and conductor Christophe Rousset, and a very good case is made for further attention. The story is action-packed; Julia, in the absence of her lover, General Licinius, becomes una Vestale, a Vestal Virgin and guards a sacred flame. When Licinius returns to town, the flame goes out, and Julia is sentenced to be buried alive. Licinius rallies his troops, vowing to kidnap Julia, and the flame is reignited later by a lightning strike. Spontini's orchestration of this tale is Beethovenian in its dimensions, and despite the difficulties of natural horns, it is exciting to hear this opera as Napoleon (thought to be the model for Licinius) and Josephine (who backed the opera) heard it. The singers are not Callas-level, but throughout, and especially in the choruses, there is a commitment to the text and its meaning that is rare in any kind of recording. Marina Rebeka, in the role of Julia, is fully involved in the character's plight, and the smoky-voiced Aude Extrémo as La Grande Vestale is worth the price of admission on her own. The singers are aided by clear, spacious studio sound engineering from the early opera specialist label Palazzetto Bru Zane, whose high standards are perhaps even exceeded here. © James Manheim /TiVo
From
HI-RES$24.70
CD$19.76

Atys

Christophe Rousset

Opera - Released January 5, 2024 | Château de Versailles Spectacles

Hi-Res Booklet
Backed by the Sun King despite a lukewarm audience reception at first, Lully's Atys (1676) went on to become one of the composer's most successful operas, with revivals at French court theaters as late as 1753. In modern times, however, it is a considerably rarer item due to the massive forces and time required. Christophe Rousset was in the pit as harpsichordist when conductor William Christie gave the first modern revival of the work in the late '80s. That experience marks this 2024 release, which made classical best-seller lists at the beginning of that year. That is not common for a hefty five-act Baroque opera, but even a bit of sampling will confirm why it happened: Rousset, from the keyboard, brings tremendous energy to the opera. He pushes the tempo in the numerous dances and entrance numbers, and the musicians of Les Talens Lyriques and the singers of the Choeur du Chambre de Namur, all of whom have worked closely with Rousset in the past, keep right up. The singers in the solo roles are all fine; haut-contre Reinoud Van Mechelen in the title role and Ambroisine Bré as the goddess Cybèle, who sets the tragic plot in motion, are standouts. The sound from the increasingly engineering-expert Château de Versailles label is exceptionally clear in complex textures, and the sensuous cover art (representing, it is true, not the Roman mythological figure of Atys but Hippomène and Atalante) is a bonus. In the end, this is Rousset's Atys, and that is a very good thing.© James Manheim /TiVo
From
HI-RES$24.59
CD$21.09

Debussy: Images 1 & 2; Children's Corner

Arturo Benedetti Michelangeli

Classical - Released January 1, 1971 | Deutsche Grammophon (DG)

Hi-Res Distinctions The Qobuz Ideal Discography
From
HI-RES$16.59
CD$14.39

Dans nos yeux

Camille Berthollet

Classical - Released December 1, 2023 | Warner Classics

Hi-Res Booklet
From
HI-RES$38.99
CD$29.29

Jules Massenet: Ariane

Münchner Rundfunkorchester

Classical - Released September 8, 2023 | Bru Zane

Hi-Res Booklet Distinctions Diapason d'or
For many years, it was only Manon and Werther that were heard among Massenet's operas, but his reputation appears to be on the rise, and his champion, conductor Laurent Campellone, has recorded a good number of them. Ariane, from 1906, is one of the last to receive its recorded premiere. The Palazzetto Bru Zane label, specializing in obscure French opera, does a typically fine job here; the sound is superb, and the cast of singers, led by the soprano Amina Edris in the lead role, offers several revelations. In his later operas, Massenet often attempted to put a French stamp on the newer styles of the day, and here, it is Wagner who gets this treatment; the opera is built around a set of motifs de rappel (or "reminiscence motifs"), whose parentage in Wagner's leitmotifs is clear. This structure is shoehorned into the durable machinery of French opera. There are big entrance scenes, a pantomime, and plenty of spectacular stage machinery to go with the love triangle plot involving Ariane (Ariadne), Phèdre (Phaedra), and Theseus, who gets to take on the Minotaur in a grand scene with Wagnerian bass trumpet and bass trombone. Massenet's orchestration is impressive throughout. The work does not have the inevitability of truly great art, but it is in no way dull, and anyone with any interest in French opera should hear it for the singers alone; enough of those listeners have already weighed in and put the album on classical best-seller lists in the late summer of 2023.© James Manheim /TiVo