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Est-ce que tu sais ?

Gaëtan Roussel

Pop - Released October 29, 2021 | Play Two

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The Weight of Your Love

Editors

Alternative & Indie - Released November 27, 2015 | Play It Again Sam

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Moving away from the synth-heavy sound of 2009's In This Light and on This Evening, Britain's the Editors return to the more epic, atmospheric guitar-based rock of their debut with 2013's The Weight of Your Love. However, this release is far from repetitive. Certainly, lead singer Tom Smith's baritone croon sounds as authoritative as ever, and the band has lost none of its languid '80s post-punk inclination. But at the same time, there is something less frenetic about the music here that speaks to broader artistic influences and a more mature level of songwriting. Produced by Jacquire King in Nashville, the album has a distinctly organic feel, as if it were recorded in an old theater. Adding to this tactile, less electronic sound is the choice to frame several of the songs in judicious swaths of string orchestration. The result works especially well on the album's handful of ballads, including "What Is This Thing Called Love" and "Honesty," helping them achieve a deeply moving, cinematic quality. The band also delves into several long-form, slow-burn rock epics that are definitely worth your attention, even if their sustained drama plays out at a more sinister pace. Songs like leadoff "The Weight" and "Sugar" are thoughtfully arranged; they take their time to fully engage your adoration. That said, adoration is exactly the emotion evoked by such deliciously addictive pop moments as the lead single, "A Ton of Love," which brings to mind the passionate, soulful rock of U2 and Echo & the Bunnymen. In fact, on "A Ton of Love," Smith chants the word "Desire" as if in direct homage to U2's 1988 single. A grandiose shout-out for sure, but ultimately, a fitting one.© Matt Collar /TiVo
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Je me jette à ton cou

Gaëtan Roussel

Pop - Released March 5, 2021 | Play Two

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Ton Koi Bat Btani Ch Janu Phone Jrur Kr Jyo

DK Ghunawat

Indian Music - Released September 22, 2023 | DK Ghunawat

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Chori Ton Touch Ko Milgo Phone

DK Ghunawat

Indian Music - Released September 18, 2023 | DK Ghunawat

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The Bunkest of Deals (Phone Version)

Eight Ton Whale

Alternative & Indie - Released November 26, 2023 | 6015000 Records DK

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Vois sur ton chemin

Bennett

Techno - Released August 4, 2023 | Warner Music Central Europe

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Bright Future

Adrianne Lenker

Alternative & Indie - Released March 22, 2024 | 4AD

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Adrianne Lenker is an astoundingly prolific songwriter. As leader of Big Thief, she wrote the band's 2022 double album, Dragon New Warm Mountain I Believe in You. Bookending that, she penned a pair of solo albums (2020's Songs and Instrumentals) and the new Bright Future. Lenker recorded Bright Future in a solitary analog studio with co-producer Philip Weinrobe and a core group of musicians: Nick Hakim, Mat Davidson, and Josefin Runsteen. Owing to this stripped-down configuration, the album possesses an earthy feel dominated by acoustic guitars, spectral piano, and Lenker's intimate vocals. The musicians layer bewitching harmonies on the country-leaning "Already Lost," while opening track "Real House" starts with an audible creak, as if someone is settling into a chair, and gives way to vivid, stream-of-consciousness lyrics: "Do you remember coming to the hospital when I was 14?/ My friends all left me there spinning/ Dad was angry that you saw everything." The latter track sets the tone for the rest of Bright Future, which finds Lenker in an especially vulnerable, confessional mood. "Candleflame" is a solemn acoustic number infused with a spiritual vibe; "Fool" recalls the homespun songs of early Liz Phair; and Lenker reaches into her falsetto range to match light-touch piano on "Evol." The original recording of Big Thief's "Vampire Empire" is scratchy, lo-fi indie rock instead of spectral pop, giving the song new dimensions. And the album-closing "Ruined" is gentle and devastating, with spacious arrangements, deep-space twinkling production and Lenker sounding weary as she sings, "Can't get enough of you/ You come around I'm ruined." In the end, Bright Future illustrates that Lenker's quality control never wavers in spite of her songwriting productivity—and celebrates the joy of collaboration and creativity. © Annie Zaleski/Qobuz
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EMPOR

MEUTE

Electronic - Released February 23, 2024 | TUMULT

Hi-Res Distinctions Qobuz Album of the Week
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Spaces

Nils Frahm

Ambient - Released November 18, 2013 | Erased Tapes

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Succession: Season 4

Nicholas Britell

Film Soundtracks - Released May 29, 2023 | Lake George Music Group

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À l'auditorium

Benjamin Biolay

French Music - Released September 29, 2023 | Universal Music Division Romance Musique

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Rustin' In The Rain

Tyler Childers

Country - Released September 8, 2023 | Hickman Holler Records - RCA Records

Tightening his belt to deliver a record that runs less than a half-hour -- a considerable shift after 2022's triple-album Can I Take My Hounds to Heaven? -- Tyler Childers cuts away all the extraneous fat on Rustin' in the Rain, an album that's as succinct and resonant as an old '60s or '70s LP left to gather dust in a dollar bin. The connection to the past is intentional and apparent on Rustin' in the Rain: he takes the time to deliver a bruised cover of Kris Kristofferson's "Help Me Make It Through the Night," a song that seemingly appeared on every other country album of the early '70s. At times, Childers does nod to the shaggy beginnings of '70s progressive country -- the title track gallops like a runaway steed -- but he's not beholden to the outlaw caricature that's calcified over the decades. He dabbles in scripture on "Luke 2: 8-19," finding space for Margo Price to play the role of an angel; he leads his Food Stamps band through a rolling, sunny groove on "Perchon Mules," and concludes the record with "Space & Time," a slow-burner that recalls the glory days of country-soul. Although each of these songs could be viewed as traditional from a certain angle, Childers's perspective and execution gives his music a freshness. This is a singer/songwriter whose honky tonk weeper is all about "Phone Calls and Emails" and decided to give "In Your Love," his sweetest ballad, a video depicting a romance between gay coal miners in the '50s: he's explicitly treating country music as a genre that evolves, one that can encompass all manners of stories by building upon what's already been laid at the foundation. With its empathetic heart and kinetic kick, Rustin' in the Rain illustrates how vibrant and vital that idea can be.© Stephen Thomas Erlewine /TiVo
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Louise Attaque

Louise Attaque

Rock - Released April 21, 1997 | Universal Music Division Barclay

Hi-Res Distinctions The Qobuz Ideal Discography
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Crazymad, For Me

Cmat

Pop - Released October 13, 2023 | CMATBABY

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Polaris

Emilie Simon

Pop - Released March 29, 2024 | Play Two

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Pretenders

The Pretenders

Rock - Released December 27, 1979 | WM UK

Hi-Res Distinctions The Qobuz Ideal Discography
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Phone Orphans

Laura Veirs

Folk/Americana - Released November 3, 2023 | Raven Marching Band

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Récit

Salomé Gasselin

Classical - Released January 13, 2023 | Mirare

Hi-Res Booklet Distinctions Diapason d'or
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The Soft Bulletin

The Flaming Lips

Alternative & Indie - Released May 17, 1999 | Warner Records

Hi-Res Distinctions The Qobuz Ideal Discography
So where does a band go after releasing the most defiantly experimental record of its career? If you're the Flaming Lips, you keep rushing headlong into the unknown -- The Soft Bulletin, their follow-up to the four-disc gambit Zaireeka, is in many ways their most daring work yet, a plaintively emotional, lushly symphonic pop masterpiece eons removed from the mind-warping noise of their past efforts. Though more conventional in concept and scope than Zaireeka, The Soft Bulletin clearly reflects its predecessor's expansive sonic palette. Its multidimensional sound is positively celestial, a shape-shifting pastiche of blissful melodies, heavenly harmonies, and orchestral flourishes; but for all its headphone-friendly innovations, the music is still amazingly accessible, never sacrificing popcraft in the name of radical experimentation. (Its aims are so perversely commercial, in fact, that hit R&B remixer Peter Mokran tinkered with the cuts "Race for the Prize" and "Waitin' for a Superman" in the hopes of earning mainstream radio attention.) But what's most remarkable about The Soft Bulletin is its humanity -- these are Wayne Coyne's most personal and deeply felt songs, as well as the warmest and most giving. No longer hiding behind surreal vignettes about Jesus, zoo animals, and outer space, Coyne pours his heart and soul into each one of these tracks, poignantly exploring love, loss, and the fate of all mankind; highlights like "The Spiderbite Song" and "Feeling Yourself Disintegrate" are so nakedly emotional and transcendentally spiritual that it's impossible not to be moved by their beauty. There's no telling where the Lips will go from here, but it's almost beside the point -- not just the best album of 1999, The Soft Bulletin might be the best record of the entire decade.© Jason Ankeny /TiVo