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Les Premières Années

Céline Dion

French Artists - Released December 6, 1983 | Versailles

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J'Veux Du Soleil

Au P'tit Bonheur

Pop - Released February 25, 1992 | Universal Music Division Label Panthéon

Je veux du bonheur

Christophe Maé

Pop - Released June 10, 2013 | Warner (France)

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Eddy Rocker

Eddy Mitchell

French Music - Released January 1, 1998 | Universal Music Division Barclay

Où sont passés nos rêves

Serge Lama

French Music - Released November 4, 2016 | Warner (France)

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Ce soir après dîner, nous passerons des disques

Radiomatic

French Music - Released April 12, 2006 | Autoproduit

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Je chante Dieu toute l'année

Jean-François Kieffer

Stories and Nursery Rhymes - Released January 1, 2011 | MAME

Je Veux du Bonheur

Christophe Maé

Pop - Released June 10, 2013 | Warner (France)

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Antonio Salieri : Les Horaces

Christophe Rousset

Full Operas - Released August 31, 2018 | Aparté

Hi-Res Booklet Distinctions 5 de Diapason - 5 Sterne Fono Forum Klassik - Preis der deutschen Schallplattenkritik
Ever since Peter Shaffer's play Amadeus and the subsequent film by Milos Forman, the operas of Mozart's rival Antonio Salieri have enjoyed a revival: historians determined that not only did Salieri not poison Mozart, he admired him, and Mozart at least respected the older Italian. Indeed, Les Horaces (1786) represents several accomplishments that were not on Mozart's résumé: it is a full-scale French opera, and its recitatives are orchestrally accompanied and contribute elegantly to the action. Berlioz, always an astute critic, numbered himself among the admirers of Salieri's French operas of the 1780s; this one was not as successful as the others, but that could have been due to any number of factors. The plot deals with a woman, Camille, whose romantic life is caught between factions in a war in early Roman times, and Rousset's live reading here benefits from a strong soprano lead, Dutch singer and French Baroque specialist Judith van Wanroij. Other singers likewise step up, but the real credit goes to Rousset, who gets the strengths of Salieri's score: the grand intermèdes, and the exciting finale of Act 1, where the joining-together of action and music is in Mozart's league even if the tunes are not. Also praiseworthy is the engineering work of the curiously named Little Tribeca team, who obtain the best possible sound from none other than Versailles. Highly recommended to those who have dismissed Salieri: this is a sympathetic and enthusiastic performance of his music. © TiVo
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40 ans de succès

La famille Daraîche

Country - Released January 1, 2009 | Les productions J.D