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Ibiza Closing Party 2011 Compilation - Mixed by Amin Orf & Alex Aguilar

Various Artists

House - Released October 3, 2011 | Fever Sound Records

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Ibiza 2011 Part 2 - Mixed By Amin Orf

Various Artists

Techno - Released July 19, 2011 | Fever Sound Records

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Amsterdam Dance Essentials 2013 Mixed & Compiled by Amin Orf

Various Artists

Miscellaneous - Released October 21, 2013 | Fever Sound Records

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Ibiza To L.A. Sampler 2013 - Mixed by Gabriel Slick

Various Artists

Miscellaneous - Released June 8, 2013 | Slick Records

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Relax - A Decade 2003-2013 Remixed & Mixed

Blank & Jones

Electronic - Released June 7, 2013 | Soundcolours

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If...

Bill Ryder-Jones

Alternative & Indie - Released November 14, 2011 | Double Six Records

Distinctions 4F de Télérama
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Music for Lady Louise

Ensemble Leviathan

Classical - Released November 18, 2022 | harmonia mundi

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Louise de Penancoët de Keroualle (Lady Louise), a spy in the pay of Louis XIV, was the mistress of Charles II. Charged with keeping England under the influence of the Sun King, she forged close links between musicians on either side of the Channel. These political intentions generated a repertory as rich and brilliant as it was expressive. It is a genuine rediscovery that we owe to Ensemble Leviathan and Lucile Tessier. © harmonia mundi
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Works By Brahms, Cassado, Paganini, Piazolla & Popper

Aurore Dassesse

Classical - Released February 15, 2015 | Traxfree

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Coco's Miracle

Fedde Le Grand

Dance - Released December 1, 2017 | Spinnin' Records

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Inspiré de faits réels

Bénabar

French Music - Released August 25, 2014 | Jive Epic

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Enfin réunis : 12 grandes chansons / Sur mon canapé

Les Cowboys Fringants

French Music - Released October 27, 2001 | La Tribu

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Be Here Now (Deluxe Remastered Edition)

Oasis

Alternative & Indie - Released October 14, 2016 | Big Brother Recordings Ltd

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Arriving with the force of a hurricane, Oasis' third album, Be Here Now, is a bright, bold, colorful tour de force that simply steamrolls over any criticism. The key to Oasis' sound is its inevitability -- they are unwavering in their confidence, which means that even the hardest rockers are slow, steady, and heavy, not fast. And that self-possessed confidence, that belief in their greatness, makes Be Here Now intensely enjoyable, even though it offers no real songwriting breakthroughs. Noel Gallagher remains a remarkably talented synthesist, bringing together disparate strands -- "D'You Know What I Mean" has an N.W.A drum loop, a Zeppelin-esque wall of guitars, electronica gurgles, and lyrical allusions to the Beatles and Dylan -- to create impossibly catchy songs that sound fresh, no matter how many older songs he references. He may be working familiar territory throughout Be Here Now, but it doesn't matter because the craftsmanship is good. "The Girl in the Dirty Shirt" is irresistible pop, and epics like "Magic Pie" and "All Around the World" simply soar, while the rockers "My Big Mouth," "It's Getting Better (Man!!)," and "Be Here Now" attack with a bone-crunching force. Noel is smart enough to balance his classicist tendencies with spacious, open production, filling the album with found sounds, layers of guitars, keyboards, and strings, giving the record its humongous, immediate feel. The sprawling sound and huge melodic hooks would be enough to make Be Here Now a winner, but Liam Gallagher's vocals give the album emotional resonance. Singing better than ever, Liam injects venom into the rockers, but he also delivers the nakedly emotional lyrics of "Don't Go Away" with affecting vulnerability. That combination of violence and sensitivity gives Oasis an emotional core and makes Be Here Now a triumphant album.© Stephen Thomas Erlewine /TiVo
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REFLETS

Grand Corps Malade

French Music - Released October 20, 2023 | Anouche Records

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Might Delete Later

J. Cole

Hip-Hop/Rap - Released April 5, 2024 | Cole World, Inc. under exclusive license to Interscope Records

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Lyrical rapper J. Cole runs through a multitude of high-energy styles on his fourth mixtape, the driven and fluid Might Delete Later. There's some dabbling with U.K. drill on "H.Y.B." with Bas and Central Cee, "Ready '24" chops up a Barbara Mason soul sample with all the verve of prime-era Kanye, "Stickz N Stonez" offers up a mellow boom-bap beat that Cole blasts syllables over, and other production turns play out over the course of the tape as well. Cole's bars concentrate primarily on how far ahead of everyone else in the game he is and how his skills are unapproachable. Closing cut "7 Minute Drill" (which Cole apologized for and removed from streaming platforms shortly after the mixtape's release, fulfilling the project's title) criticizes Kendrick Lamar's career after Cole felt slightly dissed by Lamar in his verse on "Like That," a track on Future and Metro Boomin's mixtape WE DON'T TRUST YOU, which was released just prior to Might Delete Later.© TiVo Staff /TiVo
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With A Hammer

Yaeji

Electronic - Released April 7, 2023 | XL Recordings

Hi-Res Distinctions Pitchfork: Best New Music - Qobuzissime
Yaeji's fans have been eagerly awaiting the release of her debut full-length album since a pair of 2017 EPs, the second of which featured club essential "Raingurl." With a Hammer showcases the Korean American singer, producer, DJ, visual artist and writer's talents across thirteen tracks as she takes listeners on a journey into the depths of her mind, addressing both societal and self-imposed repression accumulated over her lifetime. Despite the upbeat and club-ready sound of the second track, "For Granted," it's essential to note that With a Hammer is a deeply introspective vessel for Yaeji's inner thoughts. In a letter to fans accompanying the announcement of the album, Yaeji explained that she began tackling her inner demons by writing a story of herself and a hammer, which she crafted from her own anger. This narrative would guide Yaeji in her studio recording sessions. While tracks like "Passed Me By," which could easily be interpreted by a rock band as a head-banging anthem, or "Ready or Not" and "Happy"—which have elements of R&B supported by surprising drum beats—show glimpse of other genres, there's always a sprinkle of Yaeji's fun, glitchy aesthetic, which ties everything together into a beautiful sound collage. "I want to begin this album with intent. I want to take all that I've suppressed and let it breathe and live through this process of creation. I want my music to be free," Yaeji has stated. With a Hammer is an instant Qobuzissime; there is a weightlessness and lost-in-time feeling as you experience the intimate and delightful insight into her eclectic world. It is safe to say that her goal has been achieved. © Jessica Porter-Langson/Qobuz
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Challengers [MIXED] by Boys Noize

Trent Reznor

Film Soundtracks - Released April 12, 2024 | Milan Records

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Musica Nuda - Live à FIP

Musica Nuda

Vocal Jazz - Released January 1, 2006 | Bonsaï Music

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Steel Wheels

The Rolling Stones

Rock - Released August 1, 1989 | Polydor Records

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The Stones, or more accurately the relationship between Mick and Keith, imploded shortly after Dirty Work, resulting in Mick delivering a nearly unbearably mannered, ambitious solo effort that stiffed and Keith knocking out the greatest Stones album since Tattoo You, something that satisfied the cult but wasn't a hit. Clearly, they were worth more together than they were apart, so it was time for the reunion, and that's what Steel Wheels is -- a self-styled reunion album. It often feels as if they sat down and decided exactly what their audience wanted from a Stones album, and they deliver a record that gives the people what they want, whether it's Tattoo You-styled rockers, ballads in the vein of "Fool to Cry," even a touch of old-fashioned experimentalism with "Continental Drift." Being professionals, in the business for over two and a half decades, and being a band that always favored calculation, they wear all this well, even if this lacks the vigor and menace that fuels the best singles; after all, the rocking singles ("Sad Sad Sad," "Rock and a Hard Place," "Mixed Emotions") wind up being smoked by such throwaways as "Hold on to Your Hat." Even though it's just 12 songs, the record feels a little long, largely due to its lack of surprises and unabashed calculation (the jams are slicked up so much they don't have the visceral power of the jam record, Black and Blue). Still, the Stones sound good, and Mick and Keith both get off a killer ballad apiece with "Almost Hear You Sigh" and "Slipping Away," respectively. It doesn't make for a great Stones album, but it's not bad, and it feels like a comeback -- which it was supposed to, after all.© Stephen Thomas Erlewine /TiVo