Hands to myself for albums to download in True CD Quality (Lossless), 24-Bit Hi-Res

From

HI-RES$23.49

CD$20.29

See the album
-10%

WE STILL DON'T TRUST YOU

Future

Hip-Hop/Rap - Released April 12, 2024 | Wilburn Holding Co. - Boominati - Epic - Republic

Hi-Res

Three weeks after Future and Metro Boomin released the chart-topping collaboration WE DON'T TRUST YOU, the two followed it up with another, WE STILL DON'T TRUST YOU. A distinct work and not a deluxe edition of the previous release, WE STILL DON'T TRUST YOU is a nearly 90-minute sprawl divided into two parts. The first, which takes up more than an hour, is a diversion from the duo's usual trap sound. The opening title track features the Weeknd, and it sounds similar to his blend of dark, neon synth pop and downer R&B. The other songs aren't as clubby, but they often feature glossy synths and aching melodies. The Weeknd makes two more appearances, Ty Dolla $ign pops up, Brownstone are given a feature credit for a garbled sample of "If You Love Me," and J. Cole has a guest verse on the breezy "Red Leather," although it's not entirely clear if his appearance has anything to do with his well-publicized beef with Kendrick Lamar, who guested on WE DON'T TRUST YOU's "Like That." The brief second part of WE STILL DON'T TRUST YOU, consisting of a Charlamagne tha God radio intro and just six songs, is a return to hard trap, with Lil Baby and A$AP Rocky providing guest verses.© TiVo Staff /TiVo

From

HI-RES$24.59

CD$21.09

See the album
-10%

Revival

Selena Gomez

Pop - Released October 9, 2015 | Selena Gomez PS

Hi-Res

During the short time since her last album, 2013's Stars Dance, and the release of Revival in 2015, Selena Gomez went through about a decade's worth of stuff. A label change (from Hollywood to Interscope), a very public breakup with longtime on-off boyfriend Justin Bieber, management issues, various rehab rumors, and even a few good things (a hit single, a charting collaboration with Zedd). Revival is something of a fresh start for Gomez, both musically and personally. Taking more control over the album, with more writing credits and production oversight, the sound veers away from the bubblegum nature of her early work or the genre-hopping aspects of other releases. Instead, the album sticks pretty close to a club bangers-and-ballads mix with a couple of R&B-inspired jams thrown in. Gomez sounds most at home on the uptempo dance tracks like "Kill 'Em with Kindness" or "Me & the Rhythm," where the smoothness of her voice fits in with the vacant abandon of the beat. She also does a fine job on the tracks that slip outside the bounds of the formula, namely on the snappy, sassy Charli XCX-written "Same Old Love" or the steamy, tricked-out Latin beats and weird synthesizers in "Body Heat." These tracks show at her best, dialing up her personality to match the wit and imagination shown in the arrangements. The songs that don't fare as well are those where Gomez sounds most personal. She aims for several kinds of maturity here, but in the process the music suffers. Whether on the confessional piano ballad "Camouflage," the bruising "Sober" or the cartoonishly sexy "Good for You," it feels forced and overdone. Despite a few too many songs like this, there is still much to like about the album. There are some songs as good as anything she's done and the production is professional all the way thanks to heavy hitters like Stargate, Max Martin, and Hit Boy. It makes for a solid pop album overall, but it's a little too formulaic and predictable to rate among her best work.© Tim Sendra /TiVo

The White Stripes Under Great White Northern Lights

From

CD$18.79

See the album
-10%

Under Great White Northern Lights

The White Stripes

Alternative & Indie - Released March 16, 2010 | Third Man Records - Legacy

Given the White Stripes’ reputation for powerful concerts, it’s a little surprising that they waited until more than a decade into their career to release a live album. However, Under Great White Northern Lights was worth the wait: While nothing can really replace seeing the band live, this set captures most of their riveting on-stage presence. The album was recorded during the Stripes’ 2007 Canadian tour, which was such a special experience for them that they chronicled it with a DVD as well. The band was touring in support of that year’s Icky Thump, and the Scottish and Celtic motifs that are woven throughout that album pop up here, too, from the bagpipes intro to a brisk version of “Little Ghost” that sounds almost like a reel. Like most White Stripes concerts, Under Great White Northern Lights features an evenhanded mix of early songs and newer ones -- Jack and Meg White go way back for incendiary takes on “Let’s Shake Hands” and “When I Hear My Name,” which sound right at home next to the lunging “Icky Thump” and “I’m Slowly Turning into You.” The album opens with four furious rockers that show just how primal the duo is live -- on “Black Math” and a breathless “Blue Orchid” they sound like they can barely keep up with the energy flowing through them -- but many of Under Great White Northern Lights’ brightest moments happen when they slow down. Jack and Meg settle into a groove on “300 M.P.H. Torrential Outpour Blues” that makes the song fresher than it was on Icky Thump, while a particularly stunning version of “The Union Forever,” with extra-desperate vocals from Jack surrounded by a swelling, horror-movie organ, just might be the album’s standout. The Stripes also include plenty of favorites, including “Jolene,” a bluesy “Fell in Love with a Girl,” a singalong “I Just Don’t Know What to Do With Myself,” and a bruising “Seven Nation Army” as the finale, all of which capture the kind of show the band puts on for its fans. Since a big part of the Stripes’ live show also rests on their visuals, the Under Great White Northern Lights DVD gives the complete experience, but this album is satisfying enough to make it a must for most fans.© Heather Phares /TiVo

From

CD$13.09

See the album
-10%

The Pecan Tree

Joe Sample

Jazz - Released April 16, 1996 | Bad Dog - PRA Records

The Pecan Tree is a collection of 11 compositions from master pianist/composer Joe Sample that were inspired by his Southeast Texas roots and influences. As a founding member of the pioneering quartet the Jazz Crusaders and as a solo artist, the pianist has created an impressive musical style based upon his early appreciation for jazz, gospel, soul, bebop, blues, Latin, and classical music. The Pecan Tree features many of those musical genres performed with such special guests as Lenny Castro and Paulinho da Costa on percussion, renowned R&B vocalist Howard Hewett, and newcomer Lizz Wright. Sample's Quintet kicks off the set with the title track, a Latin-tinged mid-tempo instrumental that features Sample's beautiful melodicism in harmony with the percussive mastery of Lenny Castro. The ensemble brings their creativity ingenuity to "Hot and Humid," a sweltering musical story of the region's weather condition. You can literally feel the heat from Sample's fiery piano chops. The soulful voice of Howard Hewett on "With These Hands" also makes this CD entertaining. He envelopes the listener with his gospel-tinged R&B tenor and holds you spellbound throughout this lovely ballad with his powerful range and heartfelt lyricism. The Pecan Tree is an apt tribute in the form of choice songs that describe Sample's true essence as a great musical storyteller and ranks alongside his smash hit Carmel with respect to his ability to deliver musical metaphors through smart phrasing and compelling melodies that reflect local settings.© Paula Edelstein /TiVo

See the album
-10%

Many a Mile

Blue Rodeo

Country - Released December 3, 2021 | WM Canada

Download not available

Myron Elkins Factories, Farms & Amphetamines

From

HI-RES$13.29

CD$11.49

See the album
-10%

Factories, Farms & Amphetamines

Myron Elkins

Rock - Released January 13, 2023 | Low Country Sound - Elektra

Hi-Res

From

CD$4.59

See the album
-10%

Hands To Myself

Selena Gomez

Pop - Released March 4, 2016 | Selena Gomez PS

From

HI-RES$19.29

CD$16.59

See the album
-10%

Revival

Selena Gomez

Pop - Released October 9, 2015 | Selena Gomez PS

Hi-Res

During the short time since her last album, 2013's Stars Dance, and the release of Revival in 2015, Selena Gomez went through about a decade's worth of stuff. A label change (from Hollywood to Interscope), a very public breakup with longtime on-off boyfriend Justin Bieber, management issues, various rehab rumors, and even a few good things (a hit single, a charting collaboration with Zedd). Revival is something of a fresh start for Gomez, both musically and personally. Taking more control over the album, with more writing credits and production oversight, the sound veers away from the bubblegum nature of her early work or the genre-hopping aspects of other releases. Instead, the album sticks pretty close to a club bangers-and-ballads mix with a couple of R&B-inspired jams thrown in. Gomez sounds most at home on the uptempo dance tracks like "Kill 'Em with Kindness" or "Me & the Rhythm," where the smoothness of her voice fits in with the vacant abandon of the beat. She also does a fine job on the tracks that slip outside the bounds of the formula, namely on the snappy, sassy Charli XCX-written "Same Old Love" or the steamy, tricked-out Latin beats and weird synthesizers in "Body Heat." These tracks show at her best, dialing up her personality to match the wit and imagination shown in the arrangements. The songs that don't fare as well are those where Gomez sounds most personal. She aims for several kinds of maturity here, but in the process the music suffers. Whether on the confessional piano ballad "Camouflage," the bruising "Sober" or the cartoonishly sexy "Good for You," it feels forced and overdone. Despite a few too many songs like this, there is still much to like about the album. There are some songs as good as anything she's done and the production is professional all the way thanks to heavy hitters like Stargate, Max Martin, and Hit Boy. It makes for a solid pop album overall, but it's a little too formulaic and predictable to rate among her best work.© Tim Sendra /TiVo