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Foxtrot at Fifty + Hackett Highlights: Live in Brighton

Steve Hackett

Rock - Released September 15, 2023 | InsideOutMusic

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The Elder Scrolls V: Skyrim: Original Game Soundtrack

Jeremy Soule

Film Soundtracks - Released November 11, 2011 | Bethesda Softworks

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Skyrim 10th Anniversary Concert

London Symphony Orchestra

Film Soundtracks - Released November 12, 2021 | Bethesda Softworks

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Foxtrot

Genesis

Pop - Released October 1, 1972 | Rhino Atlantic

Foxtrot is where Genesis began to pull all of its varied inspirations into a cohesive sound -- which doesn't necessarily mean that the album is streamlined, for this is a group that always was grandiose even when they were cohesive, or even when they rocked, which they truly do for the first time here. Indeed, the startling thing about the opening "Watcher of the Skies" is that it's the first time that Genesis attacked like a rock band, playing with a visceral power. There's might and majesty here, and it, along with "Get 'Em Out by Friday," is the truest sign that Genesis has grown muscle without abandoning the whimsy. Certainly, they've rarely sounded as fantastical or odd as they do on the epic 22-minute closer "Supper's Ready," a nearly side-long suite that remains one of the group's signature moments. It ebbs, flows, teases, and taunts, see-sawing between coiled instrumental attacks and delicate pastoral fairy tales. If Peter Gabriel remained a rather inscrutable lyricist, his gift for imagery is abundant, as there are passages throughout the album that are hauntingly evocative in their precious prose. But what impresses most about Foxtrot is how that precociousness is delivered with pure musical force. This is the rare art-rock album that excels at both the art and the rock, and it's a pinnacle of the genre (and decade) because of it.© Stephen Thomas Erlewine /TiVo
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Metamorphosis

The Dark Side of the Moon

Metal - Released May 12, 2023 | Napalm Records

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Planet of Lana (Original Soundtrack)

Takeshi Furukawa

Film Soundtracks - Released May 23, 2023 | Sony Classical

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Parole Violator

Puscifer

Alternative & Indie - Released November 11, 2022 | Puscifer Entertainment

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Horizons

Jasmine Myra

Contemporary Jazz - Released July 15, 2022 | Gondwana Records

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Yellowstone (Original Television Series Soundtrack)

Brian Tyler

Film Soundtracks - Released August 17, 2018 | Sony Classical

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Deep Rivers

Paul Lay

Jazz - Released January 10, 2020 | Laborie Jazz

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Deep Rivers was originally born on stage, during the celebrations of the centenary of the arrival of jazz in Europe in 1918. The project eventually became an album, which Paul Lay anchored in a vast and eclectic repertoire of music, starting at the end of the 19th century and running all the way until the 20th century. Ragtime, American Civil War, slaves & plantations, the roaring 20s, from Broadway to Tin Pan Alley, from Scott Joplin to Nina Simone, all these different names and time periods, all these different heritages all come together and intersect on this project, creating a magnificent whole thanks to the talent of the arrangement by the Southern French musician. With the voice of Isabel Sörling and Simon Tailleu on the double bass, Paul Lay resurrects these themes of the past to construct a distinctly contemporary narrative. Along with the piano, the double bass and vocals, he adds according to each track: drums from Donald Kontomanou, trombone from Bastien Ballaz, trumpet from Quentin Ghomari and alto saxophone from Benjamin Dousteyssier. Listening to Deep Rivers is like rifling through a thick, richly illustrated history book. Thick but not dusty, however. A truly original way of presenting music which only goes to confirm Paul Lay’s multifaceted talent. © Marc Zisman/Qobuz
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d'Indy: Poème des Rivages & Symphony No. 1

Rumon Gamba

Symphonies - Released March 1, 2011 | Chandos

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Sail

Madis

Dance - Released April 29, 2022 | Spacebound Music

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Horizons

Parkway Drive

Alternative & Indie - Released October 6, 2007 | Epitaph

Strictly all-meat-no-filler metalcore, the second album by Australian outfit Parkway Drive is the sort of solidly efficient album that keeps terms like "solidly efficient" from sounding like faint praise. The five-piece led by singer Winston McCall, along with producer Adam Dutkiewicz (who between his ongoing tenure in Killswitch Engage and his side career as one of metalcore's most in-demand producers is turning into the style's equivalent of high-profile indie producer Chris Walla), keep the songs stripped down to bare essentials, right down to the largely under three-minute song lengths. Similarly, McCall's vocals avoid the more comical extremes of the traditional metalcore bark while maintaining a suitably aggressive presence, while the band's lockstep rhythm section (bassist Jia O'Connor and drummer Ben Gordon) and unison-riff specialist guitarists Jeff Ling and Luke Kilpatrick fire off each track with enough energy to compensate for the general sameness of approach. As a result, Horizons is strictly by the book metalcore, but delivered with enough talent and passion to put across a set of songs that might easily come off as samey and dull in less capable hands.© Stewart Mason /TiVo
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Hørizøns

Beyond The Black

Metal - Released June 19, 2020 | Napalm Records

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The Somberlain

Dissection

Metal - Released December 3, 1993 | Black Lodge Records

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Conditions Of My Parole

Puscifer

Alternative & Indie - Released October 18, 2011 | BMG Rights Management (US) LLC

A place for Tool and A Perfect Circle frontman Maynard James Keenan’s musical explorations, Puscifer is a project that, by its very nature, has that free association vibe around it. On his second album under the Puscifer moniker, Conditions of My Parole, Keenan continues to his unfettered explorations, seeing where a sound will take him without being tied down by the expectations that would be present if he released these songs with any of his other projects. A departure from the angst of Tool and the esoteric darkness of A Perfect Circle, the synth-heavy album has a more autumnal feeling about it, combining layers of electronic ambience and programmed drums with the singer's yearning vocals to create a kind of cold loneliness. It’s this isolated sound that Keenan thrives in, with his trademark vocals adding just the right amount of drama to the mix and acting as the glue that manages to hold everything together when the mood strikes him to drift into more aggressive territory on songs like “Toma” and “Conditions of My Parole.” While the album can, at times, feel unfocused, that’s also the point of a project like Puscifer, which allows us to take a look inside the mind of one of the most creative frontmen of the last 20 years. It’s this kind of access that leaves Conditions of My Parole with a lot to offer fans of Keenan; they’ll not only get a glimpse into the singer's creative process, but a fine piece of cold weather headphone music.© Gregory Heaney /TiVo
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Scream

Brian Tyler

Film Soundtracks - Released January 7, 2022 | Varese Sarabande

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The Orville: New Horizons

Various Artists

Film Soundtracks - Released April 7, 2023 | Hollywood Records

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Golden Hour

Jocelyn Gould

Jazz - Released June 17, 2022 | Jocelyn Gould Music

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Mino Cinelu

Mino Cinelu

World - Released January 1, 1999 | Universal Music Division Decca Records France

"He's not just a percussionist," seems to be the message Mino Cinelu is trying to convey on his eclectic first solo album after a lengthy career as an accompanist to jazz and pop stars. In that attempt, he steps out from his battery to sing, play guitars and flute, and to compose, arrange, program, and produce the music. The results range from the folk-rock feel of "Confians" to the South African flavor of "Chouval Boa" and the Latin sound of "See Yea - Salee Yea" (which will remind pop fans of Lionel Richie's "All Night Long (All Night)"). But it takes nothing away from Cinelu's varied abilities to say that he is really a percussionist writ large on this album, one who has a fondness for nature (wind in "Moun Madinina," crickets in "Shibumi Dunes (Silk Road)") and unusual drum sounds (the latter a definitional characteristic of percussionists). Therefore, your level of interest in the recording will depend on how fond you are of percussion. If, for example, you like Sting's more exotic recordings (Cinelu can be heard on ... Nothing Like the Sun and Brand New Day), but wish he would shut up so you could hear the drums, this is the record for you. More general music fans, however, may find the experience of listening to this album akin to the curious entertainment enjoyed by theater fans upon encountering Tom Stoppard's 1966 play Rosencrantz and Guildenstern Are Dead, which focuses on two minor characters in Hamlet; while it can be diverting, something seems to be missing.© William Ruhlmann /TiVo