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Our Extended Play

beabadoobee

Alternative & Indie - Released May 21, 2021 | Dirty Hit

Prior to Fake It Flowers, singles and EPs were Beabadoobee's bread and butter, and her way with short-form releases remains on Our Extended Play. It's also clear that she still loves the sounds of the '90s and is still reinventing them in ways that feel true to her. Though she recorded this EP with the 1975's Matty Healy and George Daniel, lead track "Last Day on Earth" is pure Beabadoobee in its mash-up of trip-hop beats, jangly guitars, and breathy vocals that call to mind Primitive Love Gods, Chapterhouse, and Donna Lewis at various moments. Recorded during the most isolated part of the COVID-19 pandemic lockdowns, it's a sunny look back -- and forward -- to better times shared with those near and dear. Beabadoobee sustains this mood throughout most of Our Extended Play, whether on "Animal Noises" or the twinkling finale "He Gets Me So High." She only hints at the range she showed on Fake It Flowers on "Cologne," a brief detour into moodier territory that's filled with complex feelings, crunchy beats, and a stinging guitar solo. Even if it's not quite as varied as Beabadoobee's debut album, Our Extended Play is still a welcome follow-up to Fake It Flowers' success. © Heather Phares /TiVo
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He Gets Me High

Dum Dum Girls

Alternative & Indie - Released March 4, 2011 | Sub Pop Records

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He Gets Me High

Tidal Volume

Rock - Released November 8, 2019 | Tidal Volume

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Diana Ross

Diana Ross

Soul - Released May 1, 1970 | Motown

Hi-Res Distinctions The Qobuz Ideal Discography
Her self-titled debut LP (later retitled Ain't No Mountain High Enough after the single became a hit) was arguably her finest solo work at Motown and perhaps her best ever; it was certainly among her most stunning. Everyone who doubted whether Diana Ross could sustain a career outside the Supremes found out immediately that she would be a star. The single "Reach Out and Touch (Somebody's Hand)" remains a staple in her shows, and is still her finest message track.© Ron Wynn /TiVo
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Diana Ross (Expanded Edition)

Diana Ross

Soul - Released January 1, 1976 | Motown

Distinctions The Qobuz Ideal Discography
Her self-titled debut LP (later retitled Ain't No Mountain High Enough after the single became a hit) was arguably her finest solo work at Motown and perhaps her best ever; it was certainly among her most stunning. Everyone who doubted whether Diana Ross could sustain a career outside the Supremes found out immediately that she would be a star. The single "Reach Out and Touch (Somebody's Hand)" remains a staple in her shows, and is still her finest message track.© Ron Wynn /TiVo
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That's How Rumors Get Started

Margo Price

Country - Released March 12, 2020 | Loma Vista

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Lots of Nashville songwriters rely on characters like those drifting through Margo Price's That's How Rumors Get Started. There's the delusional lover who sabotages his one steady relationship without even trying; the road dog who begins to see travel, once liberating, as a prison sentence; the couple locked in a dance of dysfunction they can't understand, summed up in couplets like "You were the footsteps, I was the floor."When Price tells their stories, what begins as cardboard-cutout generic is transformed into a disquieting, vivid, and sometimes messy experience. The people in songs like "Letting Me Down" and the title track sure do start out as "types," but as Price follows their everyday conflicts and responses to circumstance, nuances appear. Their profiles deepen. With this, her third full-length effort, she's refined a communication style that drops listeners beyond the narrative twists, to the yearnings below the meanings and the subtexts below that.Produced by Sturgill Simpson and featuring sparkling contributions from keyboardist Benmont Tench and drummer James Gadson, That's How Rumors Get Started is a marvel of writerly precision set against impulsive flailing and of steely craft blasted with headstrong vibe. The musical support is apt, tuned to the faint twinges of bitterness in the lyrics. Furthermore, the much-discussed pivot toward rock and roll is deftly executed—there are echoes of Tom Petty in the backbeats, glances in the direction of mid-'70s Eagles balladry, and even the twitchy '80s hits of Huey Lewis. Price uses those as touchstones, not templates; she could interpret these songs as country weepers or polkas and they'd retain their depth and resonance. That's one measure of a great song. There are a bunch of them here. © Tom Moon/Qobuz
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I Guess When You Get Drunk (He Looks Like Me)

Drayton Hughes

Country - Released February 25, 2017 | Drayton Hughes