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The Virtual Road – U2 Go Home: Live From Slane Castle Ireland EP

U2

Pop - Released March 17, 2021 | UMC (Universal Music Catalogue)

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Go to Sleep - EP

Tape Runs Out

Rock - Released August 4, 2016 | Tape Runs Out

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Light Go Out EP

Trevor Deep Jr

Miscellaneous - Released July 10, 2017 | We Play The Music We Love

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Kreepasaur Go Out & See Music Box EP

Kreepasaur

World - Released February 14, 2022 | KREEPASAUR RECORDS

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Lights Go Out EP

Ryno

House - Released December 3, 2021 | Serendipity Music Group

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When The Lights Go Out E.P.

Whoismarce

Techno - Released May 13, 2022 | Coded Platform

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Bat Out Of Hell

Meat Loaf

Rock - Released October 21, 1977 | Cleveland International - Epic - Legacy

Hi-Res Distinctions The Qobuz Ideal Discography
If grandiloquence could take the form of an album, it would undoubtedly arrive in the form of Bat Out Of Hell. It's a real sorcery that comes out of the hat of composer Jim Steinman and is served as an offering to us by a possessed Meat Loaf. An improbable anthology of "over the top" moments that have gone down in history. With forty three million units sold, Bat Out Of Hell is a unique experience, so much so that I'm sure many people remember where they were when they first heard it. From the pure orchestral moments on For Crying Out Loud (featuring the New York Philharmonic Orchestra), to the title track and its ten minutes of intensity that will make you shy away from any karaoke night (or not), it is a true moment in history that is offered to your ears. Paradise By The Dashboard Light, which sees Meat sharing the mic with Ellen Folley, is a lesson in execution and composition, never equalled in the vocalist's career and reason enough to listen to Bat Out Of Hell alone. Nor will we forget the apocalyptic last minutes of All Revved Up With No Place To Go, a rock manifesto that paves the way for the magnificent Heaven Can Wait or Two Out Of Three Ain't Bad: "You can't imagine how hard I had to work to sing this album in the studio, you can't imagine how much we had to give of ourselves to make this album authentic, in its humour and in all that it embodies. A lot of people realise that when they actually try it, and still they don't." Unique, funny, often misunderstood and always inspired, just like its singer, Bat Out Of Hell is reaching out to you. We already miss you Meat Loaf. Maxime Archambaud / Qobuz
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Little Queen

Heart

Pop/Rock - Released May 14, 1977 | Epic - Portrait

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After acquiring a substantial following with Dreamboat Annie, Heart solidified its niche in the hard rock and arena rock worlds with the equally impressive Little Queen. Once again, loud-and-proud, Led Zeppelin-influenced hard rock was the thing that brought Heart the most attention. But while "Barracuda" and "Kick It Out" are the type of sweaty rockers one thought of first when Heart's name was mentioned, hard rock by no means dominates this album. In fact, much of Little Queen consists of such folk-influenced, acoustic-oriented fare as "Treat Me Well" and "Cry to Me." Anyone doubting just how much Heart's ballads have changed over the years need only play "Dream of the Archer" next to a high-volume power ballad like "Wait for an Answer" from 1987's Bad Animals.© Alex Henderson /TiVo
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Bat Out Of Hell

Meat Loaf

Rock - Released October 21, 1977 | Cleveland International - Epic - Legacy

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If grandiloquence could take the form of an album, it would undoubtedly arrive in the form of Bat Out Of Hell. It's a real sorcery that comes out of the hat of composer Jim Steinman and is served as an offering to us by a possessed Meat Loaf. An improbable anthology of "over the top" moments that have gone down in history. With forty three million units sold, Bat Out Of Hell is a unique experience, so much so that I'm sure many people remember where they were when they first heard it. From the pure orchestral moments on For Crying Out Loud (featuring the New York Philharmonic Orchestra), to the title track and its ten minutes of intensity that will make you shy away from any karaoke night (or not), it is a true moment in history that is offered to your ears. Paradise By The Dashboard Light, which sees Meat sharing the mic with Ellen Folley, is a lesson in execution and composition, never equalled in the vocalist's career and reason enough to listen to Bat Out Of Hell alone. Nor will we forget the apocalyptic last minutes of All Revved Up With No Place To Go, a rock manifesto that paves the way for the magnificent Heaven Can Wait or Two Out Of Three Ain't Bad: "You can't imagine how hard I had to work to sing this album in the studio, you can't imagine how much we had to give of ourselves to make this album authentic, in its humour and in all that it embodies. A lot of people realise that when they actually try it, and still they don't." Unique, funny, often misunderstood and always inspired, just like its singer, Bat Out Of Hell is reaching out to you. We already miss you Meat Loaf. Maxime Archambaud / Qobuz
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Dying Is Your Latest Fashion

Escape The Fate

Rock - Released September 26, 2006 | Epitaph

Just as with their spring 2006 EP There's No Sympathy for the Dead, the problem with Escape the Fate isn't that they are poor musicians or lack the energy to command attention for an entire album's worth of songs. On Dying Is Your Latest Fashion, the Vegas quintet is actually quite competent in the emo vein of post-hardcore that they reside in, providing all of the emotional singing versus throaty growling and winding guitar lines versus hardcore breakdowns necessary. The pummeling drumbeats never falter (except in the obligatory acoustic closer, the bitter "The Day I Left the Womb"), and the band's collective love of metal is always lingering somewhere in the background. Escape the Fate do it up with enough piss, vinegar, and melodic hooks to spare, the mosh pit sure to swell and explode at the mere opening notes of their sets. It's just that every song sounds exactly like something From First to Last, the Used, or a more abrasive My Chemical Romance have written, could write, or will probably write in the future. The lyrics are nothing to fawn over, as the band addresses love and loss through standard-issue blood-soaked imagery of guillotines, corpses, red lipstick, and darkness, which all coalesce into a pool of death, heartache, and cliché. So sure, vocalist Ronnie Radke (who was actually kicked out of the band just prior to this record's release) may sound like he means each impassioned line -- but should listeners even care what he's saying? Some absolutely will -- like fans of every eye-linered band Victory Records puts out -- and for them, Escape the Fate deliver the goods sealed with a tough, fashionable sneer. But ultimately for the rest, the music just can't escape its own trendiness, an aggravating feeling of "here today, gone tomorrow" close at hand. Next please.© Corey Apar /TiVo
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The Hits

REO Speedwagon

Pop/Rock - Released May 18, 1988 | Epic

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The Ballad of Dood & Juanita

Sturgill Simpson

Country - Released August 20, 2021 | High Top Mountain Records

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Sturgill Simpson loves a curveball. He's excelled at Americana, country soul, covers of Nirvana and When In Rome's "The Promise," traditional bluegrass and a whole record of ZZ Top-style heavy rock. He's been nominated for both Best Country Album and Best Rock Album by the Grammys. He sounds, and acts, like an outlaw—hell, sometimes he sounds just like Waylon Jennings—but rejects that label. So it should be no surprise that his seventh studio album is such a surprise. It's not an ode to old-time mountain music. It is old-time mountain music, and bluegrass, tent-revival gospel and country from the Carter Family up to Johnny Cash. The Ballad of Dood & Juanita is like a movie, telling a (tall?) tale of Simpson's real-life grandparents. (That's the singer's late "Pawpaw," Lawrence "Dood" Fraley’s drawl you hear opening 2014’s Metamodern Sounds in Country Music.) It starts out with a character sketch set to a musket shot-riddled march: "[Dood] was a mighty mountain man, [Juanita] was his one true love." We learn that Dood was "harder than the nails hammered Jesus' hands" but Juanita tamed his heart. Then she was kidnapped by a bandit, prompting Dood to set off with his mule and dog ("One in the Saddle, One on the Ground"). There are odes to the mule (the Cash-like "Shamrock") and dog ("Sam" and its heart-wrenching gospel a cappella). Poor, pitiful Dood suffers insult to injury when Sam dies while they're searching for his wife ("Played Out")—who then shows up in dream form for the Spanish-flavored "Juanita," appealingly Marty Robbins-eque with what sounds like castanets and maraca. Hallelujah, Juanita is rescued, and so is Dood, thanks to a wise tribe of Cherokee, plus some Stanley Brothers harmonies and a slow-train harmonica howl. Perhaps a spoiler warning should've come a dozen times by now, but Dood exacts his revenge on the evil bandit by the end. Even for all that, it doesn't pack the emotional wallop of an old Simpson song like "Welcome to Earth (Pollywog)" but it's an interesting concept and a loving tribute, and much more than just novelty. © Shelly Ridenour/Qobuz
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Unstoppable Momentum

Joe Satriani

Rock - Released May 3, 2013 | Epic

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Hats

The Blue Nile

Rock - Released October 16, 1989 | Epstein Records

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Lights...Camera...Revolution

Suicidal Tendencies

Hard Rock - Released June 1, 1990 | Epic

After recording some definite gems in the late '80s, Suicidal Tendencies triumphantly entered the '90s with one of its best albums ever, the commanding Lights...Camera...Revolution! Not since the mid-'80s had the L.A. band sounded this confident, focused and inspired. "You Can't Bring Me Down" and the Motörhead-ish "Get Whacked" demonstrate just how much fun Suicidal can be, but most of all, the metal-oriented album is dark, angry, and troubling. The Angelenos already commanded an incredibly devoted following, and powerful offerings like "Send Me Money" (a gut-level, brutally honest attack on television evangelists), "Give It Revolution," and the dark-humored "Disco's Out, Murder's In" brought even more listeners aboard. This is a disc that no Suicidal fan should be without.© Alex Henderson /TiVo
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Lights...Camera...Revolution

Suicidal Tendencies

Pop - Released June 1, 1990 | Epic

After recording some definite gems in the late '80s, Suicidal Tendencies triumphantly entered the '90s with one of its best albums ever, the commanding Lights...Camera...Revolution! Not since the mid-'80s had the L.A. band sounded this confident, focused and inspired. "You Can't Bring Me Down" and the Motörhead-ish "Get Whacked" demonstrate just how much fun Suicidal can be, but most of all, the metal-oriented album is dark, angry, and troubling. The Angelenos already commanded an incredibly devoted following, and powerful offerings like "Send Me Money" (a gut-level, brutally honest attack on television evangelists), "Give It Revolution," and the dark-humored "Disco's Out, Murder's In" brought even more listeners aboard. This is a disc that no Suicidal fan should be without.© Alex Henderson /TiVo
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Ciara

Ciara

R&B - Released July 5, 2013 | Epic

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GROOVE FAMILY CYCO

Infectious Grooves

Pop/Rock - Released March 29, 1994 | BHG Musick - 550 Music - Epic

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Fate's Right Hand

Rodney Crowell

Country - Released January 1, 2003 | DMZ - Epic

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Jazz Selections: Music From and Inspired by Soul

Jon Batiste

Film Soundtracks - Released September 24, 2021 | Walt Disney Records