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Dear Agony

Breaking Benjamin

Rock - Released January 1, 2009 | Hollywood Records

Breaking Benjamin's fourth foray into the crowded waters of early 21st century alternative metal/post-grunge feels a lot like their first three. That's good news for longtime fans of the brooding Pennsylvania quartet. Front-loaded with the singles "Fade Away" and "I Will Not Bow" (the latter was featured in the Bruce Willis sci-fi film Surrogates), Dear Agony feels like a well-oiled machine, and producer David Bendeth, whose immaculate touch helped 2006's Phobia sell 131,000 copies in its first week, conjures much of the same magic here.© James Christopher Monger /TiVo
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Fabiana Palladino

Fabiana Palladino

Pop - Released April 5, 2024 | Paul Institute

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Metamorphoses

Jean Michel Jarre

Techno - Released February 1, 2000 | Sony Music Catalog

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The title gave us fair warning, but the world wasn't ready. In the year 2000, three years after he gave us a follow-up to his masterpiece Oxygène, Jean-Michel Jarre, now basking in the glory of a gigantic concert in Moscow's Red Square, brought out Métamorphose, which stunned fans because it contained vocals! The record opens with a collaboration with American singer Laurie Anderson, Je me souviens, over an Eighties electro instrumental, before Natacha Atlas comes in for the next piece. On C’est la vie, the diva of Transglobal Underground does what she does best, with her Near-Eastern vocal sallies, which producer Joachim Garraud, matches with percussion from the same climes, and trancey beats and keyboards with a slightly kitsch effect. Next up, Rendez-vous à Paris, in the hypnotic voice of Jarre himself, filtered through a vocoder against a glitchy, aquatic background, and accompanied by the Irish violinist Sharon Corr of the Corrs; Bells, one of the only completely instrumental tracks, while Tout est bleu and its techno beat marks a little departure from good taste. Despite a fine cast list, the record, which would not win the expected commercial success, was simply not understood by Jean-Michel Jarre's hardcore fans. Twenty years on, perhaps they'll give it another chance. © Smaël Bouaici/Qobuz 
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Steady

Lucky Wüthrich

Blues - Released December 10, 2021 | Funk House Blues Productions

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Transit Of Venus

Three Days Grace

Rock - Released October 2, 2012 | RCA Records Label

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Give Me a Sign

Lovebirds

House - Released December 5, 2014 | Teardrop Recordings

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Friends

White Lies

Alternative & Indie - Released October 7, 2016 | BMG Rights Management (US) LLC

Since their debut, 2009's impressive To Lose My Life..., Britain's White Lies have stayed remarkably true to their crisply delivered brand of brooding, emotive post-punk. Centered on the yearning croon of lead singer/guitarist Harry McVeigh, White Lies also feature bassist Charles Cave and drummer Jack Lawrence-Brown. Together, they craft an undeniably attractive sound that matches hooky choruses and poetic lyrics with a moody, bass-heavy sound that owes a large debt to '80s icons like Joy Division and The Teardrop Explodes. Subsequent albums, like 2013's Big TV, found them fleshing out their arrangements with shimmering orchestral synths and electronic flourishes. With their fourth studio album, 2016's Friends, the band continues to hew closely to its gray-scale aesthetics, albeit with a nuanced sophistication and brighter melodic palette that sounds like something you'd encounter on college rock radio in the early '80s. Largely self-produced, Friends sounds a lot like the band's past work, full of propulsive Peter Hook-influenced basslines, edgy, kinetic electric guitars, driving beats, and synthesizers that frame McVeigh's burnished baritone hue in a halo of neon sparkle. Cuts like "Take It Out on Me," "Morning in LA," and the Richard Wilkinson-produced "Come On" are soaring anthems that balance gothy gravitas with an uplifting, romantic pop euphoria. Similarly, tracks like "Hold Back Your Love" and "Is My Love Enough?" bring to mind something along the lines of a Scott Walker album as produced by Giorgio Moroder. Ultimately, Friends is a focused, clear-eyed album that finds White Lies trading some of the sprawling ambition of Big TV for the infectious pop urgency of their debut.© Matt Collar /TiVo
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Marriage

Deap Vally

Rock - Released November 19, 2021 | Cooking Vinyl Limited

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Ofra Haza

Ofra Haza

Pop/Rock - Released December 1, 1996 | Ariola

The final disc from Israeli diva Ofra Haza, recorded in 1997, prior to her too early death from AIDS-related complications, showcases her multifaceted pop styles. It might be more mainstream than her earlier work, but it expands her horizons, and the powerful opener, "Show Me," harks back to that work with Middle Eastern instruments. "Im Nin Alu 2000" updates her best-known piece, although the major change from the original is just a pounding bass synth that powers the tune along. "Give Me a Sign" is sung in English, with a French spoken word interlude, with echoes of overblown Sarah Brightman to the arrangement and performance (which is also unfortunately true of "Sixth Sense," where the idea works better). Musically, "You" is gloriously atmospheric, from the eerie cello to Haza's haunted vocal. The cover of Carole King's "You Got a Friend" works perhaps better than it should, with a very heartfelt performance. Looking in retrospect, "One Day" makes for a poignant ending to the disc. While there's perhaps too great a reliance on keyboard and orchestra, the record rises above all that, and shows the singer Haza would probably have become, had time allowed. The sadness is that she didn't achieve the greater international acclaim her talent warranted, but this stands as a wonderful swan song.© Chris Nickson /TiVo
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Year Of The Dog...Again (Explicit)

DMX

Hip-Hop/Rap - Released July 28, 2006 | Sony Urban Music - Columbia

DMX released his sixth album three weeks after the first episode of his BET reality program, DMX: Soul of a Man. If the first five albums and the string of well-publicized run-ins with the law didn't make it obvious that the man is a live wire of nerves and predictable unpredictability, the program exacerbated his larger-than-life persona while also making him seem more human. As for Year of the Dog...Again? It's more of the same old, same old: a lot of anger, torment, and put-downs over rallying and drama-filled productions from Swizz Beatz, Dame Grease, Scott Storch, and a handful of others. The status quo from track to track is as fatiguing here as it was on The Great Depression and, as usual, the targets of DMX's barbs and the specifics of his troubles are often vague -- it's possible he assumes the listener either tracks his every breath or will relate if the lyrics are open-ended, but it's even more likely that he's venting in an uncalculated way. The low point of the album is "Baby Motha," where he complains about being stuck with a woman (because they had a kid together) he doesn't like and then rails against the same woman (?) who has the audacity to split (with their kid) when things get tough -- so, regardless of what happens, he is screwed, and he even gets Janyce to sing one of the most self-flagellating hooks imaginable. With little to differentiate it from his past work, and with his life seeming more like an unbreakable cycle than a journey, the album will be of lasting value only to those who can't get enough of the MC's unflinching outrageousness. That said, it's hard to disregard him completely when he comes up with compelling tracks like "Lord Give Me a Sign" and remains powerful enough to drown out Swizz Beatz's interjections on juiced tracks like "We in Here" and "Come Thru (Move)."© Andy Kellman /TiVo
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Feeling You

David Marston

Disco - Released March 29, 2019 | Kindness of Bearer Recordings

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Just be yourself

Freddy Miller

Blues - Released November 18, 2023 | 1000'R PRODUCTIONS

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Recovery

Quando Rondo

Hip-Hop/Rap - Released March 24, 2023 | Quando Rondo, LLC - Never Broke Again, LLC - Atlantic

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Lord Give Me A Sign

DMX

Pop - Released July 7, 2006 | Sony Urban Music - Columbia

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Lord Give Me A Sign

DMX

Pop - Released June 6, 2006 | Sony Urban Music - Columbia

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Give Me a Sign

Deap Vally

Rock - Released May 13, 2022 | Cooking Vinyl Limited

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Give Me A Sign (Breaking Benjamin Cover, Etc)

Gavin Mikhail

Pop - Released December 14, 2011 | Tower Window Records, Inc.

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Lord Give Me A Sign

DMX

Pop - Released July 21, 2006 | Sony Urban Music - Columbia

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Lord Give Me a Sign

DMX

Hip-Hop/Rap - Released June 1, 2006 | Columbia

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Give Me a Sign

seatime

House - Released September 16, 2022 | We Are Diamond