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Les Chansons Perdues
Mick Est Tout Seul
Rock - Released March 9, 2007 | Parlophone (France)
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Les Miroirs De Ma Vie
Serge Lama
French Music - Released January 21, 2002 | Universal Music Division Mercury Records
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Puisi Pinjam Dulu Seratus
Desu W Damanik
Pop - Released November 21, 2023 | Desu W Damanik
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Kevin Puts: Marimba Concerto, The City & Oboe Concerto No. 2 "Moonlight"
Ji Su Jung
Classical - Released February 24, 2023 | Naxos
Booklet
Composer Kevin Puts has become quite popular, writing broadly tonal but never derivative works, including a widely performed opera, Silent Night, about the so-called Christmas Truce during World War I. His style is quite congenial to the conducting of Marin Alsop, and this album would make an ideal place to start with his instrumental music. The standout work is the Marimba Concerto that leads off the program. Puts points out that this was an early work from his student years, and it is true that the Oboe Concerto at the end is more complex structurally. However, composers often sell themselves short, and so it is here; the orchestral tutti are beautifully integrated with the marimba in the work. Of course, part of the success may be due to the fluent and often lyrical performance by Ji Su Jung on the marimba; Jung is the only percussionist ever to have received an Avery Fisher Career Grant, and one awaits with excitement what she will be able to do with her instrument. The Oboe Concerto is a seriously virtuosic work, handled confidently by soloist Katherine Needleman. The City is part of a long history of works evoking urban landscapes but is perhaps less intense than most; sample and decide. The energy never flags in Alsop's performances here, and she is definitely the conductor one wants for this recording of music by an increasingly major composer.© James Manheim /TiVo
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Olympia 2003
Enrico Macias
World - Released January 1, 2004 | Universal Music Division Label Panthéon
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Bicho Mau
Delfim Júnior & Ympério Show
Musical Theatre - Released March 1, 2022 | País Real Edições
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(Tenor Sax and Trumpet Solos) Music for Relaxing Pups
Dog Therapy Music
Jazz - Released September 1, 2021 | New York City Jingles
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Boca Aberta
Delfim Júnior & Ympério Show
Musical Theatre - Released January 1, 2023 | País Real Edições
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Defensa Personal (feat. Guido Iacopetti, Martín González Puig & Juan Finger)
Super Soccer
Funk - Released February 19, 2021 | Super Soccer
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Delfim Junior & Ympério Show
Delfim Júnior & Ympério Show
Pop - Released April 1, 2023 | País Real Edições
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Afinal Quem Manda Aqui !
Delfim Júnior & Ympério Show
Musical Theatre - Released June 1, 2021 | País Real Edições
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Astor Fast Food (feat. Martín González Puig, Juan Finger & Nicolás Tognola)
Super Soccer
Funk - Released February 20, 2021 | Super Soccer
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We Puts It Down! (feat. David Branch, Jermeka Danyelle (Williams) & La' Sha' Juan Davis)
Joseph Mekael Page
Miscellaneous - Released December 19, 2022 | 3277969 Records DK
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Cupido Mintió (with Peis & Reverse)
Juan Castelli Records
Hip-Hop/Rap - Released December 17, 2019 | Juan Castelli Records
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In Too Much Too Soon
New York Dolls
Rock - Released January 1, 1974 | Mercury Records
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After the clatter of their first album failed to bring them a wide audience, the New York Dolls hired producer Shadow Morton to work on the follow-up, Too Much Too Soon. The differences are apparent right from the start of the ferocious opener, "Babylon." Not only are the guitars cleaner, but the mix is dominated by waves of studio sound effects and female backing vocals. Ironically, instead of making the Dolls sound safer, all the added frills emphasize their gleeful sleaziness and reckless sound. The Dolls sound on the verge of falling apart throughout the album, as Johnny Thunders and Syl Sylvain relentlessly trade buzz-saw riffs while David Johansen sings, shouts, and sashays on top of the racket. Band originals -- including the bluesy raver "It's Too Late," the noisy girl-group pop of "Puss N' Boots," and the Thunders showcase "Chatterbox" -- are rounded out by obscure R&B and rock & roll covers tailor-made for the group. Johansen vamps throughout Leiber & Stoller's "Bad Detective," Archie Bell's "(There's Gonna Be A) Showdown," the Cadets "Stranded in the Jungle," and Sonny Boy Williamson's "Don't Start Me Talkin'," yet it's with grit and affection -- he really means it, man! The whole record collapses with the scathing "Human Being," on which a bunch of cross-dressing misfits defiantly declare that it's OK that they want too many things, 'cause they're human beings, just like you and me. Three years later, the Sex Pistols failed to come up with anything as musically visceral and dangerous. Perhaps that's why the Dolls never found their audience in the early '70s: Not only were they punk rock before punk rock was cool, but they remained weirder and more idiosyncratic than any of the bands that followed. And they rocked harder, too.© Stephen Thomas Erlewine /TiVo
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Kevin Puts : To Touch the Sky - If I Were a Swan - Symphony No. 4
Marin Alsop
Symphonic Music - Released September 10, 2013 | harmonia mundi
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Booklet
Michigan-raised composer Kevin Puts has been touted as a successor to John Corigliano, as a composer whose music is tonal and accessible, but reflects the values of serious composition. This release of his music by the major Harmonia Mundi USA label should come as welcome news to his supporters, and those curious about his music after his 2012 reception of the Pulitzer Prize for music may find it an attractive sampler (it consists of two separate performances of Puts' music, recorded in different places and different times). The two a cappella choral works, If I Were a Swan and To Touch the Sky, are both set to poetry by women; the latter work is a collection of poems from various times and places touching loosely on the "divine feminine." Whether the specificities of these poems can be subsumed so broadly is open to debate, but Puts' style is undeniably attractive. He uses pedal points to anchor the sound, building stacks of harmony around and above them; with the pedal in the background, these can be very closely shaded to reflect ideas in the text, and the overall effect is quite persuasive. The work of the Texas vocal group Conspirare is impressive, and they are very clearly recorded in an Austin church that until now has not been known as an audiophile venue; this is impressive work all around. The other half of the program is not quite as successful and somehow fails to make a satisfying whole when combined with the choral works; the Symphony No. 4 ("From Mission San Juan") is said to be based on Native American musical materials from the area of the mission in California that commissioned the work. The symphony, performed by the Baltimore Symphony Orchestra and its indefatigable conductor, Marin Alsop, features a sort of jockeying between these materials and the hymn tunes of white colonizers, but it is questionable whether anyone other than a well-briefed listener would extract the program successfully. Still, on the strength of the choral pieces here, the forecasts about Puts seem to be coming true.
© TiVo
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In Too Much Too Soon
New York Dolls
Rock - Released January 1, 1974 | Hip-O Select
After the clatter of their first album failed to bring them a wide audience, the New York Dolls hired producer Shadow Morton to work on the follow-up, Too Much Too Soon. The differences are apparent right from the start of the ferocious opener, "Babylon." Not only are the guitars cleaner, but the mix is dominated by waves of studio sound effects and female backing vocals. Ironically, instead of making the Dolls sound safer, all the added frills emphasize their gleeful sleaziness and reckless sound. The Dolls sound on the verge of falling apart throughout the album, as Johnny Thunders and Syl Sylvain relentlessly trade buzz-saw riffs while David Johansen sings, shouts, and sashays on top of the racket. Band originals -- including the bluesy raver "It's Too Late," the noisy girl-group pop of "Puss N' Boots," and the Thunders showcase "Chatterbox" -- are rounded out by obscure R&B and rock & roll covers tailor-made for the group. Johansen vamps throughout Leiber & Stoller's "Bad Detective," Archie Bell's "(There's Gonna Be A) Showdown," the Cadets "Stranded in the Jungle," and Sonny Boy Williamson's "Don't Start Me Talkin'," yet it's with grit and affection -- he really means it, man! The whole record collapses with the scathing "Human Being," on which a bunch of cross-dressing misfits defiantly declare that it's OK that they want too many things, 'cause they're human beings, just like you and me. Three years later, the Sex Pistols failed to come up with anything as musically visceral and dangerous. Perhaps that's why the Dolls never found their audience in the early '70s: Not only were they punk rock before punk rock was cool, but they remained weirder and more idiosyncratic than any of the bands that followed. And they rocked harder, too.
© Stephen Thomas Erlewine /TiVo
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