On her 2011 Mercury-nominated debut, bewitching, guitar-slinging Brit Anna Calvi delivered enough atmosphere to terraform her own planet. Elegant and poised, yet undeniably coiled and ready to strike at the first sign of a threat, songs like "Desire," "Suzanne & I," and "Blackout" sounded like a radio caught between Roy Orbison's "Crying" and PJ Harvey's "Man-Sized." One Breath, her intoxicating sophomore outing, picks right up where her eponymous first impression left off, offering up a pair of fevered, reverb-drenched, bordello-rock gems in "Suddenly" and "Eliza," before shifting gears with the icy and elliptical "Piece by Piece," one of several tracks that owe more than a cursory nod to the punchy, overcast minimalism of late-period Scott Walker. Calvi's more comfortable with pushing the envelope this time around, and One Breath feels like the work of an artist who has been given (or has at least given herself) carte blanche. Songs like "Cry," with its explosive blasts of Carlos Alomar-borne feedback, the hypnotic "Bleed into Me," which sounds like Jeff Buckley taking on King Crimson's "Matte Kudasai," and the nervy, incredibly intimate title track, may mine different areas of the sonic map, but they remain firmly entrenched in the ever-expanding Anna Calvi universe. Having eschewed much of the cavernous chamber pop of her debut for more challenging yet no less rewarding fare, Calvi's less adventurous fans may find themselves at a loss as to how to process it all, but there's something both immaculate and broken about One Breath that ultimately transcends its more difficult moments. © James Christopher Monger /TiVo

Here it is...finally. One Day as a Lion are Zack de la Rocha, lead vocalist (and current as of July 2008) for Rage Against the Machine, and Jon Theodore, former drummer with the Mars Volta. De la Rocha and Theodore have been reportedly working on this project since 2006. The end result is a volatile mix of rhythm, noise, and radical poetry. De la Rocha is no stranger to the great political poets; his brand of rapping and freestyling has always been saturated with their influence as well as his own constantly evolving political thought. Many of these writers are cited in the set's acknowledgements -- Jimmy Santiago Baca, Amiri Baraka, Sonia Sanchez, and Junot Diaz, to name just four. The name of the band comes from a near mythic photograph by the great George Rodriguez published in 1970: "It's better to live one day as a lion, than a thousand years as a lamb." The slogan is a tag centered in a frame on a white wall in Boyle Heights. Knowing this, you might believe you have an idea of what these songs are about, but you'd be wrong; you only think you do. Yes, these five songs, clocking in at just over 20 minutes, are an intense racket of sociopolitical noise. Theodore's drums add the taut, tightly wound pulse of the lion, the phrase, the breath, the heart of the sound, while de la Rocha's keyboards blurt, pulse, and skronk a post-9/11 warning siren throughout. Some nonsense has been made of this entire project being influenced by Led Zeppelin -- that seems to be the thing to write in 2008. Truth is, one track, "Ocean View," touches on Zep's mighty tune "The Ocean" in the melody of its refrain, but its lyrical content is in stark, even violent contrast to the former hard rock heroes as de la Rocha spits atop some mighty organic beats and squalling synths: "...Oceans of tears now rise aflame to tear them down/Oceans of past crimes now fill our hearts to tear them down...." It's poetry, it's political, it's mysterious -- until you sit down and let this killer track knock you flat on your back with its rage, power, and knowledge of reckoning. The rest you are going to have to check out, save to say that all five of these cuts are essential, pure kinetic anger motivated by love for people (to paraphrase Che Guevara). This is a five-cut call to arms. No matter what ultimately happened with One Day as a Lion, we now have this document, perfect in its short sparking length and raucous in its truth. Twenty minutes? How long was the first Sex Pistols album, 30 with some filler? How long was Grandmaster Flash's "The Message"? Eight? There isn't any filler here; it's all the aural ignition of a gasoline bomb going off in your ears.© Thom Jurek /TiVo