A classical orchestra playing the label’s classic hits. That’s how Pedro Winter, the founder of Ed Banger, chose to celebrate the label’s 15th anniversary. After a unique concert on March 31, 2018 at Le Grand Rex in Paris with the Orchestre Lamoureux, conducted by Thomas Roussel, the 27 tracks on the setlist were re-recorded identically for this anniversary record, which reminds us that the French label has produced a considerable number of hits. First up, we have three funky tracks by Breakbot, where the virtuoso pianist Gaël Rakotondrabe (collaborator of CocoRosie and Woodkid) and the 70 musicians perform the songs with palpable enjoyment – clearly they don’t often get the chance to play disco! Next up is Cassius and his hit I

Seemingly influenced just as much by Daft Punk's work ethic as their musical M.O., the hard-partying gallic hordes at Ed Banger records may be capable of some massively adrenalized, barnstorming electro-house, but they're sure in no hurry about it. In 2011, four years after Justice's watershed debut album, a follow-up from that label flagship was only beginning to appear on the horizon (see also Germany's like-minded Digitalism); meanwhile, the shadowy SebastiAn, who'd been issuing singles (and at least one compilation's worth of remixes) on Ed Banger since 2005, was just getting around to his first full-length. At least he took the "full" part seriously enough: Total boasts a staggering 22 tracks. True, a third of them are brief, spurt-like interludes under a minute long, and SebastiAn could theoretically have crammed almost another half-hour of music on here, but anybody not ready to cry for mercy after 50 minutes is made of steely stuff indeed. The experience is a bit like somebody scanning slowly across a radio dial, catching snatches of classic rock, soul, disco, funk, punk, metal, and even classical music (check the harpsichord trills on the delectable, too-short "Tetra," produced with Justice's Gaspard Auge), all with the equalizer settings permanently stuck on hyper-compressed bombast, and occasionally lingering on the static between stations just for the sheer agony and ecstasy of it all. Especially with the interludes ensuring a total dearth of silence between tracks, Total can feel pretty monolithic, and certainly, nothing here strays too far from the sort of scuzzy, overdriven, body-slamming rock-techno that's pretty much synonymous with Ed Banger, but there are some intriguing diversions along the way. Lead single "Embody" is a smooth, strutting, electro-R&B confection boasting woozily crooned talk-box vocals, and several other stand-outs feature a similarly soulful vibe, including the atypically breezy lounge-pop cut-up "Arabest" and the swaggering paisley chug of "Love in Motion" (featuring retro-soulster Mayer Hawthorne in a vocal performance so processed and mixed-down it might as well be a sample.) Elsewhere, Total cleaves to SebastiAn's more familiar, trashy, glitch-funk maximalism, including a few retooled old singles (the name-making 2006 spazzfest "Ross Ross Ross," the petulant whine and grind of "Motor") and a few similarly styled new productions. The most brutal barrages, though, come with "Doggg"'s screamo-disco and the fairly tepid electro-punk M.I.A. collabo "C.T.F.O." ("chill the fuck out," ironically enough.) Whether you'll want to cherry-pick favorites or wade through the whole unwieldy mess may depend on context (and your personal level of tolerance), but there's no denying that, a half-decade late or not, SebastiAn has delivered.© K. Ross Hoffman /TiVo

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