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L'Ecole du micro d'argent
Iam
Hip-Hop/Rap - Released January 1, 1997 | Parlophone (France)
Distinctions
The Qobuz Ideal Discography
This album is one of the cornerstones of French hip-hop music. Its release was a major act for IAM as they finally found a sound to match the quality of their lyrics, as well as for French hip-hop, confirming the fact that rap has a lot of followers in the Hexagon. Like their peers from the suburbs of Paris, NTM, IAM went to New York to instigate the production of this album, seeking for the essence of the sound one can only find in the Big Apple (their previous album was also cut in N.Y.). They teamed with Prince Charles Alexander, the mixer and engineer who worked a lot for Bad Boy Records. They even got close to the Wu-Tang realm through Sunz of Man members on "La Saga." The sound has definitely changed from the previous albums: at first putting themselves in the Egyptian tradition (look at their names), they now have found the musical depth they deserve as ones of the few best lyricists of France. Definitely influenced by the Wu-Tang soundscapes, the opening track is the story of the battle between their school, from the silver mic, against the wooden mic school, in a Bushido style. Too bad that non-French speaking listeners won't get the lyrics; they cannot appreciate the quintessence of IAM's style. However, most of the album sticks to the traditional approach of storytelling, as it covers the city life in its darkness: little brothers that want to grow too fast and be the new caïd ("Petit Frère"), money hungry women who have sex without giving their names, the difficulties to have a similar chance and destiny than a boy growing up in the well-off (about equality of chances) and much more. Not many subjects of relief here, we only breathe thanks to the banging instrumentals and phrasing of the MCs. IAM takes the time to raise questions we don't want to hear, and stories we don't want to remember. This album is just hip-hop as its best: quality of the production with skilled lyricists in top form. This would just be one of you first "must-have" purchase if you plan to approach French rap music.© Vincent Latz /TiVo
L'école Du Micro D'argent
Iam
Hip-Hop/Rap - Released January 1, 1997 | Parlophone (France)
Distinctions
The Qobuz Ideal Discography
Download not available
This album is one of the cornerstones of French hip-hop music. Its release was a major act for IAM as they finally found a sound to match the quality of their lyrics, as well as for French hip-hop, confirming the fact that rap has a lot of followers in the Hexagon. Like their peers from the suburbs of Paris, NTM, IAM went to New York to instigate the production of this album, seeking for the essence of the sound one can only find in the Big Apple (their previous album was also cut in N.Y.). They teamed with Prince Charles Alexander, the mixer and engineer who worked a lot for Bad Boy Records. They even got close to the Wu-Tang realm through Sunz of Man members on "La Saga." The sound has definitely changed from the previous albums: at first putting themselves in the Egyptian tradition (look at their names), they now have found the musical depth they deserve as ones of the few best lyricists of France. Definitely influenced by the Wu-Tang soundscapes, the opening track is the story of the battle between their school, from the silver mic, against the wooden mic school, in a Bushido style. Too bad that non-French speaking listeners won't get the lyrics; they cannot appreciate the quintessence of IAM's style. However, most of the album sticks to the traditional approach of storytelling, as it covers the city life in its darkness: little brothers that want to grow too fast and be the new caïd ("Petit Frère"), money hungry women who have sex without giving their names, the difficulties to have a similar chance and destiny than a boy growing up in the well-off (about equality of chances) and much more. Not many subjects of relief here, we only breathe thanks to the banging instrumentals and phrasing of the MCs. IAM takes the time to raise questions we don't want to hear, and stories we don't want to remember. This album is just hip-hop as its best: quality of the production with skilled lyricists in top form. This would just be one of you first "must-have" purchase if you plan to approach French rap music.© Vincent Latz /TiVo
This album is one of the cornerstones of French hip-hop music. Its release was a major act for IAM as they finally found a sound to match the quality of their lyrics, as well as for French hip-hop, confirming the fact that rap has a lot of followers in the Hexagon. Like their peers from the suburbs of Paris, NTM, IAM went to New York to instigate the production of this album, seeking for the essence of the sound one can only find in the Big Apple (their previous album was also cut in N.Y.). They teamed with Prince Charles Alexander, the mixer and engineer who worked a lot for Bad Boy Records. They even got close to the Wu-Tang realm through Sunz of Man members on "La Saga." The sound has definitely changed from the previous albums: at first putting themselves in the Egyptian tradition (look at their names), they now have found the musical depth they deserve as ones of the few best lyricists of France. Definitely influenced by the Wu-Tang soundscapes, the opening track is the story of the battle between their school, from the silver mic, against the wooden mic school, in a Bushido style. Too bad that non-French speaking listeners won't get the lyrics; they cannot appreciate the quintessence of IAM's style. However, most of the album sticks to the traditional approach of storytelling, as it covers the city life in its darkness: little brothers that want to grow too fast and be the new caïd ("Petit Frère"), money hungry women who have sex without giving their names, the difficulties to have a similar chance and destiny than a boy growing up in the well-off (about equality of chances) and much more. Not many subjects of relief here, we only breathe thanks to the banging instrumentals and phrasing of the MCs. IAM takes the time to raise questions we don't want to hear, and stories we don't want to remember. This album is just hip-hop as its best: quality of the production with skilled lyricists in top form. This would just be one of you first "must-have" purchase if you plan to approach French rap music.© Vincent Latz /TiVo
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Au revoir et merci
Chanson Plus Bifluorée
French Music - Released November 12, 2021 | EPM Musique
L'ecole Du Micro D'argent
Iam
Hip-Hop/Rap - Released January 1, 1997 | Parlophone (France)
Download not available
This album is one of the cornerstones of French hip-hop music. Its release was a major act for IAM as they finally found a sound to match the quality of their lyrics, as well as for French hip-hop, confirming the fact that rap has a lot of followers in the Hexagon. Like their peers from the suburbs of Paris, NTM, IAM went to New York to instigate the production of this album, seeking for the essence of the sound one can only find in the Big Apple (their previous album was also cut in N.Y.). They teamed with Prince Charles Alexander, the mixer and engineer who worked a lot for Bad Boy Records. They even got close to the Wu-Tang realm through Sunz of Man members on "La Saga." The sound has definitely changed from the previous albums: at first putting themselves in the Egyptian tradition (look at their names), they now have found the musical depth they deserve as ones of the few best lyricists of France. Definitely influenced by the Wu-Tang soundscapes, the opening track is the story of the battle between their school, from the silver mic, against the wooden mic school, in a Bushido style. Too bad that non-French speaking listeners won't get the lyrics; they cannot appreciate the quintessence of IAM's style. However, most of the album sticks to the traditional approach of storytelling, as it covers the city life in its darkness: little brothers that want to grow too fast and be the new caïd ("Petit Frère"), money hungry women who have sex without giving their names, the difficulties to have a similar chance and destiny than a boy growing up in the well-off (about equality of chances) and much more. Not many subjects of relief here, we only breathe thanks to the banging instrumentals and phrasing of the MCs. IAM takes the time to raise questions we don't want to hear, and stories we don't want to remember. This album is just hip-hop as its best: quality of the production with skilled lyricists in top form. This would just be one of you first "must-have" purchase if you plan to approach French rap music.© Vincent Latz /TiVo
This album is one of the cornerstones of French hip-hop music. Its release was a major act for IAM as they finally found a sound to match the quality of their lyrics, as well as for French hip-hop, confirming the fact that rap has a lot of followers in the Hexagon. Like their peers from the suburbs of Paris, NTM, IAM went to New York to instigate the production of this album, seeking for the essence of the sound one can only find in the Big Apple (their previous album was also cut in N.Y.). They teamed with Prince Charles Alexander, the mixer and engineer who worked a lot for Bad Boy Records. They even got close to the Wu-Tang realm through Sunz of Man members on "La Saga." The sound has definitely changed from the previous albums: at first putting themselves in the Egyptian tradition (look at their names), they now have found the musical depth they deserve as ones of the few best lyricists of France. Definitely influenced by the Wu-Tang soundscapes, the opening track is the story of the battle between their school, from the silver mic, against the wooden mic school, in a Bushido style. Too bad that non-French speaking listeners won't get the lyrics; they cannot appreciate the quintessence of IAM's style. However, most of the album sticks to the traditional approach of storytelling, as it covers the city life in its darkness: little brothers that want to grow too fast and be the new caïd ("Petit Frère"), money hungry women who have sex without giving their names, the difficulties to have a similar chance and destiny than a boy growing up in the well-off (about equality of chances) and much more. Not many subjects of relief here, we only breathe thanks to the banging instrumentals and phrasing of the MCs. IAM takes the time to raise questions we don't want to hear, and stories we don't want to remember. This album is just hip-hop as its best: quality of the production with skilled lyricists in top form. This would just be one of you first "must-have" purchase if you plan to approach French rap music.© Vincent Latz /TiVo
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Les nuits de Paris
François-Xavier Roth
Theatre Music - Released January 27, 2023 | Bru Zane
Hi-Res
Booklet
Distinctions
Diapason d'or
The Palazetto Bru Zane, the centre for French Romantic music in Venice, has an uncanny ability to rouse our curiosity for rare musical offerings. For each discographic release, the institution makes a point of indulging the listener, presenting them with only the very best: from the casting to the sound recording, not to mention the cleverly constructed programmes and the detailed illustrated booklets, everything is flawlessly produced. They essentially offer a first-class journey to the land of Romantic music. With Les Nuits de Paris, the institute once again proves it knows what it’s doing. At the helm, François-Xavier Roth and his ensemble Les Siècles take us on a dizzying tour of French society during the Belle-Epoque. At the time, the Parisian public routinely frequented dance venues—the upper classes went to the opera whilst the lower classes turned to cabarets, music halls and other “café-concerts”. Links were made between the profane and the sacred, the stylish and the mainstream. This cheerful disc sheds light on this entire dancing tradition. Alongside the great composers of the period (Massenet, Delibes and Saint-Saëns), the programme introduces other figures who were well-known in their time but have been somewhat forgotten today: Ernest Guiraud, Victorin Joncières and Ambroise Thomas. A special mention must go to Jeanne Danglas, one of the rare female composers to have been able to escape the patriarchal grip of the period.François Xavier Roth and his orchestra fully embrace the retro charm of these compositions, which might have been considered a little absurd if it weren’t for their radiantly joyful and deliciously playful performance. This is a wonderful journey through time. © Pierre Lamy/Qobuz
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So Romantique !
Cyrille Dubois
Classical - Released March 10, 2023 | Alpha Classics
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Martha Argerich & Friends Live at the Lugano Festival 2013 (Édition StudioMasters)
Martha Argerich
Chamber Music - Released May 19, 2014 | Warner Classics
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Booklet
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5 de Diapason
Each year, Martha Argerich and her friends gather for the summer festival in Lugano, Switzerland, to perform a variety of chamber and keyboard works that showcase musical talents across generations. Highlights of these performances have been released annually on box sets that are representative of these artists' brilliant virtuosity and fine musicianship. The set for 2013 includes performances of works by Beethoven, Respighi, Liszt, Shostakovich, Ravel, Debussy, Offenbach, and Saint-Saëns, presented with enthusiasm by Argerich and her friends Mischa Maisky, Renaud Capuçon, Gautier Capuçon, Francesco Piemontesi, Alissa Margulis, Jura Margulis, Gabriela Montero, Cristina Marton, and many others, some of whom have become frequent guests at the festival. While most of the performances have an intimate character, as might be expected in the cello sonatas of Beethoven and Shostakovich, and the violin sonatas of Respighi and Ravel, there are larger scale works that frame the package: the Beethoven Piano Concerto No. 1, which Argerich performs with the Orchestra della Svizzera Italiana, conducted by Hubert Soudant, and the chamber orchestra version of Saint-Saëns' Carnival of the Animals, so there is some variety, though the emphasis is, as in previous years, on chamber music.© TiVo
Rose Kennedy (Edition Deluxe)
Benjamin Biolay
French Music - Released May 7, 2001 | Parlophone (France)
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La bergère aux mains bleues
Amélie les Crayons
Children - Released November 10, 2020 | Neômme
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Casse-Noisette
Valérie Karsenti
Stories and Nursery Rhymes - Released October 6, 2015 | Didier Jeunesse
Booklet
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Thérapie par Ondes Delta 2021
Aide au sommeil académie
New Age - Released May 12, 2021 | Zen Tunes International
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Les grandes heures du Bolchoï, Vol. 2: Les plus grandes valses
L'Orchestre National du Bolchoï
Classical - Released June 1, 1999 | Via Classic
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Les bonnes manières (Versions légères & inédites)
La Ruda Salska
Rock - Released September 28, 2007 | Les associés du réel
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Fred Pallem et le Sacre du Tympan racontent les fables de La Fontaine
Fred Pallem
Jazz - Released October 16, 2020 | TRAIN FANTOME
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Dans la vapeur et le bruit
La Ruda Salska
Rock - Released April 1, 2005 | Les associés du réel
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Le Cabaret Magique du Roi des Papas
Vincent Malone
Stories and Nursery Rhymes - Released November 10, 2008 | naïve Jeunesse
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André Messager: Passionnément
Münchner Rundfunkorchester
Classical - Released June 11, 2021 | Bru Zane
Hi-Res
Booklet
André Messager's deliciously French art offers the perfect combination of refined music and frivolous – but never facile – operetta. This recording was a product of the constraints of the 2020 pandemic. Musicians and producers were forced to downgrade many projects in order to comply with the health guidance which was then in force. With its modest instrumental requirements, its smattering of soloists and its lack of a choir, the operetta Passionnément, which enjoyed a triumphal opening in a cheery inter-war Paris in 1926, was perfect for these challenging conditions.In France, operetta has often suffered from mediocre vocal talent. All the more reason, then, to enjoy this high-quality production, with excellent vocalists, starting with Australian soprano Nicole Car as Julia, a crafty chambermaid who is dreaming of a bourgeois life with an American millionaire, and who ends up hitting the bottle at the height of Prohibition. The libretto by Hervé Hennequin and Albert Willemetz is full of salacious allusions only scantily concealed by candid lyrics.This is the first time ever that Passionnément has been committed to disc. This release was a co-production between the Munich Radio and Palazzetto Bru Zane. This full, uncut version was directed by Stefan Blunier, who offers a wonderful rendering of André Messager's melodic talents, bringing a sense of joy and subtlety to every moment. The flawless cast brings together Véronique Gens as Ketty, the wife abandoned by her wealthy American husband, played by Eric Huchet. Etienne Dupuis, Chantal Santon Jeffery and Armando Noguera round out an excellently-put-together cast, which does full justice to this piece of classic workmanship. A superb document of the atmosphere of the 1920s. © François Hudry/Qobuz
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