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Psyché

Christophe Rousset

Classical - Released January 13, 2023 | Château de Versailles Spectacles

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Gloire Immortelle !

Hervé Niquet

Classical - Released November 17, 2023 | Château de Versailles Spectacles

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Lully: Armide

Les Talens Lyriques

Classical - Released March 24, 2017 | Aparté

Hi-Res Booklet Distinctions 4F de Télérama - Gramophone Editor's Choice
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Debussy: Complete Orchestral Work

Jun Märkl

Classical - Released January 30, 2012 | Naxos

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David & Jonathas

Gaétan Jarry

Classical - Released June 9, 2023 | Château de Versailles Spectacles

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Écho & Narcisse

Hervé Niquet

Classical - Released August 25, 2023 | Château de Versailles Spectacles

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Debussy: Complete Works for Piano

Jean-Efflam Bavouzet

Classical - Released October 1, 2012 | Chandos

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Praised for his meticulous fidelity to the composer's intentions, as well as for his rich tonal palette and the warmth of his expressions, Jean-Efflam Bavouzet has won many admirers for his five albums of the complete solo piano music of Claude Debussy. These recordings were produced by Chandos between 2007 and 2009, and they have now been gathered into a handsome box set; each disc is presented with its own cardboard sleeve and the original liner notes that accompanied each release. The roster of artists who have recorded Debussy's keyboard music is a long and distinguished one, though Bavouzet is easily ranked in the upper echelons, equal in stature among such luminaries as Jean-Yves Thibaudet, Arturo Benedetti Michelangeli, Krystian Zimerman, Maurizio Pollini, Angela Hewitt, Pierre-Laurent Aimard, and Pascal Rogé. Experienced listeners will already have favorite recordings of the Préludes, Images, Estampes, and Études, as well as the perennially popular Suite bergamasque, Children's Corner, and other picturesque pieces. However, many will be won over by the consistency of Bavouzet's playing, and newcomers will find that his disciplined yet gorgeous readings are a great way to begin appreciating these charming classics. Chandos provides excellent sound that gives the piano a clear presence yet takes nothing away from Bavouzet's atmospheric colors or the radiant acoustics. Highly recommended.© TiVo
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Debussy: La Damoiselle élue, Le martyre de Saint Sébastien & Nocturnes

Orchestre Philharmonique de Radio France

Classical - Released April 1, 2022 | Alpha Classics

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The Orchestre Philharmonique de Radio France and Mikko Franck continue their collaboration with Alpha Classics and here invite the Maîtrise and Chœur de Radio France to join them in a Debussy programme. This recording couples La Damoiselle élue, a work described by the composer as a "little oratorio in a mystical and somewhat pagan vein", the Nocturnes for orchestra, composed between 1897 and 1899, and the Symphonic Fragments from Le Martyre de Saint-Sébastien fashioned by André Caplet less than a year after the work’s first performance, and which ensured it would not be forgotten by posterity. © Alpha Classics
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Bijoux perdus

Jodie Devos

Classical - Released September 16, 2022 | Alpha Classics

Hi-Res Booklet Distinctions Choc de Classica
After her triumph with the album "Offenbach Colorature", Jodie Devos has chosen to follow in the footsteps of one of her compatriots, the Belgian coloratura soprano Marie Cabel (1827 -1885), who at the age of twenty-six scored a phenomenal success in Adolphe Adam’s opéra-comique Le Bijou perdu, which she premiered in Paris. She then took on a more dramatic role in Halévy’s Jaguarita l’Indienne, whose great Invocation with chorus ("À moi ma cohorte!") again hit the bullseye in a run of 124 performances over just a few months. Cabel enjoyed one hit after another, in Auber’s Manon Lescaut and La Part du diable, Meyerbeer’s L’Étoile du Nord and Le Pardon de Ploërmel, Victor Massé’s Galathée, and Le Songe d’une nuit d’été by Ambroise Thomas, who in 1866 gave her the biggest role of her career: Philine in Mignon, based on Goethe. In partnership with the musicologists of the Palazzetto Bru Zane, who have resurrected and edited all these unjustly forgotten rarities, and Pierre Bleuse conducting the Brussels Philharmonic and the Flemish Radio Choir, Jodie Devos pays tribute to this star of the nineteenth century, whose audacity and sense of mischief she undoubtedly shares! © Alpha Classics
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Tchaikovsky: Eugène Onéguine (Diapason n°598)

Galina Vichnievskaia

Full Operas - Released September 25, 2010 | Les Indispensables de Diapason

Booklet Distinctions Diapason d'or
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Ravel: Complete Orchestral Works, Vol. 1

Ludovic Morlot

Classical - Released April 5, 2024 | L'Auditori

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Ravel: Daphnis et Chloé Suites Nos. 1 & 2, Ma mère l'oye & Valses nobles et sentimentales

St. Olaf Choir

Classical - Released January 1, 1975 | Vox

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Salieri : Tarare

Christophe Rousset

Classical - Released June 7, 2019 | Aparté

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice - Choc de Classica
While Mozart was largely overlooked in the French capital, Antonio Salieri took on the reigns of the Académie Royale de Musique (Paris Opera), a fruitful collaboration that was completely broken up by the French Revolution. After the success of his work Les Danaïdes, composed for Paris in 1784, Salieri worked tirelessly with Beaumarchais, spurred on by the success and scandal of his Figaro, on a new project which would become Tarare. Beaumarchais moved himself shamelessly toward stardom, skillfully self-promoting and attending rehearsals so as to assure that the orchestra played pianissimo to emphasize the primacy of his verse during performances. Beaumarchais found that the music was too overwhelming to “embellish the lyrics”.Created one year after Mozart’s The Marriage of Figaro (which was relatively well-received in Vienna before triumphing in Prague), Tarare was an immense success in Paris maintaining the status of the composer’s repertoire despite the political turmoil of the time before disappearing from view around 1826, thereon ceasing to be played. Beaumarchais’ words were immediately adapted into Italian by Lorenzo Da Ponte to be performed and met with equal success in Vienna. Tarare is half lyrical tragedy, half comic opera with a hint of orientalism.After resuscitating Les Danaïdes and Les Horaces, Christophe Rousset finished off his series of recordings dedicated to Salieri’s French operas for the Parisian public. Tarare is very much of its time, that of the Lumières, and used the power of art to challenge despotism in all its forms. Thanks to Christophe Rousset’s excellent delivery and lively direction, this recording enables one to judge the merits of the composition and the chasm that separates an honest and talented musician from a solitary and impassioned one like Mozart. © François Hudry/Qobuz
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Æther

Sarah Aristidou

Classical - Released November 5, 2021 | Alpha Classics

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The French-Cypriot soprano Sarah Aristidou joins Alpha and here presents her very first album. Twice named "Best Newcomer" by Opernwelt for two contemporary creations, she is a favourite interpreter of Jörg Widmann who has already written two works for her, and has sung under the direction of Daniel Barenboim, Sir Simon Rattle and François-Xavier Roth. Barenboim opened the doors of Berlin to her and the Orchester des Wandels, a group of musicians from several German orchestras, including the Staatskapelle Berlin, who have set themselves the objective of practising their art in a way that protects the planet: limiting the carbon footprint in all their activities, including this album. The packaging of the physical version is plastic-free and printed with organic ink. Alpha also supports the reforestation programme in Madagascar initiated by the orchestra. In addition to the encounter between the young singer and the unique orchestra, this project is also the result of Sarah’s passion for Iceland (the land of Aether par excellence?). Along with the director and photographer Weronika Izdebska, she has created a film exalting the natural world which will be shown in Berlin in November 2021 as part of an installation presenting the entire programme. © Alpha Classics

Sibelius : Pelleas and Melisande Suite...

Turun Filharmoninen Orkesteri

Classical - Released July 31, 2015 | Naxos

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The Naxos label has embarked on a series covering lesser-known works of Sibelius, performed by the little-known (outside Finland) but venerable Turku Philharmonic Orchestra under Sibelius veteran Leif Segerstam. They're well worth the time of Sibelius lovers, with clean, idiomatic performances that cover a side of the composer substantially lighter than that shown by his weighty symphonies. Many are associated with the theater, falling into genres like incidental music that really ought not to be forgotten inasmuch as they were the direct ancestors of today's soundtrack music. The music here is known to at least some listeners: Sibelius' incidental music for Maeterlinck's play Pelléas et Mélisande is performed often in a suite made by the composer, but recordings of the whole set of pieces are rare. The work makes an interesting counterpoint to Debussy's and Schoenberg's better-known sets of pieces, and if the listener can shake free of a linear view of music history, it stands up well to those. Sample the very sparse and powerful Mélisande's song (track 6), given a rich performance by soprano Pia Pajala; it's enough to make one wish Sibelius had been induced to apply his structural thinking to opera. The deep and unified final Andante from Act V could and should be performed more often as an independent work. After the Pélleas music is another piece of incidental music for an abortive project, a trio of waltzes (one vocal), and a little work from the end of Sibelius' career. There might be slightly cleaner versions of the Pélleas et Mélisande music out there, but probably not in a recording that gives the entire work. © TiVo
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Le lac des cygnes

Natalie Dessay

Stories and Nursery Rhymes - Released October 18, 2017 | Didier Jeunesse

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Debussy: La Mer, Le Martyre de saint Sébastien

Philharmonia Orchestra

Symphonies - Released June 22, 2018 | harmonia mundi

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There hasn't exactly been a flood of recordings marking the centenary of Debussy's death in 1918, but here's a fitting observance from Pablo Heras-Casado, featuring a Philharmonia Orchestra that's absolutely at the top of its game and able to follow the Spanish conductor through his low-volume but intense Prélude à l'après-midi d'un faune. The program is an intelligent one for general listeners, pairing distinctive readings of two standards with the more unusual Fragments Symphoniques from Le Martyre de Saint Sébastien (1912), extracts from a five-hour set of incidental music for a play by Gabriele d'Annunzio. This work, perhaps because it was partially orchestrated by Debussy's friend André Caplet and thus violates the myth of the solitary genius, is not much played, but it has dramatic ideas not found elsewhere in Debussy's output and is as close as he came to an instrumental counterpart to Pélleas et Mélisande. Sample Heras-Casado's masterly way with the opening of La Mer: he gives himself room to develop the movement and to reveal small details while remaining true to the majesty of the subject. This album makes a fine place for the general listener to start with Debussy, containing his two most famous orchestral works plus a hint of what else is out there. The booklet for the CD version, with footnoted (and interestingly footnoted, at that) text by Denis Herlin, is a fine slice of Debussy's world, and the sound from London's Henry Wood Hall, a place the musicians know well, is top-notch. There is plenty of competition out there when it comes to the big Debussy works, but this is an excellent choice. © TiVo
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Jean-Baptiste Lully : Phaéton

Christophe Rousset

Classical - Released October 16, 2013 | Aparté

Hi-Res Booklet Distinctions 4F de Télérama - Choc de Classica - Choc Classica de l'année
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Ravel: Complete Orchestral Works

London Symphony Orchestra

Classical - Released January 1, 2002 | Deutsche Grammophon (DG)