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La fête est finie

Orelsan

Hip-Hop/Rap - Released October 20, 2017 | Wagram Music - 3ème Bureau

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Les mystérieuses cités d'or (Bande originale de la série télévisée)

Le Groupe Apollo

Film Soundtracks - Released November 10, 2017 | Wagram Music

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Chienne de vie

Zoufris Maracas

French Music - Released March 2, 2015 | Wagram Music - Chapter Two Records

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Les Années Saravah

David McNeil

French Music - Released January 6, 1990 | Saravah

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Millions

Dub Inc

Dancehall - Released September 27, 2019 | Diversité

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La perdue

Bertrand Belin

French Music - Released March 5, 2007 | Sterne

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Bernd Alois Zimmermann - Recomposed, Vol. 3

WDR Sinfonieorchester

Classical - Released October 7, 2022 | Wergo

Hi-Res Booklet Distinctions Choc de Classica
Bernd Alois Zimmermann (1918–1970) was one of the most distinctive composers in the musical avant-garde after the Second World War. While Karlheinz Stockhausen served as a kind of "generator" in Cologne during the 1950s and 60s, inventing completely new sounds and techniques, Zimmermann was in many ways his opposite, a "transformer" who redefined previously existing material by placing it in new contexts and collage-like structures, anticipating the ideas of the Postmodernists. This new release from Wergo presents a fresh perspective on the composer Bernd Alois Zimmermann, whose tragic suicide shortly after the completion of Stille und Umkehr shocked the musical world. His fascinating instrumental effects and his embrace of popular and traditional music make his works feel much more at home in our contemporary world than they did in the cultural atmosphere of his time, with its faith with technology and progress. © Wergo
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Characters On A Wall

Louis Sclavis

Jazz - Released September 20, 2019 | ECM

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Jazz
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Françoise Hardy (Mon amie la rose)

Françoise Hardy

French Music - Released February 18, 2015 | Vogue

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L'extraordinaire tour de France d'Adélard Rousseau

Malicorne

French Music - Released January 1, 1978 | Griffe

This concept album follows a Compagne, the French equivalent of a Freemason, through his rite of passage, a tour of France. Dan Ar Bras guests. © Steve Winick /TiVo
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Flux Flou de la Foule

Françoiz Breut

French Music - Released April 9, 2021 | 30 Fevrier

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Un témoin dans la ville (1959) [Original Motion Picture Soundtrack]

Barney Wilen

Film Soundtracks - Released April 1, 1959 | Tsk Music

Having already played on a film soundtrack with Miles Davis on Ascenseur pour l'échafaud, Barney Wilen -- still barely in his 20s - got the opportunity to compose the score for another French film that used jazz as a background, Un Témoin Dans La Ville. Musically, though, the score is no big deal, a succession of listless cues (some less than a minute in length) that mean little outside of the context of the film. Wilen can be heard on relaxed yet soulful tenor and soprano, Kenny Dorham plays cool-toned trumpet, Duke Jordan is on piano, Paul Rovere (bass) and Kenny Clarke (drums) round out the rhythm section. Luckily, this doleful soundtrack, originally issued on a ten-inch LP, is coupled with the much longer, more freely jazzy studio album Jazz Sur Seine, which teams Wilen with three-fourths of the original Modern Jazz Quartet (with Milt Jackson on piano only, of all things, Percy Heath on bass, and Clarke), plus the Latin percussion of Gana M'Bow. Wilen gets more of a chance to stretch out and reveal his swinging, warm tenor tone; Jackson is quite competent as a comping accompanist and in fairly fluent, right-handed bop flurries. A mix of Django Reinhardt tunes and Charles Trénet chansons, a few tunes by Wilen, and the concluding Monk "Epistrophy" make up much of the program, which thoroughly dispels the sinking feeling left by the preceding film music. © Richard S. Ginell /TiVo
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Les années poussière

Catherine Lara

French Music - Released January 1, 1972 | Sony Music Entertainment

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Roussel: Évocations, Pour une Fête de Printemps & Suite in F

Yan Pascal Tortelier

Symphonies - Released May 1, 2018 | Chandos

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Albert Roussel is one of the composers that we are very much supposed to love and worship... but very few orchestras, in France or abroad, regularly play his music, and if, here or there, one hears a fleeting Festin de l’araignée [Spider's Feast] or a bit of Bacchus, or, even more rarely, a symphony, the rest of his output seems relegated to a deeper obscurity. So hats off to this new recording from the musicians of the BBC Philharmonic conducted – luckily for national pride – by a Frenchman (but one whose career was made in England…) Yan-Pascal Tortelier; which brings together three pieces which are very rarely played, i.e. the sumptuous and feisty Suite of 1926 – a work of his later maturity, a contemporary of the explosive Third Symphony – or indeed the no-less sumptuous, colourful Évocations of 1911: a kind of exotic lab test for Padmâvatî which would follow a few years later (?), the Évocations, pure feelgood music, evoke a fabulous India across their three movements. What's more, if you can call a twelve-minute piece a movement, Pour une fête de printemps from 1921 bears witness to how, at one time, Roussel explored the depths of dissonance in a world that was still tonal. © SM/Qobuz
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Spontini: Olimpie

Flemish Radio Choir

Classical - Released March 22, 2019 | Bru Zane

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Olimpie was described by Hector Berlioz as a “sublime work” and Spontini himself viewed it as his best composition. When it was premiered in Paris, however, it gathered no interest. The work is based on a lesser-known play by Voltaire and was considered out of fashion before it even reached the stage in 1819. In Berlin two years later, in a translated and happier version modified by E.T.A. Hoffmann, Olimpie was more of a success. Back in Parisian venues in 1826, the piece was rarely played, which Berlioz regretted. It occasionally made it to Germany, but was eventually forgotten until its rediscovery in the 1950’s as an Italian version performed by La Tebaldi in Florence. Olimpie is not often included in operas’ repertoires, but nevertheless, with its visuals and refined language, it features many magnificent moments and offers a plethora of staging opportunities.The original 1819 musical score has disappeared. Jérémie Rohrer is presenting instead the 1826 version of the score prepared by Federico Agostinelli with various printed sources as well as an autographed manuscript. The album follows this version with the exception of two cuts during Acts I and III. The recording is meticulous and benefits from the splendid acoustic of the Philharmonie de Paris. Recorded before the concert given at the Théâtre des Champs-Elysées, it features a set of excellent soloists led by Jérémie Rohrer’s imagination and energy. A perfect resurrection and a gift from the indispensable Bru Zane Foundation in Venice. © François Hudry/Qobuz
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Encore un dernier baiser

Niagara

Pop - Released January 1, 1985 | Universal Music Division Label Panthéon

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L'amour en France

Alain Chamfort

French Music - Released January 1, 1973 | Tessland

1937 - 1939

Charles Trenet

French Music - Released September 24, 1990 | Parlophone (France)

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Dans la ville endormie

Dalida

French Music - Released November 6, 2020 | Universal Music Division Barclay

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Les canons et comptines des p'tits lascars

Voix d’enfants

Children - Released April 9, 2013 | Didier Jeunesse