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Debussy: Complete Orchestral Work
Jun Märkl
Classical - Released January 30, 2012 | Naxos
Booklet
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Debussy – Rameau
Víkingur Ólafsson
Classical - Released March 27, 2020 | Deutsche Grammophon (DG)
Hi-Res
Booklet
Distinctions
Diapason d'or -
5 étoiles de Classica
This program brings together two great French composers, separated by almost two centuries, that we would not think of bringing together spontaneously. But the freedom of mind of the Icelandic pianist looks at it otherwise, who, for his third album with Deutsche Grammophon, wanted to highlight their affinities as their contrasts in the light of their innovative contribution to the musical thought of their time. "I scratch my head wondering why Rameau's music is not played more. Between quality, inventiveness and unpredictability, there is never any element of formula in these pieces”, says Víkingur Ólafsson. By instinctively associating these style characteristics with those specific to Debussy, he decided to make an album of them: "I want to show Rameau as a futurist and underline the deep roots of Debussy in French baroque — and in Rameau's music in particular. The idea is that the listener almost forgets who is who by listening to the album." Debussy, who never stopped defending the French tradition by opposing it to German music, liked the decorative and complex lines of this Baroque composer with a French spirit like his own.An initial idea in the development of this skillfully constructed program, the transcription for piano of Debussy from Prélude to his Cantata La Damoiselle introduces it. Like the album's visual, Víkingur Ólafsson aims to be suggestive even in the accent he gives in Rameau to polyphonic voices supported by a flawless rhythmic impulse, which contrasts with Debussy, whose among other things the beautiful tumultuous Jardins sous la pluie which is played with a large breath in the image of wind load until the light returns. © Qobuz / GG
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Spontini: La vestale
Les Talens Lyriques
Classical - Released May 12, 2023 | Bru Zane
Hi-Res
Booklet
Gaspare's Spontini's French-language La Vestale is probably the most often heard of his operas, but that is not saying much; the work was sung by Maria Callas in the 1950s, but performances are sparse. Here, it is revived in period style by Les Talens Lyriques and conductor Christophe Rousset, and a very good case is made for further attention. The story is action-packed; Julia, in the absence of her lover, General Licinius, becomes una Vestale, a Vestal Virgin and guards a sacred flame. When Licinius returns to town, the flame goes out, and Julia is sentenced to be buried alive. Licinius rallies his troops, vowing to kidnap Julia, and the flame is reignited later by a lightning strike. Spontini's orchestration of this tale is Beethovenian in its dimensions, and despite the difficulties of natural horns, it is exciting to hear this opera as Napoleon (thought to be the model for Licinius) and Josephine (who backed the opera) heard it. The singers are not Callas-level, but throughout, and especially in the choruses, there is a commitment to the text and its meaning that is rare in any kind of recording. Marina Rebeka, in the role of Julia, is fully involved in the character's plight, and the smoky-voiced Aude Extrémo as La Grande Vestale is worth the price of admission on her own. The singers are aided by clear, spacious studio sound engineering from the early opera specialist label Palazzetto Bru Zane, whose high standards are perhaps even exceeded here.
© James Manheim /TiVo
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Debussy: Images 1 & 2; Children's Corner
Arturo Benedetti Michelangeli
Classical - Released January 1, 1971 | Deutsche Grammophon (DG)
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The Qobuz Ideal Discography
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Jules Massenet: Ariane
Münchner Rundfunkorchester
Classical - Released September 8, 2023 | Bru Zane
Hi-Res
Booklet
Distinctions
Diapason d'or
For many years, it was only Manon and Werther that were heard among Massenet's operas, but his reputation appears to be on the rise, and his champion, conductor Laurent Campellone, has recorded a good number of them. Ariane, from 1906, is one of the last to receive its recorded premiere. The Palazzetto Bru Zane label, specializing in obscure French opera, does a typically fine job here; the sound is superb, and the cast of singers, led by the soprano Amina Edris in the lead role, offers several revelations. In his later operas, Massenet often attempted to put a French stamp on the newer styles of the day, and here, it is Wagner who gets this treatment; the opera is built around a set of motifs de rappel (or "reminiscence motifs"), whose parentage in Wagner's leitmotifs is clear. This structure is shoehorned into the durable machinery of French opera. There are big entrance scenes, a pantomime, and plenty of spectacular stage machinery to go with the love triangle plot involving Ariane (Ariadne), Phèdre (Phaedra), and Theseus, who gets to take on the Minotaur in a grand scene with Wagnerian bass trumpet and bass trombone. Massenet's orchestration is impressive throughout. The work does not have the inevitability of truly great art, but it is in no way dull, and anyone with any interest in French opera should hear it for the singers alone; enough of those listeners have already weighed in and put the album on classical best-seller lists in the late summer of 2023.© James Manheim /TiVo
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Debussy: Images, Children's Corner, L'Isle joyeuse..
Seong-Jin Cho
Solo Piano - Released November 17, 2017 | Deutsche Grammophon (DG)
Hi-Res
Booklet
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5 Sterne Fono Forum Klassik -
5 étoiles de Classica
Since the pianist's early days, the South Korean Seong-Jin Cho (1994) has professed a fondness for French music in general and Debussy in particular. At his first public performance at the age of eleven, he played Children’s Corner by Debussy. When he decided, in 2012, to pursue his musical education abroad, he chose Paris, and the Conservatoire National Supérieur, where he frequented the classes of Michel Béroff, the undisputed expert on Debussy. Cho has come back to work again with his old teacher, who became a friend, with the aim of creating his own Debussy album; the choice of works here is "restricted" to works requiring a middling level of virtuosity - mechanical exhibition isn't his thing, even though he has amply mastered his instrument - but whose poetical content allows the pianist to show off his own exquisite expertise as a musician. An homage to his own childhood, Children’s Corner, but also the two books of Images and the exquisite Suite bergamasque. Let’s not forget that Seong-Jin Cho won Warsaw's 2015 Chopin Prize, a sure-fire ticket to an international career. © SM/Qobuz
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Elisabeth Jacquet de la Guerre: Céphale et Procris
Reinoud Van Mechelen
Classical - Released February 9, 2024 | Château de Versailles Spectacles
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Booklet
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Diapason d'or
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Écho & Narcisse
Hervé Niquet
Classical - Released August 25, 2023 | Château de Versailles Spectacles
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Debussy: Images; Children's Corner; Estampes etc.
Steven Osborne
Classical - Released September 29, 2017 | Hyperion
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Debussy: Complete Works for Piano
Jean-Efflam Bavouzet
Classical - Released October 1, 2012 | Chandos
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Booklet
Praised for his meticulous fidelity to the composer's intentions, as well as for his rich tonal palette and the warmth of his expressions, Jean-Efflam Bavouzet has won many admirers for his five albums of the complete solo piano music of Claude Debussy. These recordings were produced by Chandos between 2007 and 2009, and they have now been gathered into a handsome box set; each disc is presented with its own cardboard sleeve and the original liner notes that accompanied each release. The roster of artists who have recorded Debussy's keyboard music is a long and distinguished one, though Bavouzet is easily ranked in the upper echelons, equal in stature among such luminaries as Jean-Yves Thibaudet, Arturo Benedetti Michelangeli, Krystian Zimerman, Maurizio Pollini, Angela Hewitt, Pierre-Laurent Aimard, and Pascal Rogé. Experienced listeners will already have favorite recordings of the Préludes, Images, Estampes, and Études, as well as the perennially popular Suite bergamasque, Children's Corner, and other picturesque pieces. However, many will be won over by the consistency of Bavouzet's playing, and newcomers will find that his disciplined yet gorgeous readings are a great way to begin appreciating these charming classics. Chandos provides excellent sound that gives the piano a clear presence yet takes nothing away from Bavouzet's atmospheric colors or the radiant acoustics. Highly recommended.© TiVo
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Bizet: Carmen, WD 31
Adriana Maliponte
Classical - Released April 1, 1973 | Deutsche Grammophon (DG)
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LA VIE DE MA MÈRE (Bande originale du film)
Dom La Nena
Pop - Released March 1, 2024 | Sabia
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Persona (Nouvelle édition)
Bertrand Belin
French Music - Released February 1, 2019 | Wagram Music - Cinq 7
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Debussy: Arabesques, Estampes, Images, Children´s Corner - Ravel: Valses nobles et sentimentales
Ilja Hurník
Classical - Released November 23, 2012 | Supraphon a.s.
After recently terminating his career as a pianist, Ilja Hurník has gained more scope for devoting to composing and writing. Hurník studied the piano with pedagogues of such renown as V. Kurz, I. Štěpánová-Kurzová and V. Novák and has given numerous concerts abroad (including a four-hand performance with Pavel Štěpán), with his interpretations of Debussy and Janáček being particularly captivating. He has given back to Janáček the earthiness and crispness resulting from the Lachian dialect and purged Debussy of the "Impressionistic mist" and accumulated layers of brush strokes, turning the audience's attention to the compositions' subtle drawing and structure. When listening to the presented recordings, one will be hard pressed indeed to believe that they were made a full half-century ago. Hurník's ninetieth birthday is an appropriate opportunity to recall them: this reissue in a carefully remastered version will certainly be welcomed not only by his contemporaries. © Supraphon
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Bijoux perdus
Jodie Devos
Classical - Released September 16, 2022 | Alpha Classics
Hi-Res
Booklet
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Choc de Classica
After her triumph with the album "Offenbach Colorature", Jodie Devos has chosen to follow in the footsteps of one of her compatriots, the Belgian coloratura soprano Marie Cabel (1827 -1885), who at the age of twenty-six scored a phenomenal success in Adolphe Adam’s opéra-comique Le Bijou perdu, which she premiered in Paris. She then took on a more dramatic role in Halévy’s Jaguarita l’Indienne, whose great Invocation with chorus ("À moi ma cohorte!") again hit the bullseye in a run of 124 performances over just a few months. Cabel enjoyed one hit after another, in Auber’s Manon Lescaut and La Part du diable, Meyerbeer’s L’Étoile du Nord and Le Pardon de Ploërmel, Victor Massé’s Galathée, and Le Songe d’une nuit d’été by Ambroise Thomas, who in 1866 gave her the biggest role of her career: Philine in Mignon, based on Goethe. In partnership with the musicologists of the Palazzetto Bru Zane, who have resurrected and edited all these unjustly forgotten rarities, and Pierre Bleuse conducting the Brussels Philharmonic and the Flemish Radio Choir, Jodie Devos pays tribute to this star of the nineteenth century, whose audacity and sense of mischief she undoubtedly shares! © Alpha Classics
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Debussy in Resonance
Joanna Goodale
Classical - Released May 27, 2022 | Paraty
Hi-Res
Booklet
Conceived in the spring of 2020, "Debussy in Resonance" wishes to offer a space to nourish the wonder and the sensory imagination of Nature while questioning the place of humans within it. Faced with the fast extinction of species, the scarcity of water sources and the palpable uneasiness in modern societies, Joanna Goodale feels the desire to cultivate this feeling of belonging to Nature, inspiring gratitude, joy and the desire to take care of the living. By listening to the ecosystem, by observing its elements and its cycles, a source of wisdom rich in metaphors resonates deep within her. © Paraty
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Debussy: Piano Works
Pascal Rogé
Classical - Released January 1, 1994 | Decca Music Group Ltd.
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Debussy – Rameau
Víkingur Ólafsson
Classical - Released March 27, 2020 | Deutsche Grammophon (DG)
This program brings together two great French composers, separated by almost two centuries, that we would not think of bringing together spontaneously. But the freedom of mind of the Icelandic pianist looks at it otherwise, who, for his third album with Deutsche Grammophon, wanted to highlight their affinities as their contrasts in the light of their innovative contribution to the musical thought of their time. "I scratch my head wondering why Rameau's music is not played more. Between quality, inventiveness and unpredictability, there is never any element of formula in these pieces”, says Víkingur Ólafsson. By instinctively associating these style characteristics with those specific to Debussy, he decided to make an album of them: "I want to show Rameau as a futurist and underline the deep roots of Debussy in French baroque — and in Rameau's music in particular. The idea is that the listener almost forgets who is who by listening to the album." Debussy, who never stopped defending the French tradition by opposing it to German music, liked the decorative and complex lines of this Baroque composer with a French spirit like his own.An initial idea in the development of this skillfully constructed program, the transcription for piano of Debussy from Prélude to his Cantata La Damoiselle introduces it. Like the album's visual, Víkingur Ólafsson aims to be suggestive even in the accent he gives in Rameau to polyphonic voices supported by a flawless rhythmic impulse, which contrasts with Debussy, whose among other things the beautiful tumultuous Jardins sous la pluie which is played with a large breath in the image of wind load until the light returns. © Qobuz / GG
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Les hommes sont toujours des enfants sur scène
Michel Jonasz
French Music - Released October 21, 2022 | MJM - ADA France
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