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Sir Lucious Left Foot...The Son Of Chico Dusty

Big Boi

Hip-Hop/Rap - Released January 1, 2010 | Def Jam Special Markets Premium

Distinctions Pitchfork: Best New Music
Sir Lucious Left Foot…The Son of Chico Dusty was a few years in the making with a label change and all the attendant leaked tracks and snags. Big Boi's first proper solo album nonetheless sounds like it could have come together in a couple of drama-free (if somewhat frenzied) months. It’s one of the loosest, most varied, and entertaining albums of its time. Big Boi is in top form, rattling off agile, head-spinning, and frequently irreverent tongue twisters like “Witness the n*gga that spit that vicious pitbull attack shit when it comes to this rap shit” and “When she’s liquored up I’m leaving my fingerprints on her butt.” The variety of beats, most of which Big Boi co-produced, are even more mystifying, slathered in ideas yet robust in foundation. What’s most prominent in “Tangerine” is the knocking/snapping rhythm, but it enters with what could have developed into a grunge dirge and incorporates booming bass, a synthesizer vamp filtered through a large plastic tube, electro zaps, scorching guitar flameout, and some piano fit for a power ballad’s coda. It’s an eloquently crude strip-club anthem (of course). The superbly bombastic “General Patton” is a melee of triumphant horns, a blasting opera choir, and rallying rhymes like “Pick on somebody your own size and fuck around, get kilt/But not like the kilt above the knees/BB will plant you n*ggas like seeds, or fertilizer for the trees.” Anchored in whomping bass and rattlesnake hi-hats, the battle anthem is capped by Big Rube's fathoms-deep-toned recitation of the slayed’s last rites. Bullfrog electro that quotes the System and Soul II Soul, a victory lap aided by Harold Melvin & the Blue Notes, and loads of low-slung Southern funk -- not to mention what sounds like a warm, bittersweet spin on Diddy’s “Last Night” -- are also pulled off to equally excellent effect. Sir Lucious Left Foot lacks something as universally appealing and tidy as “The Way You Move,” but that is not a problem -- not when Big Boi casually conveys that he is as much an imaginative artist as his other half in OutKast.© Andy Kellman /TiVo
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Raymond v Raymond (Expanded Edition)

Usher

R&B - Released March 30, 2010 | LaFace Records

Brut de femme

Diam's

Hip-Hop/Rap - Released May 23, 2003 | Parlophone (France)

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Daddy DJ (8D Audio)

8D Tunes

Electronic - Released August 16, 2023 | 8D Tunes

Youthquake

Dead Or Alive

Pop - Released March 26, 1985 | Sony Music CG

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Switching to the noted Stock/Aitken/Waterman production team, Peter Burns and crew brought it all together on an undisputed-'80s classic. Though arguably the singles hold up better in the end than the album does, there's no question that in terms of sheer hooks, fun, and drama, Youthquake is a pure pop delight by any measure. No question that the band's over the top image had a lot to do with it -- Burns in particular dressed and posed in the kind of outfits and presentations that made Boy George look like a missionary -- but all it takes is the first song to get any party going. "You Spin Me Round (Like a Record)" has an instantly catchy chorus, bright, kicky synth tones, and fantastic delivery from Burns, right from the opening: "And I!" No less great is the other huge single, "Lover Come Back to Me"." When Burns commands at the end of the chorus, "Kick it right down, right down!" it's as memorable as mass media pop of any stripe ever gets. The Stock/Aitken/Waterman crew doesn't do all that much different per sé on this album than Zeus B Held did on the previous one. While once or twice the trio's tendency towards relative blandness gets the better of the material, most of the time it's a good marriage between Burns' overarching sense of style, and his projection and commercial aims. Where things falter is when the clichés creep in. Orchestral stabs weren't anything new by the time "I Wanna Be a Toy" was littered with them, while everything from sampling stutters to drum pads inevitably call to mind everyone who tinkered with them first. But just let Burns crank up his theatrical wail and amiable sense of sleaze over a good beat and melody, like the string-tinged Philly disco sweep of "In Too Deep," or his desire to "send this sloppy kiss to you" on "Big Daddy of the Rhythm," and the results beat out all objections.© Ned Raggett /TiVo
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We Could Be Together (feat. Daddy DJ)

Gabry Ponte

Dance - Released June 3, 2022 | Spinnin' Records

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Let Your Body Talk

Daddy DJ

Electronic - Released January 1, 2001 | MIM Records

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The dj transitions remix's edit's 2020

Dj jabato

World - Released October 30, 2020 | Dj jabato - Keyzit

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Ma Vie / Mon Live

Diam's

Hip-Hop/Rap - Released June 7, 2004 | Parlophone (France)

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Daddy DJ

Nito-Onna

Electronic - Released November 4, 2022 | Magic Records

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The Girl in Red

Daddy DJ

Electronic - Released January 1, 2001 | MIM Records

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The Return Of Daddy Mix

DJ Aqeel

Pop - Released January 1, 2003 | Universal Music India Pvt Ltd.

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We Could Be Together (feat. Daddy DJ)

Gabry Ponte

Dance - Released September 14, 2022 | Spinnin' Records

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Rosemarie Meets D.J. Daddy

Lone Ranger

Reggae - Released October 18, 2005 | Techniques

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Daddy DJ

Jordiz

Dance - Released September 8, 2023 | Beat Dealer Records

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All I Ever Wanted (Daddy Dj)

Bing Lee

House - Released May 8, 2020 | Kids Recordings

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Tremenda Sata (Remix) [feat. Daddy Yankee, Nicky Jam, Arcangel, De La Ghetto & Plan B]

DJ Luian

Hip-Hop/Rap - Released September 5, 2014 | Flow Factory - LVS

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We Could Be Together (feat. Daddy DJ)

Mike Williams

Dance - Released September 15, 2022 | Spinnin' Records