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Hans Zimmer - The Classics

Hans Zimmer

Film Soundtracks - Released October 28, 2016 | Sony Classical

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This 12-track collection brings together some of Hans Zimmer's most well-known film scores. With such a huge selection to choose from, The Classics draws material from his work on Inception, The Dark Knight Rises, and Gladiator, among others.© Rich Wilson /TiVo
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PTX Vol. IV - Classics

Pentatonix

Pop - Released April 7, 2017 | RCA Records Label

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Hot on the heels of their massively popular holiday album A Pentatonix Christmas and its accompanying TV special -- as well as their Best Country Duo/Group Performance Grammy Award for their version of "Jolene" -- Pentatonix returns with PTX Vol. 4 - Classics. As the title suggests, this time the vocal group looks to vintage pop, country, and rock favorites for inspiration and reinterpretation, unlike their previous collections of contemporary hits. Along with "Jolene," the EP includes a cover of John Lennon's "Imagine."© TiVo
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The Quintet : Jazz At Massey Hall [Original Jazz Classics Remasters]

Charlie Parker

Jazz - Released January 1, 1953 | Debut Records

Distinctions The Qobuz Ideal Discography
This concert was held at Massey Hall in Toronto, Canada on May 15, 1953, and was recorded by bassist Charles Mingus, who overdubbed some additional bass parts and issued it on his own Debut label as the Quintet's Jazz at Massey Hall. Charlie Parker (listed on the original album sleeve as "Charlie Chan") performed on a plastic alto, pianist Bud Powell was stone drunk from the opening bell, and Dizzy Gillespie kept popping offstage to check on the status of the first Rocky Marciano-Jersey Joe Walcott heavyweight championship bout. Subsequent editions of this evening were released as a double-live album (featuring Bud Powell's magnificent piano trio set with Mingus and Roach), dubbed The Greatest Jazz Concert Ever. The hyperbole is well-deserved, because at the time of this concert, each musician on Jazz at Massey Hall was considered to be the principle instrumental innovator within the bebop movement. All of these musicians were influenced by Charlie Parker, and their collective rapport is magical. As a result, their fervent solos on the uptempo tunes ("Salt Peanuts" and "Wee") seem to flow like one uninterrupted idea. "All the Things You Are" redefines Jerome Kern's classic ballad, with frequent echoes of "Grand Canyon Suite" from Bird and Diz, and a ruminative solo by Powell. And on Gillespie's classic "Night in Tunisia," the incomparable swagger of Bird's opening break is matched by the keening emotional intensity of Gillespie's daredevil flight. A legendary set, no matter how or when or where it's issued.© TiVo
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Bing Crosby - Christmas Classics

Bing Crosby

Christmas Music - Released January 1, 2006 | Capitol Records

This collection of holiday favorites remains a good representation of Bing Crosby's many seasonal recordings. Among the highlights are a Nelson Riddle arrangement of Crosby's biggest hit, the perennial "White Christmas," as well as "Winter Wonderland," "Have Yourself a Merry Little Christmas," and "Let It Snow! Let It Snow! Let It Snow!" Any fan of Crosby, as well as good Christmas music in general, will want to hunt this down.© Jason Ankeny & Bradley Torreano /TiVo
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Mark Tremonti Christmas Classics New & Old

Mark Tremonti

Christmas Music - Released October 27, 2023 | JMM - Take A Chance For Charity

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Classics

Ratatat

Electronic - Released August 22, 2006 | XL Recordings

There's something strangely melancholic about Ratatat's sophomore record, Classics. Something that rests behind the dancey drum machine beats and the quirky synths, or even the alternating guitars. Outwardly it's a fun album, triumphant and full of majestic refrains and riffs -- you could play it for your indie rock friends if you wanted to get them to dance a little and were too afraid to play Daft Punk or Juan Atkins -- but there's still something in it, introspection gracenoted between the intricate (but never too ornate or over-complicated or even lush) instrument layers and classical arpeggios, contemplation sitting in bittersweet descents and acoustic guitar chords, French cinema- and IDM-induced reflection, that makes it somehow all very sad. It's music for the soundtrack of a film in which even though the sky is clear -- there is sun, an open road perhaps -- the characters have difficulty smiling. Even the more "upbeat" songs, "Lex," "Tropicana," or "Wildcat," for example, never completely shed their pensive skins, rub off the dirt that smudges their bellies and faces. Classics is a record that demands a bit of attention, something to assure it that you hear each phrase, each contradiction, each sound as it enters and leaves. Something to assure it that you know the spaces in which little happens are as important as those that are full. There are no solos here: just the comings and goings of thoughts and feelings and sounds, and though there is a circularity to the album, it's not boring; rather it just allows time for everything that Ratatat are trying to convey to manifest itself fully. Through its subtlety, Classics celebrates the nature and resilience of the human spirit while simultaneously acknowledging its defects, everything and anything you could ever ask an album to be, and nothing more, which is just enough.© Marisa Brown /TiVo
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+ Eleven: Modern Jazz Classics

Art Pepper

Jazz - Released January 1, 1960 | Craft Recordings

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Party

Aldous Harding

Alternative & Indie - Released May 19, 2017 | 4AD

Hi-Res Distinctions 4F de Télérama
When John Parish, PJ Harvey's producer, takes the time to sit down behind the console to work on a record, people tend to take notice. To see why, take a look at Party, Aldous Harding's second album, which we might swiftly (or hastily?) categorise as cerebral folk: it is neurasthenic, and spellbinding. Only, behind these reductive labels, the young New Zealander commands a much broader musical spectrum. On the model of the Living The Classics/Party series: on the former track, Harding is gentle and almost evanescent, before mutating on the latter into a baleful imp.  No effects, no instrumental chicanery is needed to win the crowd's ear. Because even if we can see that she knows the classics (Kate Bush, Joan Baez, Linda Perhacs, Joni Mitchell, Vashti Bunyan...), it is the very personal tone of her voice and her songs that makes this second album an impressive moment of intimacy and revelation... © MZ/Qobuz
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Explorations [Original Jazz Classics Remasters]

Bill Evans Trio

Jazz - Released February 2, 1961 | Original Jazz Classics

When this album was recorded in February of 1961, it had been more than year since the Portrait in Jazz was issued, the disc that won the critics over. By the time of this issue, Evans had released four albums in six years, a pace unheard of during that time. Most musicians were issuing two, three, and even four records a year during the same era. Many speculate on Evans' personal problems at the time, but the truth of the matter lies in the recordings themselves, and Explorations proves that the artist was worth waiting for no matter what else was going on out there. Evans, with Paul Motian and Scott LaFaro, was onto something as a trio, exploring the undersides of melodic and rhythmic constructions that had never been considered by most. For one thing, Evans resurrects a number of tunes that had been considered hopelessly played out, and literally reinvents them -- "How Deep Is the Ocean" and "Sweet and Lovely." His harmonic richness that extends the melodic and color palette of these numbers literally revived them from obscurity and brought them back into the canon. He also introduced "Haunted Heart" into the jazz repertoire, with a wonderfully impressionistic melodic structure, offered space, and depth by the understatement of Motian and extension by LaFaro's canny use of intervals. Also noteworthy is Miles Davis' "Nardis," which Evans first played on a Cannonball Adderley set a couple of years before. The rhythmic workout by the Motian and LaFaro places Evans' own playing in a new context, with shorter lines, chopping up the meter, and a series of arpeggios that open the ground for revelatory solo in counterpoint by LaFaro. Explorations is an extraordinary example of the reach and breadth of this trio at its peak.© Thom Jurek /TiVo
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Classics, Vol. 1

Two Steps From Hell

Classical - Released June 11, 2013 | Two Steps from Hell

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Christmas Classics

London Symphony Orchestra

Christmas Music - Released November 13, 2012 | Tam-Tam Media

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Acoustic Classics

Peter Frampton

Rock - Released February 25, 2016 | Universal Music Enterprises

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New Works & Classics Reimagined (Live from SFJAZZ Center 2022)

SFJazz Collective

Jazz - Released March 17, 2023 | SFJAZZ Records

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50s Christmas Classics - Vol. 1

Various Artists

Christmas Music - Released October 6, 2023 | Legacy Recordings

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essential classics. 99 masterpieces

Johann Sebastian Bach

Classical - Released July 27, 2012 | DREANDAS

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Dutty Classics Collection

Sean Paul

Pop - Released June 2, 2017 | Rhino Atlantic

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Club Classics Vol. One

Soul II Soul

Dance - Released April 10, 1989 | Virgin

When American urban-contemporary radio was bombarding its listeners with one Guy clone after another in the late '80s and early '90s, British neo-soulsters like Soul II Soul, Lisa Stansfield, and the Chimes offered highly creative and gutsy alternatives. With influences ranging from Chic to hip-hop to African music, Soul II Soul's debut album, Club Classics Vol. One (titled Keep On Movin' in the U.S.), was among the most rewarding R&B releases of 1989. Soul II Soul leader/producer/composer Jazzie B takes one risk after another -- all of which pay off. The group enjoyed major hits with the Chic-influenced gems "Keep On Movin'" and "Back to Life" (both of which feature the gifted Caron Wheeler), and equally superb are the African-influenced reflections of "Dance" and "Holdin' On," the soulful grit and intensity of "Feel Free," and the hypnotic house music of "Happiness." Though Wheeler was Soul II Soul's best-known singer and went on to enjoy a career as a solo artist, Rose Windross and Do'Reen (both expressive soul divas) also do their part to make Club Classics Vol. One the artistic triumph that it is.© Alex Henderson /TiVo
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The Classics (Deluxe Edition)

Tony Bennett

Jazz - Released November 1, 2013 | Columbia - Legacy

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20th Century Classics

Mischa Maisky

Classical - Released September 13, 2019 | Deutsche Grammophon (DG)

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Gershwin (Red Classics)

George Gershwin

Classical - Released August 4, 2017 | Cobra Entertainment LLC

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