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The Very Best

Tangerine Dream

New Age - Released September 7, 2015 | Cleopatra Records

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Stravinsky: Histoire du soldat (version française), Élégie, Duo concertant

Isabelle Faust

Classical - Released August 27, 2021 | harmonia mundi

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Trois siècles d'orgue à Notre Dame de Paris

Olivier Latry

Classical - Released April 22, 2012 | naïve classique

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Booster

Tangerine Dream

Ambient - Released January 1, 2008 | Purple Pyramid Records

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Le futur ça marche pas

Cyril Cyril

Alternative & Indie - Released April 26, 2024 | Born Bad Records

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Je Sais Pas Trop + 3 Inédits

Mano Solo

French Music - Released October 21, 1997 | EastWest France

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Les loubards

Léo Ferré

French Music - Released November 1, 1985 | La Memoire Et La Mer

Ca Marche [Bundle Audio/Video]

Le Roi Soleil

Musical Theatre - Released December 11, 2006 | Warner (France)

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Subliminal (La face cachée)

GIMS

Hip-Hop/Rap - Released May 20, 2013 | Jive Epic

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Enna Boost

PLK

Hip-Hop/Rap - Released November 12, 2021 | Panenka Music

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Il faut savoir

Charles Aznavour

French Music - Released January 1, 1961 | Universal Music Division Barclay

Hi-Res Distinctions The Qobuz Ideal Discography
Recorded in the mid-'60s and reissued in 1996 as part of EMI/Angel's series of Aznavour classics, IL FAUT SAVOIR captures arguably the finest male singer in French pop history at the peak of his immense abilities. Coming both stylistically and chronologically between older pop crooners like Maurice Chevalier and younger, rock and roll-influenced artists like Serge Gainsbourg and Jacques Dutronc, Charles Aznavour is possibly easiest described as the Frank Sinatra of France.Though these 18 tracks are sung in French, Aznavour's commanding, jazz-inflected voice holds more than a hint of world-weariness. The rueful edge it adds to such songs as "J'ai Tort" and "Les Comediens" comes through even if one doesn't understand the language. Like many singers of the era, Aznavour later re-recorded many of his '60s hits in "updated" arrangements for other companies, but these are the original, superior versions.© TiVo

Le Jouet Extraordinaire

Claude François

French Music - Released January 1, 1970 | Universal Music Division Mercury Records

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OLO Tour

Jean-Louis Aubert

French Music - Released July 22, 2022 | Parlophone (France)

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Le voyageur

Georges Moustaki

Pop - Released January 27, 2004 | Universal Music Division Label Panthéon

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Personne n'est parfait

Axel Bauer

French Music - Released November 14, 2000 | Universal Music Division Label Panthéon

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Bourré Au Son

La Fouine

Hip-Hop/Rap - Released April 25, 2005 | S.M.A.L.L.

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En voiture avec le roi des papas (Bienvenue sur Radio Papa Voiture FM)

Vincent Malone

Stories and Nursery Rhymes - Released June 11, 2003 | naïve Jeunesse

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Je Sais Pas Trop

Mano Solo

French Music - Released October 21, 1997 | EastWest France

C'était Bien

Bourvil

French Music - Released August 29, 2000 | Parlophone (France)

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Rabelais: Fay ce que vouldras - Plaisirs de gorge et joyeux instruments

Les Sacqueboutiers

Classical - Released July 10, 2012 | Flora

Booklet
The title of this album, Fay ce que vouldras (Do what thou willst), is taken from the 1532 novel La vie de Gargantua et de Pantagruel by François Rabelais, and the recording features readings from the book interspersed with vocal and instrumental music of the period by composers like Josquin Desprez, Claude Lejeune, Clément Janequin, Orlande de Lassus, and Claudin de Sermisy. This is an album that should be highly entertaining for fans of these composers and anyone who enjoys music that's quirky or sometimes just plain strange. The spoken texts, in Middle French, are delivered with such gusto and panache by Vincent Bouchot that they should engage even listeners who don't understand a word of what is being said. (The CD comes with a gorgeous, lavishly produced book in French that includes no translations.) The performances by the wind ensemble Les Sacqueboutiers and the male vocal group Ensemble Clément Janequin are ebullient and polished. This is rowdy secular music and the performers sound like they are having the time of their lives with its high spirits and occasional loopiness. The music's oddness peaks in the second part of Janequin's chanson, La chasse, in its depiction of a pack of dogs, barking, howling, and yelping. The music itself is riotously unconventional -- Janequin obviously had a wicked sense of humor -- and the singers' very free rendering of the hounds' gnof, gnof, tronc, tronc, plif, plof is hilarious. The sound is immaculate and detailed. © TiVo