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Brahms: Complete Liebeslieder Walzer, Op. 52 & 65, Hungarian Dances

Rias Kammerchor

Choral Music (Choirs) - Released November 4, 2022 | harmonia mundi

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In these love songs in waltz style for chorus or solo voices accompanied by piano four hands, Brahms freely indulged his taste for Viennese folk music. The RIAS-Kammerchor instils a wonderful inner life in these musical landscapes, sometimes cheerful, sometimes melancholy, punctuated here by a selection from the Hungarian Dances – also eminently popular in their inspiration. © harmonia mundi
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Lieder (Beethoven, Brahms, Schubert, Schumann...)

Fritz Wunderlich

Lieder (German) - Released September 14, 2018 | SWR Classic

Booklet Distinctions Diapason d'or
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Johannes Brahms: Sonatas & Liebeslieder for Cello and Piano

Emmanuelle Bertrand

Chamber Music - Released July 23, 2021 | harmonia mundi

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Emmanuelle Bertrand and Pascal Amoyel celebrate their twenty years together as a cello and piano duet. It is hardly surprising that they chose to mark this anniversary with the music of Brahms, a composer who has been a constant on their beautiful journey together: beyond his two ultra-romantic sonatas, they take the listeners to an even deeper emotional realm, that of his lieder, splendidly “sung” here by the cello! © harmonia mundi
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Brahms: Cello Sonatas & Songs

Antônio Meneses

Chamber Music - Released June 3, 2022 | Avie Records

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In 2022, legendary cellist Antonio Meneses celebrates his 65th birthday and the 40th anniversary of winning first prize and the gold medal at the 1982 Tchaikovsky Competition. Shortly after that triumph Antonio made a renowned recording of Brahms’ Double Concerto with conductor Herbert von Karajan. He revisits the composer’s music on his eleventh recording for AVIE Records and his first of Brahms’ two Cello Sonatas, generously paired with a selection of lieder arrangements. Antonio mines Brahms’ baritonal sound world, extracting the full expressive range of the cello. Similar qualities infuse a selection of seven Lieder in arrangements that sound so effective on the cello that one cannot help but wonder whether somewhere in the back of his mind Brahms had the sound of the instrument – he was, after all, an accomplished player in his youth, and it would remain central to his chamber music output throughout his life. © AVIE Records
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Brahms: Violin Concerto & Songs

Emmanuel Tjeknavorian

Classical - Released September 24, 2021 | Berlin Classics

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Brahms: Lieder

Bernarda Fink

Art Songs, Mélodies & Lieder - Released November 6, 2007 | harmonia mundi

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Johannes Brahms: Liebeslieder Walzers Op. 52a for piano four hands

Duo Ping Ting

Classical - Released March 9, 2017 | Duo Ping Ting

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Mein Traum. Schubert, Weber, Schumann

Pygmalion

Opera - Released October 7, 2022 | harmonia mundi

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One morning in 1822, Schubert wrote down an enigmatic text in which all his ghosts seem to take shape: wandering, solitude, consolation, disappointed love. Inspired by this dreamlike narrative, Raphaël Pichon, Pygmalion and Stéphane Degout have devised a vast Romantic fresco, combining resurrection of unknown treasures with rediscovery of established masterpieces. © harmonia mundi
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Mendelssohn: Elijah, Op. 70, MWV A 25

Bayerisches Staatsorchester

Classical - Released September 15, 2023 | Bayerische Staatsoper Recordings

Hi-Res Booklet Distinctions Choc de Classica
The labels lately established by performing organizations have mostly been devoted to new releases, but there is a lot to be said for using them to resurrect historical performances and recordings. These tend to be ones that have hung in people's memories for years, well after newer recordings have become available. There couldn't be a better example than this, the first historical release from the Bayerische Staatsoper Recordings label. It reproduces a 1984 live performance of Mendelssohn's Elijah, Op. 70 (as Elias, in the original German) from the Nationaltheater München, with the Bayerisches Staatsorchester conducted by Wolfgang Sawallisch and the Chor des städtischen Musikvereins zu Düsseldorf. (The latter got involved because the Bayerischer Staatsopernchor was unavailable, but the choir acquits itself very well, unsurprisingly inasmuch as Mendelssohn himself was one of its former directors.) Sawallisch was noted for his way with Mendelssohn, to which he brought a noble Germanic tinge that makes a nice contrast with the usual English performances. He never did better than here, and upon hearing that tapes of this performance had been preserved, he is said to have exclaimed, "Thank God they're safe!" The soloists, led by baritone Dietrich Fischer-Dieskau in the title role and tenor Peter Schreier as Obadiah, are superb. Another attraction is the hardbound booklet, delving deep into Mendelssohn's philosophical place in German society (really philosophical -- Hegel and his dialectic come into it). The live sound from 1984 is impressive indeed, with crowd noise kept to an absolute minimum in a superb display of discipline. A wonderful historical reissue that catches the intense drama in Mendelssohn's oratorio.© James Manheim /TiVo
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Brahms: Vier Ernste Gesänge, Op. 121

Marie-Claude Chappuis

Classical - Released May 26, 2023 | Prospero Classical

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Licht in der Nacht

Coline Dutilleul

Classical - Released October 21, 2022 | Fuga Libera

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"What could be more fascinating than the play of light and shadow? To descend into sensual melancholy, to dare to be fragile and to reveal oneself in its depths and inner nuances. I find that one way of illustrating this complexity of the senses is to compare two musical and pictorial schools: French Impressionism and German Expressionism. The colours and timbres employed by these two schools have long fascinated me just as much as the extreme refinement and detail of the paintings and compositions themselves. Each painter and composer explored the depths of the human soul in his or her own manner. This programme of works composed between 1899-1914 that laid the foundations for modern music is intended as a bridge between Expressionism and Impressionism. This parallel does not claim to illustrate their differences but rather to highlight their common points, to reveal the voluptuous and almost decadent sensuality of these two currents as well as their geographical and stylistic contrasts" (Coline Dutilleul) © Fuga Libera
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Brahms: La belle Maguelone

Stéphane Degout

Classical - Released October 6, 2023 | B Records

Hi-Res Booklet Distinctions 4F de Télérama
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Brahms: Complete Songs, Vol. 1

Christoph Prégardien

Vocal Music (Secular and Sacred) - Released December 3, 2021 | Naxos

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At the age of sixty-five, one might have feared for the voice of tenor Christoph Prégardien when he undertook to record all of Johannes Brahms's Lieder. Listening to this first volume, recorded in 2020, these fears have been allayed by a voice that has remained intact and a flawless technique.Christoph Prégardien's programme here spans Brahms' entire life, from the Vier Gesänge, Op. 43 from 1857 to the Fünf Lieder, Op. 105 of 1888. Brahms's popularity as a symphonist and chamber musician, not to mention his piano works, has somewhat overshadowed the three hundred and eighty Lieder, for one, two or four voices, in his catalogue. It is the melodic line that Brahms favours in this intimate art: here, its form is often symmetrical and regular, and always of great beauty.These qualities are particularly evident in Christoph Prégardien's performance, supported by Ulrich Eisenlohr's dreamy piano, with which he converses in perfect harmony. The text is enhanced with great romantic intensity. This is evident from the start of the recording with the famous Mainacht ('May Night'), the splendid Über die Heide ('On the Heath') and the joyous Versunken ('Engulfed') based on a famous poem by Goethe. In fact, all twenty-four Lieder of the four cycles presented here deserve mention, both for the music and for their inspired performance. © François Hudry/Qobuz
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Brahms: Vier ernste Gesänge

Christoph Eschenbach

Art Songs, Mélodies & Lieder - Released May 13, 2016 | harmonia mundi

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Mendelssohn: Die erste Walpurgisnacht - Brahms: Nänie - Schumann: Der Königssohn

Simone Schroder

Classical - Released January 24, 2011 | Farao Classics

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Brahms: Lieder

Bernarda Fink

Classical - Released November 6, 2007 | harmonia mundi

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Brahms: Liebeslieder-Walzer

Edith Mathis

Classical - Released January 1, 1983 | Deutsche Grammophon (DG)

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Brahms Orchestral & Vocal Works

Orquesta y Coro de la Comunidad de Madrid

Classical - Released October 20, 2023 | IBS Classical

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Rheinmädchen (Schubert, Schumann, Brahms, Wagner)

Raphaël Pichon

Vocal Music (Secular and Sacred) - Released March 18, 2016 | harmonia mundi

Hi-Res Booklet Distinctions 5 de Diapason - 4 étoiles Classica - 5 Sterne Fono Forum Klassik