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Lieder (Beethoven, Brahms, Schubert, Schumann...)

Fritz Wunderlich

Lieder (German) - Released September 14, 2018 | SWR Classic

Booklet Distinctions Diapason d'or

Heimat (Schubert, Wolf, Brahms, Reger, Grieg, Britten...)

Benjamin Appl

Art Songs, Mélodies & Lieder - Released March 10, 2017 | Sony Music Classical Local

Booklet Distinctions Gramophone Award - Gramophone Editor's Choice - 5 Sterne Fono Forum Klassik
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Encounter

Igor Levit

Classical - Released September 11, 2020 | Sony Classical

Hi-Res Booklet Distinctions Diapason d'or / Arte
The latest album ‘Encounter’ by the German-Russian pianist is a particularly astonishing one, blending the diverse works of great composers such as Bach, Brahms and Morton Feldman. While the 2020 health crisis, due to the covid19 virus, has caused great anxiety among the general population it has also ignited the imagination of artists and musicians alike. Locked down in his apartment like so many us, the pianist Igor Levitt broadcasted a daily, live performance on his social media, even going as far as playing a 20 hour piece, Vexations by Erik Satie. ‘Encounter’, the product of Levitt’s self-isolation during lockdown, brings together an intelligent and pleasing array of composers. From Bach arranged by Busoni at the Palais de Mari, or the latest work from Morton Feldman for solo piano, to Brahms arranged by Reger, these are intimate connections between composers, as much as they are moments of solidarity at a time or great loneliness and isolation. Levitt’s poignant introspection and devotion to humanity shines throughout his album. © François Hudry/Qobuz
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Schütz: Schwanengesang, Op. 13

La Capella Ducale

Classical - Released October 28, 2023 | CPO

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Schubert: Lieder with Orchestra

Munich Radio Orchestra

Classical - Released October 6, 2023 | BR-Klassik

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One might react to this album with initial annoyance and ask whether it is really necessary to hear orchestrated versions of Schubert's supremely pianistic songs. It may come as a surprise, then, to find that most of these Lieder with Orchestra were arranged by great composers. They include Benjamin Britten, Jacques Offenbach, and Max Reger, who took on the job because, he said, he hated to hear a piano-accompanied song on an orchestral program. Perhaps the most surprising name to find is that of Anton Webern, but his arrangements are not the minimal, pointillistic things one might expect; he wrote these arrangements as a way of studying Schubert's music, and they are quite straightforward. Indeed, it is somewhat difficult to distinguish the arrangers simply by listening to the music; Schubert's melodic lines tend to suggest distinctive solutions. Perhaps Reger's are a bit more lush than the others, although his version of Erlkönig, D. 328, is one of the few numbers here that just doesn't work (there is no way to replicate the percussive quality of the accompaniment). As for the performances as such, Benjamin Appl is clearly an important rising baritone, and he has a wonderful natural quality in Schubert. An oddball release like this might seem an unusual choice for a singer in early career, but he contributes his own notes, and he seems to have undertaken the project out of genuine enthusiasm for the material. At the very least, he has brought some intriguing pieces out of the archives and given them highly listenable performances. The Munich Radio Orchestra, under the young Oscar Jockel, is suitably restrained and keeps out of Appl's way. This release made classical best-seller lists in the autumn of 2023.© James Manheim /TiVo
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Schubert : Lieder, Schöne Müllerin, Winterreise...

Dietrich Fischer-Dieskau

Classical - Released January 1, 2005 | Deutsche Grammophon (DG)

Booklet Distinctions Diapason d'or - 4F de Télérama - Choc de Classica
This collection of all of Schubert's songs for low voice is one of the landmark recordings of the 20th century because it features two of the greatest Schubertians of their era, baritone Dietrich Fischer-Dieskau and pianist Gerald Moore. The recordings, made by Deutsche Grammophon between 1966 and 1972, come from Fischer-Dieskau's prime, when he was in his early to mid-thirties, his voice fully mature and its youthful bloom gloriously resplendent. He brought an acute, probing intelligence to everything he performed, as well as a penetrating, unmannered musicality, and those qualities are everywhere apparent in his Schubert lieder. Moore was primarily known as an accompanist, and in that role he was perhaps unsurpassed, but his contribution to the music is no way secondary. His playing has interpretive distinctiveness as well as the instinctive musicality of a performer deeply immersed in Schubert's sound world. The singer and pianist made multiple recordings of many of these songs and while aficionados may prefer a version of a song or cycle other than the one offered here, the version here is never less than superb.The set, which includes 463 songs on 21 discs, should be of utmost interest to any fans of the singer and pianist, and to anyone who loves Schubert, and to anyone who loves collaborative music-making of the highest order. The value of the limited edition set released in celebration of the singer's 85th birthday makes it a terrific bargain. The remastering is mostly exemplary and the sound is immaculate, warm, and present. There are a few technical glitches, like a slight click and skip in the introduction to "Wasserflut," but overall the sound is first-class. The balance is just about ideal; it's easy to shut one's eyes and imagine the performers there in the same room. Very highly recommended.© TiVo
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The Complete Recitals on Warner Classics

Christa Ludwig

Classical - Released March 9, 2018 | Warner Classics

Hi-Res Booklet Distinctions Diapason d'or
This eleven hour box set marks the 90th birthday of German mezzo-soprano Christa Ludwig, whose phenomenal career, which ran from 1950 to 1990, still inspires admiration in her colleagues (of course) and a growing number of music fans. She has collaborated with the greatest musicians of her age, most notably Herbert von Karajan, Leonard Bernstein and Otto Klemperer. She also shone in the genre of the Lied, with a brilliance comparable to Elisabeth Schwarzkopf's or Dietrich Fischer-Dieskau's – and of course she regularly performed with both – and these recordings with Gerald Moore and Geoffrey Parsons bear witness to her talents. A note on the brand-new releases that form part of this edition: some performances are published here for the first time*: these are Lieder with orchestra by Alban Berg (tracks 144 to 146), Max Reger (track 137) and Richard Wagner (track 124) as well as Lieder with piano by Hugo Wolf (track 14), Franz Schubert (tracks 15 and 16, 62 to 66) and Stille Nacht (track 89), which were left aside when they were first recorded, either because of the limits of the 33rpm format, or just because of a decision by the artistic director. This collection also sees some pieces re-published for the first time since their release on LP, such as the piece by Gluck (track 88), several of Brahms' Lieder (tracks 15 to 19, tracks 104 and 107). The recital of Brahms which Christa Ludwig would record alongside Walter Berry appears here in its entirety for the first time since it was first released (from track 67 to track 89, see above). © Qobuz
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Brahms: La belle Maguelone

Stéphane Degout

Classical - Released October 6, 2023 | B Records

Hi-Res Booklet Distinctions 4F de Télérama
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Brahms: Complete Liebeslieder Walzer, Op. 52 & 65, Hungarian Dances

Rias Kammerchor

Choral Music (Choirs) - Released November 4, 2022 | harmonia mundi

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In these love songs in waltz style for chorus or solo voices accompanied by piano four hands, Brahms freely indulged his taste for Viennese folk music. The RIAS-Kammerchor instils a wonderful inner life in these musical landscapes, sometimes cheerful, sometimes melancholy, punctuated here by a selection from the Hungarian Dances – also eminently popular in their inspiration. © harmonia mundi
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Brahms: Lieder

Bernarda Fink

Classical - Released November 6, 2007 | harmonia mundi

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Brahms, Schumann & Mahler: Lieder

Renée Fleming

Classical - Released June 14, 2019 | Decca Music Group Ltd.

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A long break. In the fall of 2018, Renée Fleming sang for Broadway musicals under the BBC Concert Orchestra led by Rob Fisher including the likes of Jerome Kern, Richard Rogers, Andrew Lloyd Webber, Stephen Sondheim, and some lesser-known names. A little unexpected yet welcome, with this new work, the American soprano returns to a more traditional repertoire. To be precise, she puts forward a very beautiful selection of Brahms’ Lieder, the entirety of Schumann’s Fraueliebe und -Leben Op. 42, and finally Mahler’s Rückert-Lieder in an orchestral interpretation led by Christian Thielemann with the Münchner Philharmoniker. Today, Renée Fleming’s tone is perfectly crepuscular, autumnal and suitable for these Lieders filled with melancholy. Harmut Höll’s accompaniments are beautiful (especially in Brahms), and the direction of Thielemann is often poetic
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Selige Stunde

Jonas Kaufmann

Classical - Released September 4, 2020 | Sony Classical

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Although Covid-19 has forced many musicians to cancel their concerts and recordings in 2020, it has also sparked creativity and allowed people to enjoy calmer moments – something that’s rare when you have a busy career. Jonas Kaufmann did not waste his time during lockdown, recording several Lieder albums with his accomplice, the pianist Helmut Deutsch.“Selige Stunde” (“Blessed Hours!”) is the first fruit of his quarantine which brings together a selection of Lieder from Mozart to Mahler, including Schubert, Mendelssohn, Grieg, Strauss, Brahms, Wolf, Schumann and extremely rare gems such as Ännchen von Tharau by Friedrich Silcher or the unusual In mir klingt ein Lied composed by Alois Melichar on the Etude, Op. 10 No. 3 by Chopin.Time and intensive use have gradually tarnished Jonas Kaufmann's voice and his timbre has darkened without compromising any of its expression or exceptional range. With quarantine making it impossible to use a recording studio, the two friends recorded this album in a private home with as few people as possible. It’s a “blessing in disguise” for Jonas Kaufmann and Helmut Deustch, who were able to find the tone of a private concert in the intimacy of a living room for this recording. © François Hudry/Qobuz
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But I Like to Sing...

Carolyn Sampson

Classical - Released November 3, 2023 | BIS

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The curious title of this album, the 100th by the wonderful soprano Carolyn Sampson, comes from Leonard Bernstein's I Hate Music, one of the Five Kid Songs he wrote in 1943; the but I like to sing ... album title is the consequent to the song's title. Sampson perfectly catches the wit of this song, which is certainly not only for children, and she is among the few non-American singers who can do a persuasive American accent with a full retroflex "r." Sampson indicates that while the program is not autobiographical, "it is personal, and I've chosen [the songs] because they reflect some of the ways in which music heightens our emotions, eases our pain, deepens our love." She goes on to say that these powers of music are especially needed at the current troubled historical juncture. All of this may be quite true, yet after hearing the album, one may think that it has a second purpose. Among all the beautiful voices on the scene in 2023, no other is as versatile as Sampson's. Bernstein is just the beginning. The program ranges from German to French to English, from chestnuts (Gounod's Ave Maria) to quite rare items (the 12 Chants de Bilitis by Rita Strohl, a fascinating comparison with Debussy's settings), from humorous to philosophical, from Schubert to the late Kaija Saariaho. It all hangs together miraculously, leaving the listener with the impression that Sampson is indeed in touch with deeper currents. This is indeed a joyous and fitting summation of the career to date of one of today's great sopranos, with much more to come.© James Manheim /TiVo
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Richard Strauss : Lieder avec orchestre

Diana Damrau

Classical - Released January 17, 2011 | Warner Classics

Booklet Distinctions Diapason d'or - Diamant d'Opéra - Choc de Classica - Choc Classica de l'année
In her fourth solo recital on Virgin Classics, German coloratura Diana Damrau turns to Richard Strauss' orchestral songs, featuring a generous selection that includes about half of his output for voice and orchestra. Damrau's extensive experience as an interpreter of the composer's operas is evident in this exceptionally attractive album. That deep familiarity combined with an impeccable technique; the warm, velvety sheen of her voice; and the nuance, insight, and personality of her interpretations make her an outstanding Strauss singer, one who may well join the ranks of the most distinguished. The various demands of the songs recorded here demonstrate the extent of Damrau's versatility. She commands the expansive lyricism and the ability to sustain soaring legato lines that make her ideal for the ecstatic serenity of songs like "Heimkehr," Waldseligkeit," and "An die Nacht." Her coloratura background makes her equally at ease in the florid virtuosity required for songs like "Amor" and "Ich wollt ein Sträusslein binden." Only in "Allerseelen" (which was orchestrated not by Strauss but Robert Heger) does she sound like she is straining against the orchestra. The recital includes all six songs of the Brentano-Lieder, infrequently performed as a set because they are so varied in their demands on the singer, but Damrau handles them with absolute assurance. The vocal intensity and the emotional depth and range she brings to the final song, "Lied der Frauen," make it especially impressive, bringing the album to a cathartic close. The many satisfactions of the album make the listener eager to hear Damrau in the Four Last Songs, in which she ought to be spectacular. It's gratifying to have such distinguished accompaniment provided by the Münchner Philharmoniker led by Christian Thielemann; the conductor and orchestra sound like they have this music in their blood and are in every way a worthy match for Damrau. The sound is clean, well defined, and nicely present.© TiVo
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Silent Dreams

Harriet Krijgh

Classical - Released October 1, 2021 | Universal Music, a division of Universal International Music BV

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Lieder von Richard Wagner, Vasyl Barvinsky und Richard Strauss (Seel an Seele)

Georg Streuber

Classical - Released February 23, 2024 | Auris subtilis

La crème de la crème: La musique classique

London Symphony Orchestra

Classical - Released November 18, 2014 | Naxos Special Projects - France

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Schubert: Die schöne Müllerin, Op. 25, D. 795 (Live)

Ian Bostridge

Classical - Released November 6, 2020 | PentaTone

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Ian Bostridge continues his new exploration of Schubert song cycles with a recording of Die schöne Müllerin, together with pianist Saskia Giorgini. Die schöne Müllerin (1823) was Schubert’s first song cycle, and simultaneously Bostridge’s first extended introduction to the Lied and all its wonders. Schubert initially conceived the cycle together with poet Wilhelm Müller as a party game among friends, but gradually got captivated by the profundity of this apparently naïve love story. Bostridge is equally fascinated by the way in which this playful, folk-inspired piece gradually transforms into a cosmic lullaby in the final lines of the last song ‘des Baches Wiegenlied’. For pianist Giorgini, the key to - but also the greatest challenge of - interpreting Schubert’s music, and particularly Die schöne Müllerin, lies in the oceanic experience and hypnotic power of repetition. © Pentatone
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Brahms: Lieder

Bernarda Fink

Art Songs, Mélodies & Lieder - Released November 6, 2007 | harmonia mundi

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Schubert: Lieder (Orch. by Max Reger & Anton Webern)

Christian Elsner

Classical - Released October 1, 2015 | PentaTone

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