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Bach : Contemplation

Anne Queffélec

Classical - Released January 8, 2009 | Mirare

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J'écoute Bach et Haendel avec ma maman

Anne Queffélec

Classical - Released December 3, 2012 | Mirare

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C.P.E Bach: Concerto pour piano, cordes et basse continue en ré mineur

Christian Zacharias

Miscellaneous - Released April 17, 2020 | XXI Music

Carl Philipp Emanuel Bach was admired and often cited as an example by Haydyn, Mozart and Beethoven, but just like these three musicians he too struggled to find an audience for his music. As one of Johann Sebastian’s sons, he was a custodian of his father’s rather daunting legacy. The composer dates back to the beginning of the classical area but his music already seemed to show hints of romanticism. The very essence of his music and his originality has been considered as a “theatre of the soul” (Gilles Cantagrel) – the emotional staging of the music interspersed with surprises and sudden modulations, fiercely dynamic oppositions and silences sometimes heavy with anguish. Like all the artists of his time, Carl Philipp was a prolific composer and wrote nearly fifty concertos for the harpsichord, which was his favourite instrument, along with the clavichord on which he took great pleasure in improvising for hours at a time. Christian Zacharias is familiar with the composer and has already devoted several recordings to his work. For this concert in November 2019 with the Auvergne National Orchestra, who he conducts from behind his own instrument, he selected the Concerto in D minor, Wq. 23, H. 427. It is a piece which illustrates the innovativeness of Carl Philipp Emanuel Bach’s style perfectly, particularly in the Poco Andante, whose expressive effusion prefigures Mozart’s greatest concertos. The extraordinary Rondo in C minor with its harmonic instability is featured as an encore and takes us to right to the edge of the abyss before leaving us there with its question-like inconclusive ending. A musical style that seemingly initiates and embodies the “Age of Sensibility” to which Hadyn and Mozart later greatly contributed. © François Hudry/Qobuz
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Bach Up

Dimitri Naïditch

Jazz - Released November 15, 2019 | Dinaï Records

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Pyp LIVE

Pierre-Yves Plat

Jazz - Released March 26, 2017 | PIERRE-YVES PLAT

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Guitares romantiques

Duo Odelia

Classical - Released June 9, 2023 | Duo Odélia

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La Folle Journée 2016 - La Nature

Orchestre d'Auvergne

Classical - Released January 22, 2016 | Mirare

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Brahms: Piano Concerto No.2, 3 Hungarian Dances

Boris Berezovsky

Concertos - Released January 18, 2011 | Mirare

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Poulenc : Pièces pour Piano

Alexandre Tharaud

Classical - Released October 15, 1996 | Arion

Distinctions Diapason d'or de l'année - Diapason d'or - Grand Prix de l'Académie Charles Cros
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Les Visiteurs: Ils ne sont pas nés d'hier ! (Bande originale du film)

Eric Lévi

Film Soundtracks - Released August 20, 1993 | Gaumont

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Charpentier : Méditations pour le Carême

Ensemble Les Surprises

Classical - Released September 25, 2020 | Ambronay Éditions

Booklet Distinctions 4F de Télérama
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Fauré: Intégrale de l’oeuvre pour piano, Vol 3

Jean-Claude Pennetier

Solo Piano - Released October 1, 2015 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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Debussy: Estampes, Pour le piano, Piano Works

Alain Planès

Classical - Released February 22, 2007 | harmonia mundi

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Rameau & Couperin: Pièces pour clavier

Clément Lefebvre

Classical - Released May 18, 2018 | Evidence (LTR)

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For his first record, the young French pianist Clément Lefebvre has selected Couperin and Rameau, whom he presents here in the very original form of an expressive journey through a single day, from morning to night. On the way, Lefebvre moves from one composer to another and playing on their suggestive titles, he underlines what unites and divides them with a subtle intelligence. Clément Lefebvre showed a keen interest in music from a young age. He started playing piano at the age of four, before discovering percussion. After studies and winning prizes in these two instruments at the Conservatoire de Lille, he decided to concentrate fully on the piano. Hortense Cartier-Bresson taught him at the Conservatoire de Boulogne-Billancourt and prepared him for the entrance competition for the Conservatoire de Paris (CNSMD). Clément Lefebvre entered the prestigious institution in 2010 and learned with Roger Muraro, Isabelle Dubuis, Claire Désert, Pierre-Laurent Aimard, and Alain Planès. He also received masterclasses from Philippe Bianconi, Xu Zhong, Michael Lewin, Christian Ivaldi, Emmanuel Strosser as well as from members of the Wanderer Trio. Clément Lefebvre won the First Prize and the Audience Prize at the 2016 James Mottram international piano competition in Manchester. A soloist, he also enjoys chamber music, whether with the Alban Berg Piano Quartet which he founded with a few friends, or as part of a duet with pianist Alexandre Leroy. © François Hudry/Qobuz
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Fauré: Intégrale de l'œuvre pour piano, Vol. 4

Jean-Claude Pennetier

Classical - Released May 25, 2018 | Mirare

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Brahms: Liebeslieder, Walzer & Dix Danses Hongroises pour piano à quatre mains

Brigitte Engerer

Classical - Released September 6, 2011 | Mirare

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Le Grand Orgue de Saint Eustache

Jean Guillou

Classical - Released January 1, 1989 | Dorian

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Passions de l'âme et du cœur

Ricercar Consort

Classical - Released January 12, 2015 | Mirare

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