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David & Jonathas

Gaétan Jarry

Classical - Released June 9, 2023 | Château de Versailles Spectacles

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Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2

Leonard Bernstein

Classical - Released December 22, 2017 | Sony Classical

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Spatial Audio - The 3D Orchestral Collection

Orchestre Philharmonique De Strasbourg

Classical - Released October 15, 2021 | Warner Classics

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Offenbach: Le voyage dans la lune

Pierre Dumoussaud

Classical - Released May 27, 2022 | Bru Zane

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Jules Verne was the inspiration for Offenbach’s opéra-féerie, premiered in 1875. The Parisian craze for this type of musical extravaganza stemmed from its impressive stage effects: for Le Voyage dans la Lune, two ballets and some twenty sets took the audience from the Earth to the Moon, successively recreating the Paris Observatory, a working blast furnace and the crater of an erupting volcano. The piece is studded with zany characters and imaginary places: a lunar landscape, a glass palace, mother-of-pearl galleries, etc. The producers even borrowed a dromedary and an ostrich from the zoo at the Jardin d’Acclimatation! To accompany this theatrical display, Offenbach composed a series of colourful, picturesque hit numbers, wittily and energetically performed here by a team of enthusiastic soloists. The Chœur et Orchestre National Montpellier Occitanie are placed under the subtle and precise direction of Pierre Dumoussaud. © Bru Zane
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Carmen - L'Arlésienne

Marc Minkowski

Classical - Released March 17, 2008 | naïve classique

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Bizet: Carmen Suites and L' Arlésienne Suites

Georges Bizet

Classical - Released October 28, 2013 | Past Classics

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Les plus célèbres chants d'église, Vol. 2

Ensemble Vocal l'Alliance

Sacred Vocal Music - Released March 3, 1998 | ADF Musique

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The Musical Universe of Andreas Pevernage

Utopia Ensemble

Classical - Released September 3, 2021 | Ramée

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Andreas Pevernage (1542/3–1591) is best remembered today as the choirmaster of Antwerp Cathedral and as the composer of several picture motets that are now classified as masterpieces of Flemish culture. Whilst Pevernage spent his entire professional career in Flanders, which may well have contributed to his music being less well known today, he was nonetheless considered as the equal of Orlandus Lassus, Clemens non Papa and Giaches de Wert during his lifetime: the quality of his music is in no wise inferior to the works of his more famous contemporaries. Pevernage adopted the innovations of the Italian madrigal and also breathed new life into the chansons of the Low Countries. This selection of works, mostly for five parts, is an invitation to discover his stylistic and creative diversity. © Ramée
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Célèbres chants d'église pour la liturgie, Vol. 2

Ensemble Vocal l'Alliance

Gospel - Released March 1, 2002 | ADF Musique

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Bizet: Carmen Suite No. 1 & No. 2; L'Arlésienne Suite No. 1 & No. 2

Orchestre Lamoureux

Classical - Released January 1, 1960 | Universal Music Australia Pty. Ltd.

Chansons d'amour

Jean Ferrat

French Music - Released February 6, 2023 | UME - Global Clearing House

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Bizet: Carmen Suites 1 & 2; L'Arlésienne Suites 1 & 2

Orchestre Symphonique de Montréal

Classical - Released January 1, 1988 | Decca Music Group Ltd.

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Chants soufis arabo-andalous (Arabo-Andalusian Sufi Songs)

Ensemble Ibn'Arabi

French Music - Released June 1, 2003 | Long Distance

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Ysaÿe : Neiges d'antan

Jean-Jacques Kantorow

Concertos - Released May 20, 2016 | Musique en Wallonie

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Charles Koechlin : Œuvres pour ensembles

Ensemble Initium, Ensemble Contraste

Chamber Music - Released August 28, 2012 | Timpani

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Bizet: Carmen Suites, Symphonie en Ut & Chants du Rhin (Les indispensables de Diapason)

Igor Markevitch

Classical - Released June 15, 2022 | Les Indispensables de Diapason

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Impressions d'enfance

Ensemble Raro

Chamber Music - Released May 20, 2022 | Solo Musica

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"Impressions d’enfance", Ensemble Raro’s and Gilles Apap’s new recording, is dedicated to chamber music works of George Enescu. Piano Quintet in D is one of his earliest compositions. Written in 1896 at the age of fifteen during his studies at the Paris Conservatoire, it is certainly inspired by Brahms’ chamber works. Enescu himself confessed about Brahms’ enormous influence on his development: “the God of my youthful adoration is Brahms and I wrote my early works in the style of the immortal Johannes in an almost flagrant way”. The Quintet was premiered in 1897, in Enescu’s first recital of his own works in Paris at the age of sixteen; Massenet and Cortot were in the audience. The two charming works for piano and string trio, Aubade and Sérénade lointaine, illustrate the point that Enescu’s beloved teacher Gabriel Fauré expressed very beautifully: “the greatest technical ability is not worth anything without poetry”. Even in the cleverly constructed short piece Hommage for piano, which is based on a motive representing the letters of Fauré’s name, the poetic, dreamy quality prevails. Enescu’s late masterpiece Impressions d’enfance takes us back to the very first occasion when three year old George heard a street fiddler for the very first time. Impressions is an evocation of a childhood through a sequence of dreams, memories, imperceptible sensations and sounds. It results in one of Enescu’s most glorious climaxes where the old fiddler’s tune merges with cosmic piano harmony and the the noble, healing force of music triumphs over all. In Enescu’s own words: a man always “carries the music in himself. In the loneliness of the mountains and plains, it is his comrade; it calms his fears, it helps him sing his dor, that inexpressible nostalgia that breaks his soul”. © solo musica