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Don't Fear The Reaper: The Best of Blue Öyster Cult

Blue Öyster Cult

Rock - Released September 8, 1999 | Columbia - Legacy

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Don't Fear The Reaper: The Best Of Blue Öyster Cult

Blue Öyster Cult

Rock - Released September 8, 1999 | Columbia - Legacy

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Hope is a Cult

Solence

Rock - Released February 17, 2023 | Hopeless Records

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Playlist: The Very Best Of Lisa Lisa & Cult Jam

Lisa Lisa & Cult Jam

Pop/Rock - Released May 28, 2010 | Columbia - Legacy

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Metamorphosis

Cloud Cult

Folk/Americana - Released March 4, 2022 | Earthology Records

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Best Summer Ever

Har Mar Superstar

Alternative & Indie - Released April 15, 2016 | Cult Records

Released on Strokes singer Julian Casablancas' Cult Records, Har Mar Superstar's sixth studio album, 2016's Best Summer Ever, is one of his most stylistically diverse albums yet. This is due, at least in part, to Har Mar Superstar -- aka Sean Tillmann -- conceptualizing the album as a "compilation" showcasing his best tracks from 1950 to 1985. While listeners needn't dwell too long on the conceptual conceit, there are certainly more than a few impressive attempts at vintage-sounding recording. Tillmann nails the late-'50s organ and echo chamber-drenched balladry of artists like Sam Cooke on "How Did I Get Through the Day?" He also dives headlong into the fuzz-toned muscularity of '80s Glenn Danzig on the propulsive "Famous Last Words." He also goes full '70s Giorgio Moroder, replete with gratuitous sax solo, on the disco-ready "It Was Only Dancing (Sex)."Primarily, however, Tillmann sticks to what he's done best in the past as Har Mar Superstar, pumping out anthemic '70s and '80s-style pop and R&B. It's a distinctive sound that Casablancas also evinced on his 2009 debut, Phrazes for the Young. So it makes perfect sense that one of the best tracks on Best Summer Ever is Tillmann's exuberant, soulful take on the Casablancas original "Youth Without Love." The stylistic preference holds true even as he digs into an earnest rendition of Bobby Charles' mid-'60s ballad "I Hope." Synthy and effusive, the track has less in common with the earthy traditional country of Charles' original and more with the post-new wave, synth-based power rock of '80s artists like Lou Gramm and John Waite. While there is often an inherent tongue-in-cheek quality to Best Summer Ever, Tillmann never fails to take the music seriously. Even when he underlines the irony, as he does on the spoken word outro to "Haircut," you can't help but leave impressed by his highly resonant vocal chops and dedication to the process. Ultimately, with Best Summer Ever, Tillmann has made an album that works as both a time-traveling pop odyssey and a superb fake compilation.© Matt Collar /TiVo
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Radios Appear: The Best of the Broadcasts

Blue Öyster Cult

Rock - Released November 6, 2012 | Columbia - Legacy

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Best of Rare Cult

The Cult

Alternative & Indie - Released October 21, 2000 | Beggars Banquet

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The Very Best Of (Re-Recorded / Remastered Versions)

Lisa Lisa & Cult Jam

Soul - Released May 1, 2010 | Goldenlane Records

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The Best Of… (Cult-Recordings by OBH)

Various Artists - OBH Musikverlag

Latin - Released December 20, 2005 | OBH (OBH Musikverlag)

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The Very Best Of Modern Cult TV Themes

TV Themes

Film Soundtracks - Released January 8, 2016 | Burning Girl Productions

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The Best Of Cult 45 Records

Various Artists

Pop - Released March 1, 2010 | Cult 45

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Best Of SUB CULT Special Series EP02

Various Artists

Techno - Released June 15, 2020 | SUB CULT

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The Best Secret You'll Never Keep

Pleasure Cult

Rock - Released October 26, 2022 | Pleasurexcult

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Best of Pop

Eli and the Sound Cult

Pop - Released October 1, 2013 | Middleman Records

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Next Best Mixtape, Vol. 1

Various Artists

Experimental - Released June 18, 2021 | Cult of Clarity

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Cult of Iinnil (Best of Lugosi Smile)

Lugosi Smile

Rock - Released August 7, 2017 | 704294 Records DK

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you are the Best

Massacre Party

Alternative & Indie - Released November 25, 2021 | Euromax

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Oxy Music

Alex Cameron

Alternative & Indie - Released March 11, 2022 | Secretly Canadian

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"The album is a story, a work of fiction, mostly from the perspective of a man, starved of meaningful purpose, confused about the state of the world, and in dire need of a reason to live - a person can, and according to the latest statistics, increasingly will, turn to opioids. This is one of those people," says Alex Cameron. In his third full-length album, the Sydney-born musician continues his fictional work, through a character who talks about current narcotic tendencies and the hollowness of social networks. The album’s title is a clever play on the words Roxy Music and oxy–a short form of the powerful painkiller OxyContin–and is the perfect metaphor for his glam soundtrack with a trash undercurrent. Despite the heavy nature of the subject matter, Cameron dresses it up in his usual humour, flare and energy. His sound is somewhere between the synthetic 80s and cheesy pop, but it’s still oh-so-charming because it's well polished and never cumbersome. Roy Molloy plays his sexy sax (Hold the Line), there’s incredible keyboards, and Alex Cameron is in top form like always. Lloyd Vines is a guest rapper on the R’n’B track Cancel Culture, which stands out in the Australian’s repertoire, and Jason Williamson from Sleaford Mods performs a spoken-word for the album’s super-charged pop finale. This release proves that this showman is always full of surprises. © Charlotte Saintoin/Qobuz
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We The People Of The Soil

The Inspector Cluzo

Rock - Released May 4, 2018 | Universal Music Division Virgin Music Distribution Deal

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