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Results 1 to 20 out of a total of 4354
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Beethoven Symphonies

Emmanuel Krivine

Symphonic Music - Released March 21, 2011 | naïve

Booklet Distinctions Gramophone Editor's Choice
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37ème Festival International de Piano de La Roque d'Anthéron

Iddo Bar-Shaï

Classical - Released July 14, 2017 | Mirare

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Beethoven, Britten & Barber

Liya Petrova

Duets - Released January 31, 2020 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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Beethoven: Egmont, Op. 84: I. Ouverture. Sostenuto, ma non troppo - Allegro - Allegro con brio

Armin Jordan

Miscellaneous - Released March 15, 2024 | NEW WORLD CLASSIC (LC 95656)

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Egmont, Op. 84: Ouverture

Christopher Williams

Classical - Released September 30, 2021 | Eternal Classics

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Beethoven: Symphony No. 9, Op. 125 "Choral" & Incidental Music to Egmont, Op. 84

Otto Klemperer

Classical - Released June 9, 2023 | Warner Classics

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Beethoven: Triple Concerto

Sol Gabetta

Classical - Released September 11, 2015 | Sony Classical

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The three soloists in the Beethoven Triple Conecerto in C major, Op. 56, are all attractive players in their own right, and they display lively, agile ensemble work here. Cellist Sol Gabetta in particular, emerging as a major star on her instrument, brings a lightness and clarity to the melodies of this work that is so often laden down with more weight than it can bear. (The work looks back to Beethoven's first period more than forward to the Violin Concerto in D major, Op. 61.) But the real star is conductor Giovanni Antonini, leading the Basel Chamber Orchestra, who keeps the music moving along and brings it the transparency it so often lacks. The three overtures that bracket the Triple Concerto are much more than filler; Antonini brings an urgent trajectory to the Egmont Overture, Op. 84 (sample track 5), especially, with tempo shifts and razor-sharp instrumental turning points that perhaps take the piece away from the monumental tone of the Goethe play to which it is attached, but sound like no other version you've heard. If there's any complaint, it's that the Egmont Overture would have made a better conclusion than the Coriolan Overture, Op. 62, which is also well done but is a less self-contained piece. Impressive, even essential Beethoven that has absorbed the lessons of the historical-performance movement.© TiVo
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Les Visiteurs: Ils ne sont pas nés d'hier ! (Bande originale du film)

Eric Lévi

Film Soundtracks - Released August 20, 1993 | Gaumont

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Saint Saëns: Trios pour piano

Trio Wanderer

Classical - Released May 26, 2005 | harmonia mundi

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Fauré: Intégrale de l’oeuvre pour piano, Vol 3

Jean-Claude Pennetier

Solo Piano - Released October 1, 2015 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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Chopin: 26 Préludes - Scriabine: Sonate Op. 19 No. 2

Beatrice Rana

Classical - Released September 2, 2012 | ATMA Classique

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Frederic Chopin : Valses (Intégrale)

Alexandre Tharaud

Classical - Released April 21, 2006 | harmonia mundi

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Fauré: Intégrale de l'œuvre pour piano, Vol. 4

Jean-Claude Pennetier

Classical - Released May 25, 2018 | Mirare

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Alexander Scriabin : Intégrale des Etudes pour piano

Andrei Korobeinikov

Solo Piano - Released October 6, 2014 | Mirare

Hi-Res Booklet Distinctions 4 étoiles Classica
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Gabriel Fauré : Piano Works

Michel Dalberto

Classical - Released April 14, 2017 | Aparté

Hi-Res Booklet Distinctions Diapason d'or - 4F de Télérama - 4 étoiles Classica
Disciple of Vlado Perlemuter and Jean Hubeau, Michel Dalberto has stood out as a master and ardent defender of French music in the course of a forty-year career. His signature for the Aparté label of a series of recordings devoted to Debussy, Fauré, Ravel, and Franck marks his awaited return to discs. Each episode will be recorded live and accompanied by a video. This second release, recorded on a Bechstein piano at the Conservatoire d’Art Dramatique-Paris on 7 January 2017, honours Gabriel Fauré.
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Beethoven: Egmont, Op. 84 (Live)

Robert Hunger-Bühler

Classical - Released August 9, 2019 | Ondine

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Beethoven was really following his heart when he chose to set Goethe's dramas to music. The work is a dream of a utopia of a free humanity; a dream Beethoven had already held up in his opera Fidelio and that reached its culmination in his Ninth Symphony. Written in 1788, Goethe's piece has the Count of Egmont grappling with a despotic Duke, who represents the Spanish invader in Flanders. Arrested, imprisoned and abandoned, he is condemned to death. But his martyrdom turns out to be a victory against absolutism. For Beethoven, this was a goldmine. With great enthusiasm, he sent his score to the poet... And got no response.We are indebted to Herbert von Karajan for this full version of the stage music with soprano Gundula Janowitz, recorded for the great "Édition Beethoven" to mark the bicentenary of the composer's birth in 1970. This new edition, recorded at a concert in Helsinki, is the first "historically accurate" recording, performed on period instruments. It also includes a narrator, in fact the actor, producer and Swiss-German auteur Robert Hunger-Bühler, a member of the Zurich Schauspielhaus.Revolutionary productions of Monteverdi, Handel and the operas of Koželuch have won widespread respect for the Helsinki Chamber Orchestra. Since 2011, its monthly performances have won a vast, new and enthusiastic audience. A visionary selection of repertoires and guest artists has thrilled the public to a degree never seen before with baroque music in Finland. The guest soloists and conductors include Franco Fagioli, Isabelle Faust, Reinhard Goebel, Werner Güra, Erich Höbarth, René Jacobs, Sophie Karthäuser, Julia Lezhneva, Riccardo Minasi, Enrico Onofri, Valer Sabadus, Carolyn Sampson, Skip Sempé and Dmitry Sinkovsky. © François Hudry/Qobuz
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Hélène de Mongeroult, portrait d'une compositrice visionnaire

Marcia Hadjimarkos

Classical - Released September 20, 2023 | iMD-Seulétoile

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Chopin : De l’enfance à la plénitude

Anne Queffélec

Classical - Released January 21, 2010 | Mirare

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Beethoven: Egmont, Op. 84

Munich Radio Orchestra

Classical - Released September 2, 2022 | BR-Klassik

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In this complete recording, Beethoven's incidental music to Goethe's Egmont, which includes the popular and well-known overture, can be experienced in its entirety. It offers here only Beethoven's music. This album also includes a recording of Beethoven's overture Zur Namensfeier, Op. 115. In September 1809, the Vienna Hofburg Theatre commissioned Ludwig van Beethoven to create new incidental music for Johann Wolfgang von Goethe's Egmont. The music itself makes it clear that this commission was close to Beethoven's heart - it far exceeds the level of incidental music common at that time. That applies not only to the compositional demands but also to the relationship of the music to the drama. © BR-Klassik