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"Heroes"

David Bowie

Rock - Released October 14, 1977 | Parlophone UK

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The Disney Book

Lang Lang

Classical - Released September 16, 2022 | Deutsche Grammophon (DG)

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Walt Disney Records The Legacy Collection: Beauty and the Beast

Various Artists

Film Soundtracks - Released February 9, 2018 | Walt Disney Records

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Native Dancer

Wayne Shorter

Jazz Fusion & Jazz Rock - Released January 1, 1974 | Columbia - Legacy

Some jazz purists would say that Wayne Shorter went downhill in the 1970s, when he passionately embraced electric jazz-fusion and co-led the innovative Weather Report with Joe Zawinul. But remember: Those are the same people who also claim that Miles Davis' stunning Bitches Brew has no value, and that Chick Corea's visionary Return to Forever was a complete waste -- so it's hard to take their opinions seriously. The fact is that the '70s were a highly productive time for Shorter, and it wasn't until the '80s that the tenor and soprano saxophonist really declined creatively. One of Shorter's best-selling albums from the '70s was Native Dancer, a Brazilian-oriented jazz-fusion masterpiece that boasts Herbie Hancock on acoustic piano and electric keyboards, and employs such Brazilian talent as singer Milton Nascimento (a superstar in Brazil) and percussionist Airto Moreira. Everything on this melodic, consistently lyrical effort is a jewel, and that includes Hancock's "Joanna's Theme," as well as pieces by Nascimento ("From the Lonely Afternoons" and "Ponta de Areia") and by Shorter himself ("Ana Maria," "Beauty and the Beast" ). Native Dancer is clearly among Shorter's most essential albums.© Alex Henderson /TiVo
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Angels Fall First

Nightwish

Metal - Released November 1, 1997 | Spinefarm FI

When then tiny independent record label Spinefarm decided to take a chance on a brand new group called Nightwish by releasing a modest 500-unit pressing of their first album, Angels Fall First (originally recorded as a simple demo), little did they know this would quickly evolve into their biggest future cash cow, and one of Finland's most successful bands ever! Believe it: such were the humble origins and expectations for both band and album; despite the already quite advanced songwriting abilities of chief architect, keyboardist, and vocalist Tuomas Holopainen, which adorned melodic power metal with gothic, folk, and classical music elements, then topped them with the budding vocal power of a still baby-faced opera student named Tarja Turunen. Completed by guitarist/bassist Emppu Vuorinen and drummer Jukka Nevalainen, the nascent Nightwish were in fact merely scratching the surface of their commercial potential (and ensuing stardom), at this stage; yet they showed amazing courage and versatility on forceful tracks like "Elvenpath" and "Know Why the Nightingale Sings," the Finnish folk-steeped "The Carpenter," and an early glimpse of their latter-day fascination with musical theater in "Beauty and the Beast." So even though there were still several areas where the precocious bandmembers required additional seasoning (e.g. replacing Holopainen's unsatisfying vocal efforts, leaving folk-metal aspirations for other Finnish bands to exploit, and reigning in occasional lyrical transgressions like those of "Nymphomaniac Fantasia"), Angels Fall First arguably remains the band's most eclectic album (unfocused to its detractors), and, for this very reason, a favorite for many of their fans. And in the greater scheme of things, Nightwish's unexpectedly popular debut easily trumped most of the era's less risk-taking, female-fronted goth-metal bands, and felt like a veritable tornado of fresh air blowing through the Scandinavian extreme metal scene -- hence its success among female consumers.© Eduardo Rivadavia /TiVo
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The Wild Heart

Stevie Nicks

Rock - Released June 10, 1983 | Rhino Atlantic

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The debut solo album from an artist from a world-famous band has a seemingly infinite amount of baked-in excellence.  A true personality finally gets to emerge, as does, even better, the great material that didn't fit into the group setting. The second album, however, has its own weird set of expectations where the artist should show growth and a continuing creative streak, but also comfortable familiarity. Stevie Nicks' 1983 album The Wild Heart managed to do that, just two years after Bella Donna. Although it didn't make quite the same impact as its prdecessor, Bella Donna did firmly establish Nicks as a highly individual artist on her own creative journey. Sonically, it's a clear continuation of Bella Donna's strengths. Sure, Tom Petty shows up again ("I Will Run to You"), and Prince does, too, (playing synths on "Stand Back"), but all ten tracks here are defined by Nicks' energy and essence, making it clear that she was in it for the long haul as a solo artist. © Jason Ferguson/Qobuz
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All the Way...A Decade of Song

Céline Dion

Pop - Released November 12, 1999 | Epic - 550 Music

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Premiere

Lucy Thomas

Musical Theatre - Released February 1, 2019 | Cavendish Records Ltd

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The Public Eye (The Unused Motion Picture Score)

Jerry Goldsmith

Film Soundtracks - Released December 3, 2021 | Back Lot Music

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Beauty and the Beast

Various Artists

Film Soundtracks - Released March 22, 2017 | Walt Disney Records

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The soundtrack to the live action version of the 1991 animated Disney feature mirrors the film in its reimagining of the source material. Beauty and the Beast includes many of the original compositions by Alan Menken and Howard Ashman, like "Be Our Guest" and "Belle," that were so popular in the animated movie. Céline Dion, singer of the original title track, returns on the new composition "How Does a Moment Last Forever," and the film also features a new version of "Beauty and the Beast" sung by Ariana Grande and John Legend. The soundtrack debuted at number three on the Billboard 200 upon release.© Bekki Bemrose /TiVo
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Welcome To The Blackout

David Bowie

Rock - Released April 20, 2018 | Rhino

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After completing Low and Heroes, the first two albums of his Berlin trilogy, David Bowie spent most of 1978 touring the world. During this huge tour, baptised as Isolar II, he sang in front of a million people across 70 concerts in 12 countries! The star was free from his addiction problems which up until then had seen him go on stage only after having ingested astronomical quantities of cocaine… Recorded in April and May 1978 and released in September the same year, the live Stage album showed a Bowie in full transition, struggling with his glam beginnings, his soul music future and his present new wave. First published for the occasion of the Record Store Days in April 2018, Welcome To The Blackout (Live London'78) also captures this period. Recorded at Earls Court in London on June 30th and July 1st 1979 by Tony Visconti, this is a previously unreleased double live album offering more energetic versions than those on stage. The fascinating tracks from Low and Heroes lose some of their eccentricity on stage. And the “old hits” like Rebel Rebel and Ziggy Stardust gain in luxury what they lose in violence, even if on Suffragette City the singer does seem totally possessed. Finally, the lead guitarist Adrian Belew and rhythmic guitarist Carlos Alomar knit together stunning interventions to accompany the Thin White Duke. An unmissable document for Bowie fans. © Marc Zisman/Qobuz
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Stage (2017)

David Bowie

Rock - Released October 29, 1974 | Parlophone UK

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The second of two inessential double live albums David Bowie released in the '70s, 1978's Stage is a different beast than its 1974 predecessor, David Live. That album captured Bowie in a transitional phase, sliding from glam to stylized soul, while Stage was recorded in the thick of his Berlin phase with producer/collaborator Brian Eno, and Stage is an attempt to translate that sleek, angular, arty studio-bound sound to the live arena. This means not only are Low and Heroes given live treatments, but about half of both Ziggy Stardust and Station to Station are given new arrangements here. On these older tunes, the new flair -- the synthesizers and Adrian Belew's tangled, mathematical guitar -- doesn't sound sleek, it sounds chintzy and cheap, not quite fully formed. The newer songs suffer from this, too, and that's because the performances are too direct and the recording is too crisp and clear, removing the dark, foreboding mystery and assuredness that made Low and Heroes thrilling, compelling listens. Consequently, Stage winds up as a curiosity, and not a very interesting one at that.© Stephen Thomas Erlewine /TiVo
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Lofi Minnie: Chill

Disney Lofi

Classical - Released January 20, 2023 | Walt Disney Records

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Disney Goes Classical

Royal Philharmonic Orchestra

Classical - Released October 2, 2020 | Decca (UMO) (Classics)

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On Disney Goes Classical, London's Royal Philharmonic are joined by contemporary artists such as Matteo Bocelli (son of Andrea), the Japanese guitarist Kaori Muraji, and Renée Fleming, the award-winning U.S. soprano. Family favorites are selected here from Disney's traditional feature-length animations, as well as from their popular Pixar output, such as Frozen and Tangled. These alternate arrangements of iconic songs were recorded at Abbey Road. © James Wilkinson /TiVo

Dolce Vita

Chihiro Yamanaka

Jazz - Released August 30, 2023 | UNIVERSAL MUSIC LLC

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Beauty and the Beast: A 30th Celebration

Beauty and the Beast: A 30th Celebration - Cast

Film Soundtracks - Released December 15, 2022 | Walt Disney Records

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Beauty and the Beast

Various Artists

Film Soundtracks - Released October 29, 1991 | Walt Disney Records

This music by Alan Menken and lyrics by Howard Ashman are positively delightful. While not as good as the Little Mermaid score, this album has its moments, such as "Be Our Guest" (in an A Chorus Line style). Including both orchestral and vocal selections, it features the talents of Robby Benson, Paige O'Hara, and Angela Lansbury, among others. The album also includes "Beauty and the Beast" as a duet between Celine Dion and Peabo Bryson.© TiVo

Timeless Sarah Àlainn Best

Sarah Alainn

Classical - Released October 17, 2018 | UNIVERSAL MUSIC LLC

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Philip Glass: Beauty and the Beast

Philip Glass

Classical - Released April 28, 2023 | Orange Mountain Music

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Jazz Loves Disney 2 - A Kind Of Magic

The Amazing Keystone Big Band

Jazz - Released November 10, 2017 | Universal Music Division Decca Records France

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Why change a winning formula? One year after the first volume, here’s a second stroll into the realm of tunes and melodies from Walt Disney’s cartoons. After Gregory Porter, Melody Gardot, China Moses, Hugh Coltman and Stacey Kent, it’s up to Imany, Thomas Dutronc, Bebel Gilberto, Laura Mvula, Jacob Collier, Angelique Kidjo, Madeleine Peyroux, George Benson as well as Jamie Cullum in duo with, incredibly, Eric Cantona to perform jazz covers, with the Amazing Keystone Big Band conducted by David Enhco, of all those songs that have entered the personal heritage of all the (future and former) kids from all over the world. © CM/Qobuz