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Johann Sebastian Bach : Œuvres pour clavier

Christophe Rousset

Classical - Released November 4, 2010 | Aparté

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica - Choc Classica de l'année
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Bach : Contemplation

Anne Queffélec

Classical - Released January 8, 2009 | Mirare

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J'écoute Bach et Haendel avec ma maman

Anne Queffélec

Classical - Released December 3, 2012 | Mirare

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Johann Sebastian Bach: Oeuvres Pour Luth

Claire Antonini

Classical - Released November 19, 2009 | Galileo Music Communication

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Play Bach N. 1

Jacques Loussier

Jazz - Released January 1, 1959 | Decca

Distinctions The Qobuz Ideal Discography
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Forqueray / Dyphly / Bach

Scott Ross

Chamber Music - Released January 1, 1995 | INA Mémoire vive

Distinctions Diapason d'or - Choc du Monde de la Musique - Recommandé par Classica - 4F de Télérama
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Play Bach N. 2

Jacques Loussier

Jazz - Released January 1, 1960 | Universal Music Division Decca Records France

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Bach: Pérégrinations

Dimitri Malignan

Classical - Released March 25, 2022 | HORTUS

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Emotions prompted by distant and perilous journeys or haunting progressions : from the departure without return of a beloved brother to the chromaticism of an unfinished fugue, from the beginnings of a young musician at the court of the Duke of Weimar to the consecration of the Cantor of Leipzig, Dimitri Malignan invites us to this Peregrination, and to share his encounter with an extraordinary straight-strung piano. © Hortus
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Mes plus belle pages de Bach par Pierre Faraggi

Pierre Faraggi

Classical - Released December 1, 2022 | Récitals Imaginaires

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J.S. Bach: Guitar Music

Luigi Attademo

Classical - Released December 9, 2022 | Brilliant Classics

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Bach: Lute Pieces (Arr. for Ten-String Guitar)

Stephan Schmidt

Classical - Released January 1, 2000 | naïve classique

Jazz Sebastien Bach

The Swingle Singers

Jazz - Released April 1, 1963 | Universal Music Division Decca Records France

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The Swingle Singers' scat vocal jazz swing arrangements of Johann Sebastian Bach classics were among their most popular material, particularly in Europe (where they actually enjoyed some chart success in the U.K.). Accompanied by nothing more than double bass and drums, the octet distributed their vocal parts equally among two sopranos, two altos, two tenors, and two basses, favoring brisk tempos. Occasionally, indeed, they were so brisk they verged on hyperventilation, as on "Prelude No. 1 in C Major" and the version of "Fugue No. 5 in D Major" drawn from "The Well-Tempered Clavier, Book 1." They do slow things down once in a while on numbers like "Aria" (from the composer's "Orchestral Suite No. 3 in D Major") and parts of "Sinfonia," which tend to tilt the mood a little more toward the classical. The album's inventive but a little white bread in its relentlessly wholesome, upbeat tone. Pop fans might hear echoes of the Swingle Singers' work, whether direct or coincidental, in the harmonies of artists like the Association and the Beach Boys, and a U.K. rock group, the Belfast Gypsies, a spinoff of Them, actually based its "Aria of the Fallen Angels" on the Swingle Singers' reading of "Aria" on this album.© TiVo
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Le Clavier bien tempéré (Livre I)

Pierre Hantaï

Chamber Music - Released November 28, 2002 | Mirare

Distinctions 5 de Diapason - Choc du Monde de la Musique - 10 de Répertoire - 4F de Télérama - Joker de Crescendo
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Bach: Suites anglaises

Christophe Rousset

Chamber Music - Released September 26, 2003 | Ambroisie - naïve

Distinctions Diapason d'or
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Bach Up

Dimitri Naïditch

Jazz - Released November 15, 2019 | Dinaï Records

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Bach..to Guitar - Julian Bream, Andrés Segovia, John Williams

John Williams

Classical - Released January 8, 2021 | Musical Concepts

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Ida Presti & Alexandre Lagoya Edition - Complete Philips recordings

Ida Presti

Classical - Released May 31, 2019 | Universal Music Division Decca Records France

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J.S. Bach: Miscellaneous Pieces for Harpsichord

Pieter-Jan Belder

Classical - Released September 28, 2022 | Brilliant Classics

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Over a career spanning more than 30 years, the Dutch harpsichordist and conductor Pieter-Jan Belder has become renowned as a Bach interpreter with his surveys in concert and on record of the keyboard and orchestral masterpieces such as The Well-Tempered Clavier, the Brandenburg Concertos and no fewer than three recordings of the Goldberg Variations. On this album, recorded in 2020 and 2021 on a modern Titus Crijnen copy of a Ruckers model, Pieter-Jan Belder turns to the overlooked corners of Bach’s early writing for the harpsichord. These include standalone fugues, fantasias and suites based on themes by contemporary composers such as Reincken and Albinoni. Nevertheless, there is no sense of routine or technical exercise about them. The pieces here are almost all extrovert, playing to the strengths of the young Bach as a performer as well as composer, and already demonstrating that confidence which would go on to mark his mature compositions. An appreciation of French flair is discernible in the F minor Suite, BWV 823 and elsewhere, but the dominant influence is the keyboard writing of Girolamo Frescobaldi, whose toccatas and canzonas were studied by Bach from an early age. The better-known pieces here include the sober and songful Aria variata, BWV 989 with its courtly French theme, and the E-flat Prelude, Fugue and Allegro originally written for lute, but which also finds a happy home on the harpsichord. The most famous but also most uncharacteristic piece is the mysterious Capriccio on the departure of a beloved brother which appears to be a work of Bach’s late teenage years, though no definite corroborative proof of its commission or purpose has yet come to light. Rather, it seems unique in Bach’s output as a humorous parody of styles and emotions. © Brilliant Classics