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Le Clavier bien tempéré (Livre I)

Pierre Hantaï

Chamber Music - Released November 28, 2002 | Mirare

Distinctions 5 de Diapason - Choc du Monde de la Musique - 10 de Répertoire - 4F de Télérama - Joker de Crescendo

Jazz Piano French Touch - Petrucciani, Legrand, Loussier,

Jacques Loussier

Jazz - Released November 11, 2020 | UME - Global Clearing House

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Bach Up

Dimitri Naïditch

Jazz - Released November 15, 2019 | Dinaï Records

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Johann Sebastian Bach : The Well-Tempered Clavier, Book two (Le Clavier bien tempéré, livre 2)

Christophe Rousset

Classical - Released November 4, 2013 | Aparté

Hi-Res Booklet Distinctions 5 de Diapason - Choc de Classica
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Le Clavier bien tempéré (Livre I)

Jenő Jandó

Classical - Released November 6, 1997 | Naxos

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J. S. Bach: Le clavier bien tempéré, Livre I

Chantal Stigliani

Classical - Released January 21, 2019 | Calliope

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Play Bach N. 2

Jacques Loussier

Jazz - Released January 1, 1960 | Universal Music Division Decca Records France

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Bach : Contemplation

Anne Queffélec

Classical - Released January 8, 2009 | Mirare

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J'écoute Bach et Haendel avec ma maman

Anne Queffélec

Classical - Released December 3, 2012 | Mirare

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Le Clavier bien tempéré (Livre I)

Luc Beauséjour

Classical - Released March 27, 2007 | Naxos

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Bach: Le clavier bien tempéré, Livre 2

Jérôme Granjon

Classical - Released March 15, 2021 | Anima-Records

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J. S. Bach & Beyond: A Well-Tempered Conversation

Julien Libeer

Classical - Released January 14, 2022 | harmonia mundi

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To mark the 300th anniversary of the publication of Book I of The Well-Tempered Clavier, Julien Libeer had the idea of presenting it in an unusual light: here he initiates a dialogue in which Bach’s major-key prelude-and-fugue pairs "converse" with later pieces (in the corresponding minor keys) by composers who, in their own way, have built upon the advances Johann Sebastian made in his foundational undertaking. Mozart, Beethoven, Chopin, Rachmaninov, Ligeti, and Schoenberg are all part of the conversation with the Leipzig Cantor in this intricate play of mirrors... © harmonia mundi
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Bach : The Well-Tempered Clavier, Book 1

Christophe Rousset

Classical - Released March 18, 2016 | Aparté

Hi-Res Booklet Distinctions Choc de Classica
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Johann Sebastian Bach : The Well-Tempered Clavier (Le Clavier bien tempéré)

Johann Sebastian Bach

Classical - Released March 24, 2014 | Satirino Records

Distinctions 5 de Diapason - Choc de Classica
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Johann Sebastian Bach : Œuvres pour clavier

Christophe Rousset

Classical - Released November 4, 2010 | Aparté

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica - Choc Classica de l'année
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Play Bach N. 1

Jacques Loussier

Jazz - Released January 1, 1959 | Decca

Distinctions The Qobuz Ideal Discography
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37ème Festival International de Piano de La Roque d'Anthéron

Iddo Bar-Shaï

Classical - Released July 14, 2017 | Mirare

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Bach: The Well-Tempered Clavier, Book 1 (5.1 Edition)

Christophe Rousset

Classical - Released March 18, 2016 | Aparté

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After Bach

Brad Mehldau

Jazz - Released March 9, 2018 | Nonesuch

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Jazz
Without being a mandatory baptism of fire, Jean-Sébastien Bach has always been a captivating magnet for many jazz musicians. So much so that people like Jacques Loussier, Keith Jarrett, the Modern Jazz Quartet, Dan Tepfer or Edouard Ferlet to name but a handful, all tackled head on, and for good reason, the work of the Cantor of Leipzig . The choice made by Brad Mehldau is a hybrid. The American pianist does not create here a jazz album strictly speaking - fans of "Jazzy Bach" can go home straight away - but he mixes themes of Bach - four preludes and a fugue - to personal and contemporary pieces; as intriguing answers or mirror games to original works. The exercise is all the more interesting because part of Bach's work took the form of improvisation. As for Mehldau, his style, but also his compositions, have always contained elements echoing the German composer. We know the rhythmic force of Bach's writing that appeals to jazz musicians. But here, the pianist has thought through his record in its entirety, never trying to separate his works from that of the other. The result is therefore confusing at first (especially for those familiar with the preludes and fugues of the original) but fascinating above all else. Because After Bach is anything but an impressive show of class (Brad Mehldau does not need that much, his virtuosity as a great no longer needs to be proven) but rather an exciting reflection on the life of a score through the centuries. © Marc Zisman/Qobuz