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L'Art de la Fugue

Gustav Leonhardt

Classical - Released February 28, 2006 | Vanguard

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JS Bach, The Art of Fugue, L'Art de la fugue, BWV 1080

Various Artists

Classical - Released January 1, 1994 | Edition André Charlin

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Bach : Die Kunst der Fuge (L'art de la fugue)

Cédric Pescia

Solo Piano - Released January 10, 2014 | Aeon

Hi-Res Booklet Distinctions 5 de Diapason
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Bach: The Art of Fugue

André Isoir

Classical - Released October 1, 1999 | La Dolce Volta

Distinctions Diapason d'or - The Qobuz Ideal Discography
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Johann Sebastian Bach : Die Kunst der Fuge (L'Art de la fugue)

Akademie für Alte Musik Berlin

Chamber Music - Released January 11, 2011 | harmonia mundi

Hi-Res Booklet Distinctions 5 de Diapason
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Johann Sebastian Bach : Die Kunst der Fuge (L'Art de la fugue)

Bernard Foccroulle

Classical - Released July 9, 2010 | Ricercar

Hi-Res Booklet Distinctions 4F de Télérama
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Convergences (Bach, Escaich, Ospital)

Thomas Ospital

Classical - Released February 9, 2018 | Tempéraments - Radio France

Distinctions 5 de Diapason - 5 étoiles de Classica
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Calm Piano

Lise de La Salle

Classical - Released November 24, 2017 | naïve classique

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Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 8: Köthen, 1717-1723 - For Maria Barbara

Benjamin Alard

Classical - Released May 12, 2023 | harmonia mundi

Hi-Res Booklet
The new delivery of the complete works for keyboard of Johann Sebastian Bach (Volume 8), brought to us by harmonia mundi, and featuring Benjamin Alard on the harpsichord, clavichord, and organ, is centred around the composer’s work while he was with his first wife, Maria Barbara. Featuring 3 CDs, or 85 tracks in this digital version, it brings together a series of compositions for educational purposes. On the one hand the Inventions and Sinfonias, on which all apprentice pianists and harpsichordists have tried their hand, and, on the other hand, the six French Suites probably composed to perfect the musical skills of their eldest son, Wilhelm Friedemann.They are “French” only in virtue of the apocryphal title which was given to them after Bach’s death. We find no trace of this mentioned on the original manuscripts. Bach's music also escapes strict classification, even if the influence of Couperin can be quite clearly perceived in this vast corpus, demonstrated by Benjamin Alard’s clever introduction of some Preludes by the French composer as an epigraph to the French Suites of Bach. Above all, these pieces are reminiscent of his own genius, with various influences intended to create a world belonging to the Cantor.Faithful to his organological research, here Benjamin Alard uses a pedal clavichord like that built by the French organ maker, Emile Jobin. The colour of this discreet instrument is simply bewitching. A sort of fruitiness is exuded, the full depth and subtlety of which can be savoured, notably in the Pedal-Exercitium, BWV 598 and in the transcription for keyboard of the famous Chaconne - Second Partita, initially composed for the violin. We also like the golden tones of the Couchet harpsichord from 1645, "restored" (modified later) by Blanchet in around 1720. We find the entirety of Benjamin Alard’s skill in this new recording; his science which illuminates complicated polyphony, his clean energy, and his curiosity for fascinating worlds of sound. © François Hudry/Qobuz
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J.S. Bach: The Art of Fugue, BWV 1080

La Grande Écurie et La Chambre Du Roy

Classical - Released October 31, 2005 | Phaia Music

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L'Art de la Fugue (Die Kunst der Fuge)

Hespèrion XX

Classical - Released January 1, 1986 | Alia Vox

Distinctions Choc du Monde de la Musique
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Bach: The Art of Fugue, BWV 1080, Vol. 1

Wolfgang Rübsam

Classical - Released July 7, 2017 | Counterpoint Records

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Bach: L'Art de la Fugue à Saint-Benoît-sur-Loire

Vincent Grappy

Classical - Released November 23, 2018 | HORTUS

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Bande Originale du film "Diva" (1981)

Vladimir Cosma

Film Soundtracks - Released January 5, 2010 | Larghetto

Booklet
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Piano Music for Classical Guitar

Søren Bødker Madsen

Classical - Released November 24, 2021 | Guitarsolo.dk

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Lillian Gordis Plays Bach

Lillian Gordis

Classical - Released March 25, 2022 | Paraty

Hi-Res Booklet
An incredible release! Lillian Gordis’ playing is artfully phrased and showcases such agogic freedom, not to mention her knack for the art of surprise and suspension! The success of this rendition is achieved through its bold ornamentation (Prelude in B flat major), wide spectrum of sound (Partita No. 1, Gigue left hand), and playful approach to resonance.With this incredible double album, American harpsichordist Lillian Gordis pays tribute to two musicians who left an impact on her younger years: Leonhardt and Hantai, both of whom utilised the fabulous acoustics of the Doopsgezinde Kerk in Haarlem, the Netherlands, to record their music. Following in their footsteps, Gordis chose to record her latest collection in this exact same location in November 2020. This recording includes two English Suites (Nos. 3 and 5), two Partitas (Nos. 1 and 4) and four Preludes and Fugues from The Well-Tempered Clavier - Book 2: The huge BWV 890 in B flat major, the conceptual BWV 891 in B flat major, the tender and effusive BWV 873 in C sharp minor and, last but not least, the joyful and glorious BWV 874 in D major. Here, we feel Lillian be swept up in the magic of this venue, leading to an otherworldly performance.These two musical hours are breath-taking in every sense of the word: they’re free, fantastical and rigorous, and possess incredible momentum. One such example is Prelude in D major BWV 874, where bugles, oboes and flutes provide a wonderfully rustic atmosphere. She often creates phrase breaks to let her unusual and surprisingly precise imagination shine through. Lillian Gordis is a master of rhythm, always creating mesmerising dance structures, just as Blandine Verlet once did in some of her old recordings (Philips). There are also clear polyphonies throughout the record (particularly in Partita n° 4).But the most surprising and mesmerising thing here is the narrative strength of this take on Bach’s work, and its joyful abandon of scholastic spirit. This recording truly reflects life; its strangeness, oddities and baroque temptations as well as its joy, luminosity and abundance. Without doubt, this is well worth a listen. © Pierre-Yves Lascar/Qobuz
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Bach / Beethoven: Fugue

Australian Chamber Orchestra

Classical - Released April 7, 2017 | ABC Classic

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