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Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 7: Orgelbüchlein, BWV 599-644 (with choir)

Benjamin Alard

Choral Music (Choirs) - Released October 14, 2022 | harmonia mundi

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With its forty-five chorale preludes, the Orgelbüchlein bears witness to a mastery of the art of improvisation on the organ, as the congregation heard it at the time before singing the hymn in its turn. It was a tempting experiment to revive this primary function: by collaborating with the combined forces of the Ensemble Vocal Bergamasque and the Maîtrise de Notre-Dame de Paris, Benjamin Alard gives the "little organ book" its full significance and expressive power. © harmonia mundi
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J.S. Bach: The Complete Works for Keyboard, Vol. 1 - The Young Heir - Le Jeune héritier

Benjamin Alard

Classical - Released December 15, 2017 | harmonia mundi

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Organ player and harpsichordist, titular player of the Aubertin organ of the Saint-Louis-en l'Île church in Paris, where he regularly plays Bach in concert, Benjamin Alard is an unstoppable talent. Passionate about the world of Johann Sebastian Bach, this young man, "reserved, with an understated sense of humour", has undertaken a complete recording of the Cantor's keyboard works for harmonia mundi. The project is vast, and has never before been completed by a single musician. Benjamin Alard's very original approach is based on the idea of taking on this vast catalogue split into fourteen chapters, following the timeline of the composer's life, describing his influences, his travels and his professional choices. Every volume is to be thought of as a series of episodes retracing the life and works of the Cantor of Leipzig. This first volume paints a picture of "the young heir", whose music is still very much a tribute to his predecessors, such as Georg Böhm, Johann Kuhnau, Tomaso Albinoni, Johann Pachelbel, Girolamo Frescobaldi, Louis Marchand and Johann Jakob Froberger. The instruments used for this complete recording have been selected, thankfully, with great care. Recorded in May 2017, this first volume uses the Silberman organ in Sainte-Aurélie in Strasbourg, a superb instrument built in 2017, which benefited from a magnificent restoration in 2015, to mark its tricentenary. As for the harpsichord, it is a modern instrument produced by manufacturer Émile Jobin, inspired by models from Ruckers and Dulcken. A young man of his times, Benjamin Alard accompanies this complete works with an original idea: every work is recorded and published separately on streaming and download sites (like Qobuz), along with videos on social media. © François Hudry/Qobuz

Rostropovich Plays Bach

Mstislav Rostropovich

Classical - Released August 20, 2021 | Warner Classics

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Bach à Leipzig: L'Apogée d'une pensée créatrice

Stéphane Bois

Classical - Released June 2, 2023 | HORTUS

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Johann Sebastian Bach: Orgelbüchlein BWV 599-644

René Saorgin

Classical - Released September 1, 1997 | harmonia mundi

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Bach : The Complete Organ Works

André Isoir

Classical - Released January 1, 1991 | La Dolce Volta

Booklet Distinctions Diapason d'or - 4F de Télérama - Le Choix de France Musique - Choc de Classica
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J.S. Bach: Organ Works, Vol. 5

Masaaki Suzuki

Classical - Released March 1, 2024 | BIS

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Masaaki Suzuki's Bach organ recordings, something of a labor of love after the completion of his magisterial cantata cycle, have been well-received; this one landed on classical best-seller charts in early 2024. It is the second of a pair recorded on a 1737 organ at the Stiftskirche St. Georg in Grauhof, Lower Saxony, Germany. The builder was Christoph Treutmann, one of the greats of the age, and if it is not an organ Bach played, it is certainly one he would have regarded as state-of-the-art. Both this release and its predecessor, Vol. 4 in Suzuki's series, feature intricate chorale settings from the Orgelbüchlein, played on this organ and tied to the liturgical year; this volume features chorales for Easter (and the album was released just in time for that holiday) along with other settings and a few framing preludes and fugues. Suzuki on the organ is recognizably the same musician who led the Bach Collegium Japan on his famed cantata recordings; he is lofty, precise, and warm. The Treutmann organ is ideal for both the repertory and the performer; in many registrations it has an edgy, rather acid sound that clarifies Bach's complex polyphony beautifully. Also, sample the double setting of "Liebster Jesu, wir sind hier," with its contrasting textures. The BIS label's well-known engineering expertise is applied profitably to this small German church on a recording that one suspects Bach would have greatly admired.© James Manheim /TiVo
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Bach: The Well-Tempered Consort – I

Phantasm

Classical - Released January 24, 2020 | Linn Records

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Buxtehude

Laureen Stoulig-Thinnes

Classical - Released February 23, 2024 | Indésens Calliope Records

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53°52'15.4"N 10°41'20.7"E (Bach Organ Landscapes / Lübeck, Norden & Goslar)

Jörg Halubek

Classical - Released November 4, 2022 | Berlin Classics

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Bach : The Complete Works for keyboard, Vol. 2 / Part 2 (& Buxtehude, Pachelbel, Reinken)

Benjamin Alard

Classical - Released April 12, 2019 | harmonia mundi

Hi-Res Booklet Distinctions 5 de Diapason - 5 étoiles de Classica
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Bach for Two

Romina Lischka

Classical - Released October 1, 2021 | Ramée

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Johann Sebastian Bach left us three sonatas for viola da gamba and harpsichord. He made various transcriptions of the gamba sonata in G major, one of which was of the last movement as a trio sonata for organ. Several movements of the six organ trio sonatas themselves are also reworkings of previously composed material from his cantatas, organ and chamber works. This practice inspired the "Bach for Two" programme by Romina Lischka and Marnix De Cat, in which they have assembled the most beautiful combinations of viola da gamba and organ in both original and arranged versions of Bach’s chorale preludes and trios. Bach is a master of both the head and the heart. With text and melody as his starting point, he created small musical worlds in his chorale preludes for organ and takes the listener on the most varied of inner journeys. To experience musical joy, to find inner peace through every possible emotion, to be comforted in one’s search or sorrow, to be moved to the depths of one’s being - this is the art of Bach, the magician of sound. © Ramée
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Georg Böhm : Œuvres pour orgue

Bernard Foccroulle

Classical - Released September 8, 2011 | Ricercar

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Bach: Toccata and Fugue & Other Works

Simone Stella

Classical - Released September 2, 2014 | OnClassical

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JS Bach: Clavier-Übung III

Jeremy Filsell

Classical - Released December 2, 2022 | Signum Records

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On this recording, the Choir of Men & Boys sings the Lutheran chorales preceding Bach’s organ settings. There are five organs in the church of this recording, three of which reside in the church space; the Miller-Scott Dobson Chancel organ (2018), the rear gallery Loening-Hancock mechanical action instrument, built by Taylor & Boody (1996), and the Martha J. Dodge continuo organ built by Taylor & Boody (2001). The Tower carillon space houses a Peter Collins mechanical action organ (2008), and a 2-manual Aeolian-Skinner practice organ (1957) resides in the Choir Rehearsal Room. The Miller-Scott Dobson Organ is one of North America’s most significant pipe organs, supporting the parish’s internationally- renowned liturgical and musical life, while the rear gallery instrument, inspired by the tradition of organ building active in the Netherlands and North Germany in the 17th and 18th eighteenth centuries, provides foil to the Dobson’s eclecticism. © Signum Records
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Bach and friends

Louis-Noël Bestion de Camboulas

Classical - Released April 28, 2017 | Ambronay Éditions

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Cantates pour basse

Christian Hilz

Classical - Released October 1, 2009 | Brilliant Classics

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Michael Praetorius: Ein feste Burg ist unser Gott

La Protezione della Musica

Classical - Released March 31, 2021 | arcantus Musikproduktion

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Anlässlich des 450. Geburtstages und 400. Todestages von Michael Praetorius hat das Ensemble La Protezione della Musica eine Auswahl von Vokal- und Orgelkompositionen zusammengestellt, die für Praetorius’ Schaffen recht repräsentativ ist. Um den Haupttitel “Ein feste Burg ist unser Gott” präsentiert das Ensemble Werke aus Polyhymnia caduceatrix et panegyrica sowie Musae Sioniae. Die Aufnahme wurde in der St. Marienkirche in Lemgo gemacht, um die dortige Scherer-Orgel von 1613 zu nutzen – dazu entsprechende Instrumente aus jener Zeit, die die Vokalklänge von La Protezione della Musica bereichern. Das Ensemble hat seine Wurzeln in Bremen und Leipzig (und dort natürlich auch Verbindungen zum Thomanerchor), und dies ist bereits das zweite Album dieses jungen Ensembles nach Kielings Matthäuspassion. © Arcantus-Label
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Pachelbel, J.: Organ Music (Complete), Vol. 1

Joseph Payne

Classical - Released November 29, 1996 | Centaur Records, Inc.

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Vater unser im Himmelreich (BWV 636)

Misha antonov

Classical - Released December 8, 2023 | Misha Antonov

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