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Bachkantate, BWV 65 - Sie werden aus Saba alle kommen (Live)

Rudolf Lutz

Vocal Music (Secular and Sacred) - Released October 29, 2021 | J. S. Bach-Stiftung

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J.S. Bach: Sie werden aus Saba alle kommen, BWV 65

Netherlands Bach Collegium

Classical - Released April 14, 2024 | Brilliant Classics

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Johann Sebastian Bach : Cantates (Volume 18)

John Eliot Gardiner

Cantatas (sacred) - Released October 1, 2010 | SDG

Distinctions Diapason d'or
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J.S. Bach: St. Matthew Passion, BWV 244

Bach Collegium Japan

Classical - Released February 7, 2020 | BIS

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“A great joy”: this is how Masaaki Suzuki considers this, his second recording of the St. Matthew’s Passion, made twenty years after the first one, in the Saitama Arts Theatre in Japan in April 2019 for the BIS label. A great opportunity to revisit the work, as in the elapsed time, the conductor and his orchestra have nearly completely recorded Bach’s choral music, including the complete masses and secular and sacred cantatas. As is his custom, Suzuki works with European soloists for this new recording, like the splendid young German tenor Benjamin Bruns, playing the stupendous part of the Evangelist. There are other familiar soloists that feature here, such as Carolyn Sampson, Damien Guillon, Makoto Sakurada and Christian Immler. There is nothing monumental about this new intimate and refined version, which follows the fateful narrative with great sobriety. There is nevertheless a fervent level of impulse, as well as a certain innocence within this resolutely pared back Lutheran perspective - there is never any real search for theatricality. The exceptional instrumental quality of the soloists of the Bach Collegium Japan and the soft touches of the two choral ensembles is also worth highlighting. © François Hudry / Qobuz
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Bach, J.S.: Cantatas, Vol. 4 (Gardiner)

Joanne Lunn

Classical - Released July 6, 2009 | SDG

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Bach, J.S.: Cantatas, Vol. 5 - Bwv 45, 46, 101, 102, 136, 178

Robin Tyson

Choral Music (Choirs) - Released September 1, 2008 | SDG

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Bach: Cantatas with violoncello piccolo

Christophe Coin

Classical - Released January 1, 1995 | naïve classique

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Johann Sebastian Bach: The Complete Works for Keyboard, Vol. 7: Orgelbüchlein, BWV 599-644 (with choir)

Benjamin Alard

Choral Music (Choirs) - Released October 14, 2022 | harmonia mundi

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With its forty-five chorale preludes, the Orgelbüchlein bears witness to a mastery of the art of improvisation on the organ, as the congregation heard it at the time before singing the hymn in its turn. It was a tempting experiment to revive this primary function: by collaborating with the combined forces of the Ensemble Vocal Bergamasque and the Maîtrise de Notre-Dame de Paris, Benjamin Alard gives the "little organ book" its full significance and expressive power. © harmonia mundi
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J.S. Bach : St. Matthew Passion, BWV 244

John Eliot Gardiner

Masses, Passions, Requiems - Released March 3, 2017 | SDG

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Award - Gramophone: Recording of the Month - 5 Sterne Fono Forum Klassik
Recorded live at Pisa Cathedral in 2016, this recording of Bach's St. Matthew Passion, BWV 244, is of a piece with the touring Bach Cantata Pilgrimage recordings released in the early 2000s: it is rich yet lively, sung with precision yet a total sense of commitment in the moment. The singers -- the Monteverdi Choir of 30 with soloists all drawn from the choir, except for Jesus (Stephan Loges) and the Evangelist (James Gilchrist) -- performed from memory, and the feeling that the text is being communicated directly is even greater than is usual with Gardiner. An unusual feature of the recording is that the soloists are not single per part; the soprano solos are taken by no fewer than five different singers. Several (try Hannah Morrison in "Aus liebe") are lovely, and the effect of a space between the congregational chorales and the focus on an individual soloist is fascinating. The hair-trigger alertness of the chorus in the big numbers like "Sind Blitze, sind Donner in Wolken verschwunden?" is also extremely compelling. Gardiner and the Monteverdi Choir offer Bach with the luxury of old-fashioned Romantic versions combined with the agility of historical performance, and they've never done the combination better than they do here. © TiVo
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Bach: Redemption

Anna Prohaska

Classical - Released June 26, 2020 | Alpha Classics

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Anna Prohaska asked Wolfgang Katschner and the Lautten Compagney at the outset of the coronavirus crisis whether they shouldn’t spontaneously organize a musical get-together in this period. This has now resulted in "Redemption". This is a sequence of music selected solely from Bach cantatas, compiled in keeping with the aforenamed conceptual association. "Redemption" has multiple meanings, for instance: can music give us consolation in times of sickness and crisis; can it open up emotional and contemplative spaces for us; is it redemptive for musicians to be the “instruments” in engendering music and therefore spirituality… ? Besides Anna Prohaska as soloist and three other singers, "Redemption" features a larger group of musicians – around twenty instrumentalists. These musicians serve a dual role: they expertly accompany the arias that Anna Prohaska sings and they also represent the concept of human interaction and a shared collective experience which has been missing during these times. © Alpha Classics
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Johann Sebastian Bach : Ich elender Mensch & Leipzig Cantatas (BWV 44, 48, 73, 109)

Collegium Vocale Gent

Cantatas (sacred) - Released December 20, 2013 | Phi

Hi-Res Booklet Distinctions Gramophone Editor's Choice - 4 étoiles Classica
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Mendelssohn & Bach: Matthäus-Passion

The Bach Choir Of Bethlehem

Classical - Released March 22, 2024 | Les Productions Analekta Inc.

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Bach: Weihnachts-Oratorium, BWV 248

Bachchor Mainz

Classical - Released October 12, 2018 | Naxos

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Art Choral Vol. 3: Baroque II

Ensemble ArtChoral

Classical - Released February 17, 2023 | Les Disques ATMA Inc.

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Vision. Bach, Vol. 1

Hans-Christoph Rademann

Classical - Released December 1, 2023 | haenssler CLASSIC

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Bach: Christmas Oratorio

Orchestra Of The Age Of Enlightenment

Classical - Released November 3, 2013 | Hyperion

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Bach's Christmas Oratorio, BWV 248, consists of a set of six cantatas, each with recitatives, arias, and chorales. Moreover, some of the music for this most solemn of Christian events was borrowed by Bach from his own secular compositions. Yet it is a unified work, designated by Bach himself as an oratorio, and the biblical narration of the Christmas story is worked into the usual recitative-aria structure. There aren't any melodies in the work that are really among Bach's greatest hits, but the ingenuity of the work as a whole lies in the way it's somehow greater than the sum of its parts. That's the appeal of this version by conductor Stephen Layton, four of his favored soloists, the Choir of Trinity College, and the period-instrument Orchestra of the Age of Enlightenment: it respects the small scale of the parts but treats the whole with the weight it deserves. Credit for the balance must go to Layton, who has gotten splendid results from the youthful Cambridge choristers in a variety of common repertory works. They enunciate clearly, hit the pitches precisely, and generally seem excited by what they're doing. The always lively Orchestra of the Age of Enlightenment is a perfect partner for the choir, and the soloists engage with the text and convey the feeling that they're in the ballpark of the ones who originally performed the work. There are more daring performances of the Christmas Oratorio on all fronts, but few that make such a satisfying and musical impression.© TiVo
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J. S. Bach : Erbarme dich

A Nocte Temporis - Reinoud Van Mechelen

Classical - Released October 21, 2016 | Alpha Classics

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Johann Sebastian Bach: Weihnachtsoratorium / Christmas Oratorio (BWV 248)

Thomanerchor Leipzig

Classical - Released October 15, 2010 | Rondeau Production

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J.S. Bach: St. Matthew Passion, BWV 244

Gaechinger Cantorey

Classical - Released March 5, 2021 | Accentus Music

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"The St. Matthew Passion by Johann Sebastian Bach is one of the greatest works in the history of music. Whenever I study this epochal composition, I always ask myself the question: How can a work of music, which is performed each year in thousands of performances, has been scientifically and artistically interpreted for decades, and worshiped for centuries, remain a new, contemporary, and at the same time universal and supreme idea? It can be achieved if that which is defined as established and comprehensive, and appears or is accepted as unshakeable, is set in motion without capping the connections to the work itself and its musical- historical, intellectual and theological foundations", says Hans-Christoph Rademann about one of the monumental sacred works of music history. In November 2020, Rademann and the Gächinger Cantorey ensemble and chorus, together with an extraordinary group of soloists, set out to lend a new and fresh perspective to Bach's timeless masterpiece of raging choirs, intimate chorales, and emotionally charged arias, which, with its drama and pictorial quality, allows the listener to experience the well-known Passion story again and again as something completely new and unheard-of. © Accentus Music

J.S. Bach Oratorio de Noël

Philippe Herreweghe

Classical - Released March 16, 2018 | Warner Music Group - X5 Music Group

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