Bach, J.S.: Cantatas, Vol. 16 - Bwv 28, 122, 152, 190, 225
Monteverdi Choir
Classical - Released January 1, 2000 | SDG
JS Bach : Cantatas for soprano
Carolyn Sampson
Cantatas (sacred) - Released April 21, 2017 | harmonia mundi
Clair de Lune - Orchestral Favourites; Waldteufel - Waltzes
Raymond Agoult
Classical - Released May 10, 2019 | Universal Music Australia Pty. Ltd.
Bach, J.S.: Organ Works
Helmut Walcha
Classical - Released January 1, 1998 | Deutsche Grammophon (DG)
Beethoven, Busoni, Bach/Busoni
Jae Hong Park
Classical - Released February 23, 2022 | Universal Music Ltd.
Jae Hong Park, a 22-year-old Korean pianist, was particularly successful at the last edition of the Ferruccio-Busoni Competition in Bolzano, Italy, in 2021. This programme, which was released by Decca and produced by Universal's very active Korean subsidiary features Beethoven's huge Hammerklavier, and a rarer work by Busoni, the 10 Variationen über ein Präludium von Chopin.This young Korean’s piano playing has many truly beautiful qualities, each one sublimely captured here. There is real passion and intensity in the initial Allegro from Beethoven's great Sonata, welcome restraint in the Scherzo that follows, and the initial chords of Adagio Sostenuto have great polyphonic readability. His incredible rendition is beautifully lyrical, and honours Beethoven’s incredible legacy. Jae Hong Park captures the enigmatic tone of the introduction to Allegro risoluto (Fugue), whilst the rest of the piece is nothing short of joyous. Here, the pianist gets lost in his instrument and impresses with his masterful articulation and incredible understanding of register.Just like Rachmaninov’s cycle (Op. 22), Busoni’s ten Variationen über ein Präludium von Chopin (BV 213a) also feature Prelude No. 20 from the Polish-French composer's Op. 28. More compact than that of his Russian colleague (12 minutes as opposed to 36 minutes), Busoni's cycle is highly virtuosic, rather dark in character and clearly reminiscent of Franz Liszt. Jae Hong Park’s clarity of sound is exciting. A pianist to watch. © Pierre-Yves Lascar/Qobuz
J.S. Bach: Wachet auf, ruft uns die Stimme, BWV 140
Netherlands Bach Collegium
Classical - Released July 16, 2023 | Brilliant Classics
Bach: Magnificat In D Major, BWV 243 & Wachet Auf, Ruft Uns Die Stimme, BWV 140
Orchestra of St. Luke's
Classical - Released January 1, 2003 | Musical Heritage Society
J.S. Bach Complete Lute Works and Other Transcriptions
Nigel North
Classical - Released April 21, 2023 | Deux-Elles Limited
Bach: The Complete Organ Works Vol. 1
Johann Sebastian Bach
Classical - Released October 16, 2015 | Signum Records
Bach: Complete Organ Works (Analogue Version 1959-67, remastered 2018)
Marie-Claire Alain
Classical - Released August 24, 2018 | Warner Classics
Bach Motets
Solomon's Knot
Classical - Released June 16, 2023 | Prospero Classical
Bach : Cantatas Vol. 21
Ton Koopman
Classical - Released January 1, 2006 | Challenge Classics
Bach, J.S.: The Organ Works
Simon Preston
Classical - Released January 1, 2000 | Deutsche Grammophon (DG)
Bach: Transcriptions for Orchestra
Leonard Slatkin
Symphonies - Released June 1, 2000 | Chandos
Bach/Isoir : Transcriptions
Michel Bouvard
Classical - Released April 15, 2016 | La Dolce Volta
Numinosum: Works by Bach-Busoni, Liszt, Franck & Messiaen
Joachim Carr
Classical - Released July 7, 2023 | Claves Records
Jubilo - Fasch, Corelli, Torelli & Bach
Alison Balsom
Classical - Released November 4, 2016 | Warner Classics
Jazz Sebastien Bach
The Swingle Singers
Jazz - Released April 1, 1963 | Universal Music Division Decca Records France
The Swingle Singers' scat vocal jazz swing arrangements of Johann Sebastian Bach classics were among their most popular material, particularly in Europe (where they actually enjoyed some chart success in the U.K.). Accompanied by nothing more than double bass and drums, the octet distributed their vocal parts equally among two sopranos, two altos, two tenors, and two basses, favoring brisk tempos. Occasionally, indeed, they were so brisk they verged on hyperventilation, as on "Prelude No. 1 in C Major" and the version of "Fugue No. 5 in D Major" drawn from "The Well-Tempered Clavier, Book 1." They do slow things down once in a while on numbers like "Aria" (from the composer's "Orchestral Suite No. 3 in D Major") and parts of "Sinfonia," which tend to tilt the mood a little more toward the classical. The album's inventive but a little white bread in its relentlessly wholesome, upbeat tone. Pop fans might hear echoes of the Swingle Singers' work, whether direct or coincidental, in the harmonies of artists like the Association and the Beach Boys, and a U.K. rock group, the Belfast Gypsies, a spinoff of Them, actually based its "Aria of the Fallen Angels" on the Swingle Singers' reading of "Aria" on this album.© TiVo
Bach: Cantatas 54, 82 & 170 "Widerstehe", "Ich habe genug" & "Vergnügte Ruh"
Iestyn Davies
Classical - Released December 30, 2016 | Hyperion